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20/6/2006

O' A.rtisti I.n R.esidenza

O', Milano

O’ A.I.R. 2006 e' un programma di residenza per artisti e curatori che si svolge a Milano nella sede di O’artoteca.

L’associazione si rinnova dall’interno offrendo spazi di sperimentazione, tempi di riflessione, discussione, verifica; importanti per puntualizzare operazioni artistiche come risultato di dinamiche complesse. Traccia una propria posizione che le permetta di entrare in dialogo con il lavoro mobile dell’arte contemporanea, rendendo testimonianza di percorsi differenti, ribadendo anche il carattere dialogante e relazionale che ne ha caratterizzato l’attivita' in questi anni.

Organizzato da O’artoteca in collaborazione con Hotel Pupik-Austria, il programma ha durata annuale; il 21 giugno 2006 vengono presentate le ricerche sviluppate in questo primo appuntamento dagli artisti Nate Page ed Hedya Klein, dalla compositrice Katharina Klement e dalla curatrice Elisa Del Prete.

O’artoteca propone quattro programmi di residenza l’anno, ospitando per ciascun appuntamento da due a quattro artisti e un curatore, provenienti da esperienze ed approcci diversi, selezionati internazionalmente su invito. Il programma copre il viaggio, offre un alloggio, uno studio e prevede alcune facilitazioni. Ciascun "ospite" sviluppa in modo indipendente la propria idea ma la Residenza sollecita collaborazioni tra gli artisti e gli operatori all’interno di un contesto "metropolitano" (cittadino) complesso e sfaccettato.

Durante la permanenza a Milano, che varia da un minimo di una settimana fino ad un massimo di due mesi, vengono messi in discussione progetti e processi, attivati confronti e ricerche, aperte al pubblico durante la presentazione da O’artoteca al termine di ogni programma.

O’ A.I.R. ABOUT THE ARTISTS:

Katharina Klement was born in 1963 in Graz, Austria, she currently lives in Vienna. She is working on instrumental compositions and crossover projects in music, dance, video. Since 1989 work with electronics: numerous tape works, specifically multi-channel compositions in combination with instrument(s) and/or vocals, several works for mechanical and electronically customised piano, sound installations, ensembles for improvised music "composer-performer" in the field of notated and improvised, instrumental and electronic music. Concerts in Austria and abroad (including Festival Kaleidophon Ulrichsberg, "Horgange" Wien, Tage fur Neue Musik Zurich, Festival Horgange Wien, Porgy & Bess Wien, Radiokulturhaus Wien, O.K. Linz, Festival Inventionen Berlin, Hotel Pupik Schrattenberg, Festival Midi-Alternativa Moskau, Donaufestival Krems, Festival wien modern). In 1996 she founded own CD label KalK, several publications. In 1998 Dissertation composition "Space and Music". During the years she received several scholarships, awards, prizes, at last "publicity-prize" by SKE/austro mechana 2001, federal scholarship for composition 2002, prize for electronic music Viktring 2004 honorary mention at "Prix Ars Electronica" 2006. Composition works i.a. for Austrian radio and television, "jeunesse" Austria, City of Vienna, Styria Province, composer in residence 2004 at the Komponistenforum Mittersill. She co-operated with Oskar Aichinger, Cordula Boesze, Ange'lica Castello', Annelie Gahl, Nikolaus Gansterer, Hemma Geitzenauer, Thomas Grill, Seppo Grundler, Peter Herbert, Margarte Jungen, Josef Klammer, Josef Novotny, Fredi Proll, Elisabeth Schimana, Marianne Schuppe, Hannes Schweiger, Paul Skrepek, Hermann Stangassinger, Burkhard Stangl, Daniel Studer, Reni Weichselbaum, Manon Liu Winter, Uli Winter, Martin Zrost and many others.

Hedya Klein was born in Tel Aviv, Israel in 1974; she currently works in the United States and Austria. She received her BFA with a focus in printmaking from Massachusetts College of Art and her MFA from Columbia University.

She works in various media such as drawing, photography, installation, printmaking and video. One constant of her work has been the collecting of simple everyday objects, such as plastic bags and packaging, and using them as the source for her imagery. These objects are taken out of context and heightened, thus creating worlds for the viewer’s imagination. A second constant is her exploration of light, especially in its manifestation in transparency and translucency.

Hedya Klein has shown her work in such venues as: Laboratorio Dell’Imperfetto, Gambettola, Italy / Black and White Gallery, New York, U.S.A / OTOK Gallery, Dubrovnik, Croatia / Ig Bildende Kunst, Vienna, Austria / Kunsthochschule Kassel, Germany / Columbia University, New York, U.S.A / Harlem Flophouse, New York, U.S.A / Hotel Pupik, Schrattenberg, Austria / TransArt Festival, Lamparna Art Center, Labin, Croatia/ Arad Museum, Arad, Israel / Givatayim Theatre, Tel Aviv, Israel.

Nate Page was Born in Wisconsin in 1976. He lives in New York City. He will receive his MFA from CalArts in 2008 and has received a BFA from the Milwaukee Institute of Art and Design in 2000. He has also studied at the Warsaw Academy of Art in Warsaw, (AICAD) New York Studio Program in New York City, Hotel Pupik in Schrattenberg Austria, and the Summer Residency at The Cooper Union in New York City. From 2001-2004, Nate co-directed an experimental artist collaborative and exhibition space in Milwaukee called the Rust Spot. His work has been shown at Lothringer Dreizehn Space for Contemporary Art in Munich, Hotel Pupik in Schrattenberg Austria, Warsaw Academy of the Arts, Warsaw, The Cooper Union in NYC, Art Chicago via Hotcakes Gallery, John Michael Kohler Center for the Arts in Sheboygan, No Name Exhibitions @ The Soap Factory, Minneapolis, and at the Jen Bekman Gallery in NYC.

This spring he had a solo show at St. Cloud State University in Minnesota. In his work he modify forms of commercial recreation and leisure in order to expose expectations, shift the implied rules and generate new meanings of the objects and activities. He find cultural ideals to be symbolically embedded in common commercial objects and in the intellectual patterns found in cultural activities. By altering the expected course of consumption he seeks to question the institutions that control production and their role in the formation of ideologies, individuality and the illusion of unlimited choice. His work reflects a gendered perspective that is autobiographical and an act of mimicking the strategies of male oriented institutions of power. The work takes the form of sculptures and site-specific interventions.

Elisa Del Prete was born in 1978 in Bologna (Italy) where she lives.

She studied Art History at the University of Bologna specializing in Iconology (2002) with a thesis on the Warburg Institute’s history of the Fifties and she gave a lecture at the University La Sapienza in Rome (March - 2006) at the recent congress on the relationship between Aby Warburg and Italy. She has worked for the organisation of the exhibitions at the Fondazione Mazzotta in Milan (2003), at the Barbara Behan Contemporary Art Gallery in London (2004), at Culturalia in Bologna (2005-2006). She is working as a independent contemporary art curator and writes for several Italian art magazines. Currently she is developing a research on the new orientations of the sculpture and on experiments of sound art to occupy space.

O’ A.I.R. e' un programma promosso da O’artoteca, associazione non profit per la promozione delle ricerche artistiche, Milano; LAB laboratorioartibovisa/Angelo Colombo, Milano; Hotel Pupik Artists in Residence in der Schwarzenberg’schen Meierei in Schrattenberg, Austria; in collaborazione e con il contributo di Provincia di Milano —inContemporanea la rete dell’arte.

GRAZIE A Giuseppe Ielasi-Fringes Recordings

Presentazione: 21 Giugno 2006, ore 19

SABATO 24 GIUGNO
CONCERTO-PERFORMANCE di Katharina Klement ingresso libero
concerto ore 21.00 > 21.30 ca.
concerto ore 22.00 > 22.15 ca.

O' Artoteca
via Pastrengo 12 - Milano

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