No Tears
No Tears
Mogadishni Cph proudly presents the exhibition "No Tears" by Italian artist
Davide Zucco (b. 1981). In 2000 Davide Zucco received an Art Diploma in
Graphics and Printing from Istituto Statale d’Arte, Vittorio Veneto, Italy
and is otherwise self-taught. Despite his young age Zucco has exhibited in a
long range of solo shows, group shows and various festivals.
Ancient and contemporary artistic traditions meet in Davide Zucco’s
exhibition "No Tears". The show consists of 9 black and white drawings, 5
colour drawings, a large-scale wall piece and an illustrative audio piece.
Rooted in the underground environment and its experiments with new artistic
crossovers Davide Zucco’s art encompasses an intrinsic passion for drawing,
street art, electronic performances but it also reveals his strong
fascination of ancient cultures, which gives his show an old-world feel
mixed with a modern approach.
The Good and the Bad, angels and demons are played out against each other in
an archaic illustrative playground. The formal expression of Zucco’s works
leads the mind to religious art from various cultures, which tends to stress
a delicate separation of colours and layers and has a refined sharpness in
detail as seen in Maya Indian art, Byzantine icons and Gothic murals. The
creatures found in Zucco’s works have reminiscences of the demons and
monsters that appear in the periphery of religious scripts and in church
interiors of the Middle Ages. But Zucco’s art equally connects with the
renaissance of the "monstrous", observable in today’s preoccupation with
various forms of Fantasy such as Dungeons and Dragons, "The Lord of the
Rings", "Harry Potter" and so on.
The legends and divinities created by ancient civilizations out of a respect
and fear for nature and the incomprehensible, have always fascinated Davide
Zucco. This is why the inspiration for many of his creatures is found in
ancient statues, which brings a magical and mysterious feel to the artist’s
otherwise contemporary aesthetic. The delicate and dark subjects with the
intriguing gazes in Zucco’s works wander between the human, the godlike, the
ultra terrestrial as a new sort of species, that seems to incarnate the
internal emotional struggles, the hopes and fears that we can all find in
ourselves, thus connecting ancient civilizations and modern Man.
Mogadishni Cph
Carl Jacobsensvej 16 opg. 6 3.sal - Copenhagen