Nancy Burson
Aziz+Cucher
Loretta Lux
Jill Greenberg
Simen Johan
Gregory Scott
Jake Rowland
Marc Yankus
EJ Major
Noah Kalina
An exhibition of photography and video with works by Nancy Burson, Aziz+Cucher, Loretta Lux, Jill Greenberg, Simen Johan, Gregory Scott, Jake Rowland, Marc Yankus, EJ Major and Noah Kalina.
Group show
ClampArt is pleased to announce “The Evolution of the
Digital Portrait,” an exhibition of photography and video
with works by Nancy Burson, Aziz+Cucher, Loretta Lux,
Jill Greenberg, Simen Johan, Gregory Scott, Jake Rowland,
Marc Yankus, EJ Major, and Noah Kalina.
Best known for pioneering new technology in digital
photography since the late 1970s, artist Nancy Burson is
the starting point for the exhibition. Over twenty-five
years ago, Burson helped develop software with scientists
at the Massachusetts Institute of Technology that enabled
the construction of composite portraits. Burson’s early
photography set the stage for a variety of artistic
and non-artistic developments in digital imaging technologies
that have since profoundly changed our society in aspects we
are only now beginning to recognize.
Similarly, artists Aziz+Cucher were among the first to exploit
the creative possibilities afforded by digital imaging. In the
early to mid-1990s Aziz+Cucher developed work commenting
upon the waxing loss of identity in a technological environment
that promotes anonymity and conformity. This bleak reading of
the intersection of technology and culture is echoed in other works
included in the exhibition by Loretta Lux, Simen Johan, and Jake
Rowland, whose employment of digital imaging is very much part
of the message. Other contributors to the show, however, employ
digital photography more as an adept but ultimately innocuous sort
of tool to address disparate points of import. A diverse array of
photographs by Jill Greenberg, Gregory Scott, Marc Yankus, and
EJ Major speak of the range of work presently produced by digital
means. And Noah Kalina, the youngest artist in the exhibition, uses
digital photography as a matter of fact, harnessing a technology that
is so second nature, so innately engrained, it requires no elaborate
address as he stitches together thousands of self portraits taken over
the past six years in a looping video.
Image: Jill Greenberg, Wince, 2004. Archival pigment print 50 x 43 inches
Opening reception: Thursday, June 28th, 6:00 to 8:00 p.m.
ClampArt
521-531 West 25th Street - New York