To speak about the paintings of Silvia Glaser necessarily oblige us to meditate of the "poetics of the instant" and at the same time it raises the question of a honest talk about the pictoric space in comparison with the illusory space proposed by the perspective. (Rafael Sucari)
Paintings and objects
To speak about the paintings of Silvia Glaser necessarily oblige us to meditate of
the "poetics of the instant" and at the same time it raises the question of a honest
talk about the pictoric space in comparison with the illusory space proposed by the
perspective.
Sometimes art has that ability of telling things simbollically, using for that story
the elements of the plastic arts; the figures of these women suspended in colour
plans - rather than resting they are embraced by an enthralled uneasiness. They look
at the distance, silently, with open expecting eyes, and at the same time they
intrigue us, and it is inevitable to ask oneself what do those unlimited looks want
and wait for, so distant as the tone of their colours and the rough plans that
delimit them.
Thus, maybe it is redundant to speak again of the problems of meaning
and shape, but in this case it is inevitable to do so, given the power and the
sublety with which the relationship is approached. The apparent rigidity of the
composition structure is counterbalanced with a strong inner movility. It is that
contrast of the opposites what achieves a dynamic that serves the insinuation of a
mistery.
That mistery is signalled in acts and gestures that refer ambiguously to "that"
instant in which something relevant has happened, something that is forbidden to us
but that is sensed to be so tremendous or important so as to leave us abandoned in
time, trying to find out, we too with open eyes, that that only belongs to our
unconfessed memory.
Rafael Sucari
Opening: july 19 - 7,30 pm
Maria Elena Kravetz Gallery
San Jeronimo 448 - Cordoba
Monday to fri day 4,30-8,30 pm; saturday 10am-1pm. Free admission.