The installation will fill the entire exhibition space and interact with the surrounding architecture. A complex network of patterns, structures and details works together to create movement through the space. With a technique that is both painterly and sculptural, and with the interplay between the individual components and the overall whole, Sze explores the boundaries between art and everyday life.
A Swiftly Tilting Planet
Members of the press are cordially invited to a preview Thursday 30
November at 11 a.m. in Malmo Konsthall.
Sarah Sze is creating a site-specific sculptural installation for Malmo
Konsthall. The installa-tion will fill the entire exhibition space and
interact with the surrounding architecture. A com-plex network of
patterns, structures and details works together to create movement through
the space. It is like a spontaneous organism that overflows, takes off,
flows, hovers, and finally conquers the entire space. Many small
individual components work together to create a greater whole. The
components are formed out of small everyday and trivial objects which Sze
carefully and thoughtfully combines and links into an airy and transparent
structure.
With a technique that is both painterly and sculptural, and with the
interplay between the individual components and the overall whole, Sze
explores the boundaries between art and everyday life.
The installation offers many angles of approach and can scarcely be
experienced all at once or be captured in a single glance. There are many
components and details to be discovered gradually as the visitor explores
the sculpture. Some of these are very vulnerable and fragile, while others
are more distant and unreachable.
The materials Sze uses are well known from everyday life and we recognise
them from our immediate surroundings. She always acquires most of her
materials from the location where the installation will be exhibited. A
hammer from the United States does not look like one from Japan. She often
finds what she needs in the building supply stores which are now so
common. Objects she often uses in her sculptures range from matches, wool
and cables to plants, fans and ladders.
She often chooses to use several thousand examples of the same object.
When these everyday objects are placed close together to form entire
swarms their original intended use is transformed. Their meaning and
significance are changed and together they acquire a more organic affinity
with each other.
Sarah Sze was born in Boston in 1969 and lives and works in New York. She
studied at Yale University in New Haven, Connecticut and at the School of
Visual Art in New York. She has exhibited at a number of locations around
the world, including the Venice Biennale in 1999, the Whitney Museum in
New York in 2003, and the Institute of Contemporary Arts in London in
1998. This is her first solo exhibition in the Nordic countries.
Opening Friday 1 December 7-9 p.m.
Malmo Konsthall
St Johannesgatan, 7 - Malmo