A show to celebrate the centenary of Samuel Beckett. The exhibition combines works by two important artists of the 20th and 3 recent films of Beckett's shorter plays: Damien Hirst directs Breath, Neil Jordan directs Not I and Karel Reisz directs Act Without Words 1. They will be punctuated by six paintings of Philip Guston; Bruce Nauman shows Clown Torture, a video installations and early video piece.
Samuel Beckett / Philip Guston / Bruce Nauman
The Royal Hibernian Academy is organizing a major exhibition to celebrate the
centenary of Samuel Beckett (1906 - 1989).
The exhibition combines two of America's most outstanding artists of the twentieth
century together with three recent films of Beckett's shorter plays. The exhibition
is curated by RHA Director, Patrick T. Murphy, who says of the project, "This
exhibition celebrates the existential truths of human existence and the rigour that
each of these artists brought to creating work that offers some companionship within
the bleakness of that vision. Each is bound by the human condition's ability for
suffering, humour and an unremitting resolve 'to go on'."
The three Beckett plays chosen are from the recent productions by Blue Angel
Films/Tyrone Productions. The British artist Damien Hirst directs Breath, Neil
Jordan directs Not I and Karel Reisz directs Act Without Words 1. These plays will
be shown as continuous video projections in three separate rooms in the Academy's
main gallery. They will be punctuated by six of the late paintings of Philip Guston
(1913-1980). Guston outraged the U.S. art world when during the nineteen sixties he
swung from an accepted Abstract Expressionist style to highly individualistic
figurative work which produced images of great profundity and subsequent influence.
Guston's paintings depict a Sisyphian vision of man and his place in the world.
Bruce Nauman (1941) made a significant contribution to the development of conceptual
art in the early seventies and was a seminal influence in the use of video as a
medium for art making. Here he shows Clown Torture, 1987 one of the most challenging
and disturbing video installations ever created. Also an early video piece from
1968, Slow Angle Walk (Beckett Walk), will be shown. Here Nauman and Beckett's
appreciation of physical comedy unite. Nauman will also be represented by a major
sculpture South America Triangle, 1981, where the lexicon of Nauman's and Beckett's
props overlap.
Referring to the existential tremors that bind the show Murphy said, "The immense
implications of the idea of a free and self-determining individual remains acutely
pertinent to the everyday world. In this exhibition audiences will find their
understanding of their place in the world developed, affirmed and challenged. The
searing images created in painting, video, installation and drama directly speaks to
the aloneness of the soul".
This exhibition has been funded by the Lannan Foundation and the Beckett Centenary
Festival at the Department of Arts, Sports and Tourism. Additional funding was
provided by the Arts Council/An Chomhairle Ealai'on and the Benefactors, Patrons and
Friends of the RHA.
In Association with: THE IRISH TIMES
Royal Hibernian Academy
Gallagher Gallery
15 Ely Place. Dublin 2 Ireland
Tue-Sat 11am-5pm. Sun 2pm-5pm. Thu 11am-8pm