Dennis Rudolph
Damien Deroubaix
Martin Dammann
Marcellvs L.
Rommelo Yu
Michael Müller
Ellen Blumenstein
Group show
Group show
Ellen Blumenstein
Chung King Project is pleased to present Männerphantasien, a group
exhibition curated by German curator Ellen Blumenstein featuring the
works of Berlin-based artists, Dennis Rudolph, Damien Deroubaix,
Martin Dammann, Marcellvs L., Rommelo Yu, and Michael Müller.
Inspired by the best-seller by the German writer and philosopher
Klaus Theweleit “Männerfantasien” in the late 1970s*, this exhibition
takes Theweleit’s book title as a starting point and reference to
discuss the implication of feminist discourses on men’s search for
their role, their identity and their (conscious or not) obsessions
amidst a generation whose clear gender- and role models have been
shuffled by the impact of feminist theories. According to Theweleit,
the term “male fantasies” does not stand for “sexual fantasies” in
the first place, as one might assume. But it refers to the images and
constructions that men develop to create a stable self-perception in
order to position themselves towards the surrounding world.
Artworks by men that openly discuss these themes, appears quite
rarely, although we are all longtime familiar with the processes of
self-assurance by female artists. This doesn’t seem, however, to be
the way men address their concerns. But today, in reflection to
Theweleit’s work, a significant number of young German or Germany-
based artists choose to examine their male fantasies in the
perspective of German history and art history. Ellen Blumenstein, a
young female curator, will present works by male artists all working
in Berlin, who explore this topic using different approaches.
The German Dennis Rudolph, for example, is freely choosing imagery
from the 3rd Reich and eliminates its documentary status to re-load
it with the eternal and regularly recurring longing for redemption
and the sublime that the national socialists were trying to re-
animate by accessing iconic and mythical personage and objects. This
is, in Rudolph’s case, the eagle, german soil, the “power of the
blood”, Prometheus, and even christian imagery like temples, the
messiah or Mary.
Martin Dammann, on the other hand, trusts exactly in the old images
and follows their traces. His works are largely based on war
photography from both world wars, which he has collected from private
albums and archives. Dammann’s fascination with the German past and
his decision to abstain from creating his own, professional images,
choosing instead to refurbish old, amateur photographs and thereby
reinterpret them, reflects his need to redeem the present from the
past.
The young “New-Berliner” Marcellvs L. just moved to Germany from
Brazil, a context that is completely new to him and very different
from his own cultural and social background. As always in his films,
he fathoms his own fragile position towards reality by fixing the
position of the camera (the artist) to observe the changes in the
world around him.
Rommelo Yu was born in the Phillipines, raised in the US and moved to
Berlin in his early 20s. His work oftentimes connects to his own
“lost” Asian cultural background in reference to his current Western
living context. In his specially commissionned work for this show, he
relates himself to modern art history by developing sculptures that
physically try to inscribe his own body into pieces from Sol LeWitt.
In a more conceptual way, the half German, half English Michael
Müller also deals with the history of art. His works, refers to
minimalist as well as conceptual traditions, but uses them to express
thoughts on the constructedness of the world and how we perceive and
try to make sense out of it.
Last, but not least, the French Damien Deroubaix obsessively and
repetitively works with heavily loaded icons and catch words that
connect aggression, violence and sexual fantasies. The images are fed
by his perception of everyday political and social reality which
provides the flow of associations from different fields.
Image: Martin Dammann
Opening Reception Saturday 8 September, 2007
Chung King Project
936 Chung King Road - Los Angeles
Free admission