Dale Chihuly
Frederick Hammersley
David Hockney
Jason Martin
Michael C. McMillen
Joel Shapiro
Peter Shelton
Dale Chihuly, Frederick Hammersley, David Hockney, Jason Martin, Michael C. McMillen, Joel Shapiro, Peter Shelton
Dale Chihuly
Frederick Hammersley
David Hockney
Jason Martin
Michael C. McMillen
Joel Shapiro
Peter Shelton
L.A. Louver has created seven rooms inside and outside the gallery to present the work of seven
artists in both solo presentations and in paired conversations.
At the courtyard entrance of the gallery, the visitor will be greeted by the massive cast iron sculpture of Peter Shelton’s irondress, 1990-2000. This voluminous shape conjures a shrouded body
of indeterminate form, coated with a rich rusted patina.
The first room inside the gallery unites recent watercolors by David Hockney, with a single sculpture by Joel Shapiro. In his watercolors, Hockney shares with us his vision of landscapes and
architectural sites that he encountered during summer visits to Norway and Spain. An intimate
still life of potted violets and a portrait of his dear friend and favourite model Celia Birtwell are
also included. The watercolors encircle a Shapiro sculpture in the center of the room made up of
five conjoined oblong bronze forms that
convey an animated figure.
The second room inside the gallery pairs an
abstract Shapiro sculpture with the paintings
of London-based artist Jason Martin.
Shapiro’s wood and casein painted sculpture
dynamically charges the gallery space.
Where Shapiro’s sculpture acknowledges
the role of painting to instill dimension,
Martin’s paintings address the conversation
between sculpture and painting using stainless steel and aluminum supports, and acrylic gels and oil paints in seductive monochromatic colors. Addressing the subject of bridges,
L.A.-based artist Michael C. McMillen transforms the south gallery with a new installation
specifically created for the intimate space.
New small-scale cylinder forms by glass artist Dale Chihuly will greet the visitor in the second
floor gallery. Referencing the artist’s early Irish cylinders, these vessels bear sophisticated
abstract designs. The final indoor room will be devoted to West Coast hard-edge abstract painter
Frederick Hammersley. Painted free hand with a palette knife, the presentation will focus on
paintings from the 1960s.
In the seventh room - the open-air skyroom
gallery - the refined patina and enigmatic tones of
Joel Shapiro’s white bronze abstract sculpture
with a thrusting projectile that reaches upwards to
the Los Angeles sky.
Image: Peter Shelton, irondress, 1990-2000, cast iron, 56 x 73 x 45 in. (142.2 x 185.4 x 114.3 cm)
Opening reception: Thursday, 13 July, 7-9 p.m.
L.A. Louver
45 North Venice Boulevard Venice, California 90291
open Tuesday through Saturday, 10:00 a.m. to 6:00 p.m. Validated parking is available in the garage directly opposite the gallery.