Agnes Varda
Karl Blossfeldt
Olafur Eliasson
Joel Sternfeld
Ramon Masats
Cristobal Hara
Hiroshi Sugimoto
Paulo Nozolino
Ouka Leele
Paolo Roversi
Horacio Fernandez
The Festival’s ninth edition explores the relationships between nature and culture from the viewpoint of 375 photographers and visual artists. PHE06 will welcome 62 exhibitions - 25 in the Official Section and 37 in the Off Festival - that present works by artists and creators of 33 different nationalities. Karl Blossfeldt, Olafur Eliasson, Joel Sternfeld, Ramon Masats and Cristobal Hara are some of the leading figures participating in this edition.
The Festival’s ninth edition will be inaugurated June 1st
PHotoEspana 2006 explores the relationships between
nature and culture from the viewpoint of 375
photographers and visual artists.
PHE06 will welcome 62 exhibitions - 25 in the
Official Section and 37 in the Off Festival - that present works by artists and
creators of 33 different nationalities.
Karl Blossfeldt, Olafur Eliasson, Joel Sternfeld, Ramo'n Masats and Cristo'bal
Hara are some of the leading figures participating in this edition.
Nature, the central theme of PHotoEspana 2006, is studied in two major facets:
the relationship between nature and culture and new interpretations of
landscape art.
Matadero Madrid and the Thyssen-Bornemisza Museum are among the new
centres joining the Festival.
Agne's Varda, the Nouvelle Vague pioneer, will receive a tribute in PHE Cinema.
For the second consecutive year, Toledo is a Festival venue.
PHotoEspana in the Street repeats its yearly invasion of the Las Letras district
with the Madrid Abierto, Cameratruck Project and Santa Ana Projections
projects.
Campus PHE hosts great masters of photography including Hiroshi Sugimoto,
Paulo Nozolino, Ouka Leele and Paolo Roversi.
Outstanding artists and intellectuals such as Alexandr Sokurov will meet in
Encuentros PHE.
Nature:
The belief that nature is not an appropriate subject for art has been
around for a long time. Artists of the avant-garde era had no doubt about
this whatsoever. Alexandr Rodchenko found too much disorder in nature,
too many things to catch the eye and distract attention. New photography
had other priorities.
We could say that this anti-nature attitude is a standard that still persists,
but this would be to generalise more than seems wise, since it is not true.
There are too many exceptions. Nonetheless, in modern art and what
came afterward, the pattern was different. Suspicion, incomprehension
and even contempt for nature have been common throughout twentieth-
century art. Landscapes were considered an outmoded subject, a boring
romantic anachronism. And not without reason. Why represent nature
visibly if it is already visible? How can you give it order, expression or
meaning?
Art is only one aspect of the complex relations existing between human
beings and nature. Fortunately, the appreciation of natural beauty, the
experience of nature or the states of mind it can inspire are not limited to
art or to artists. Anyone has access to them through nature’s own
manifestations.
This new edition of PHotoEspana comprises a group of exhibitions that
seek to bring viewers a greater understanding of some of the visible
components of the nature-culture conundrum. By means of all types of
works, usually technical and particularly photographic, and with the same
attention that the two previous editions gave to current developments in
documentary languages, PHE06’s programme now explores in a critical,
problematic fashion various facets of one of the major issues of our time.
One of the most important of these is the way nature is experienced. The
viewer will find works that can be appreciated by more than just sight,
because they trigger more complex sensory experiences that are often
uncomfortable. One particular aspect of this approach is the rural
experience, in the belief that the life of peasants is historically closest to
nature, but also with the knowledge that the survival of these people now
begins to be an ecological problem that at worst will some day resemble
the problems now existing with animal species in extinction. This is an
issue as global as the environmental issues that are also the subject of the
exhibitions.
Recent interpretations of landscapes offer another facet on which this
programme focuses specifically. Landscapes were frequently considered
an old-fashioned, perhaps even superseded, artistic genre, however here
we are not referring to that type of aestheticist, imitative landscape. Since
the concept of landscape is now broader and, instead of losing validity,
has now reached dimensions hitherto unknown in social and cultural
studies, our intention has been to look for examples of visual works close
to these interpretative models where paths that are still fairly untrodden
are now opening up to the visual representation of nature.
Finally, the Festival also deals specifically with the relationships between
nature and culture, the real heart of the question, by offering images on
exploration and technique, among other possibilities, some of which have
already been mentioned.
Horacio Ferna'ndez
General Curator PHotoEspana 2006
WHAT IS PHOTOESPANA
PHotoEspana, the International Festival of Visual Arts, has been held annually in Madrid
since 1998, turning the city for a month and a half into the world capital of photography.
Every year, over 500,000 people visit the exhibitions and other activities organised for
the occasion. In 2006, the Festival celebrates its ninth edition, which will be held from 2
June to 23 July.
The exhibitions showcase new tendencies in the world of photography and the visual arts,
attracting both general and specialist audiences. They are the ideal opportunity for
discovering the latest photographic projects, videos and installations produced by
leading national and international photographers and visual artists. The exhibitions are
complemented by parallel activities such as Campus PHE, which offers a series of
workshops by great masters of photography; Cine PHE; professional seminars; public
screenings of audiovisuals, portfolio reviews, etc. For the duration of the Festival, all of
these turn Madrid into a forum for discussions about the role of photography in the
Contemporary Art world, bringing together artists, curators and directors of national and
international galleries and museums.
Leading international photographers who have attended PHotoEspana include Duane
Michals and Wolfgang Tillmans at PHE98; Luis Gonza'lez Palma and Malick Sidibe' at
PHE99; James Nachtwey and Susan Meiselas at PHE00; William Eggleston, Max Pam,
Robert Frank and Andreas Gursky at PHE01; Helmut Newton, Elliott Erwitt, Nan Goldin
and Carolee Schneemann at PHE02; Helena Almeida, Joel-Peter Witkin, Philip-Lorca
diCorcia, Nancy Burson, Christine Spengler and Juergen Teller at PHE03; Paul Graham,
Rineke Dijkstra, Martin Parr, Henri Cartier-Bresson, Michael Ackerman and Douglas
Kirkland at PHE04; and Stephen Shore, Stan Douglas, Martin Parr, Bertien van Manen,
Bernd & Hilla Becher and William Klein at PHE05.
Throughout the various editions of the Festival, including PHE05, 526 exhibitions have
been hosted, 2,301 photographers have attended, and over three million people have
visited the exhibitions and participated in the various activities. The Festival budget for
the 2005 edition was 2,500,000 euros.
PHotoEspana is a festival produced by and for society. Founded and organised by private
initiative, it is also sponsored by private companies and public institutions such as the
Spanish Ministry of Education and Culture, the Regional Government of Madrid and
Madrid City Council.
The Festival exhibitions are divided into two broad sections: the Official Section, which
encompasses museums, institutions and large exhibition centres, and the Festival Off,
which attracts the participation of art galleries and other spaces. The core of
PHotoEspana is located along the Paseo de la Castellana Boulevard (the main artery that
divides the city of Madrid into two parts). The main museums, art centres, institutions
and galleries are all in this area.
The exhibitions in the Official Section always focus on the central theme of the Festival,
chosen by the general curator of PHotoEspana. For the period 2004-2006, the person
responsible for this mission is Horacio Ferna'ndez, and the theme that he has chosen for
the next edition is Naturaleza (Nature).
Finally, the extensive media coverage attracted by PHotoEspana confirms its status as
the major cultural event of the year, with over 200 authorised national and international
journalists attending. For further details, visit the official website.
Communications Manager
Alvaro Mati'as Tel. +34 91 3601324 amatias@lafabrica.com
Spanish Press
Emilu' Soares Tel. +34 91 297 48 30 emilu@phedigital.com
Iago Davila Tel. +34 91 360 143 20 idavila@phedigital.com
International Press
Catherine Philippot Tel. +331 40476342 Fax + 331 40476242 cathphilippot@photographie.com
Opening: 2 June 2006
PHotoEspana
Plaza de Castilla - Madrid