The exhibition will feature Baroque masterpieces from the 17th and 18th centuries together with exceptional works of modern and contemporary art exploring the cultural diversity of Brazilian artistic expression. The juxtaposition of important works by indigenous, Afro-Brazilian, and European artists working in Brazil will underscore the complex network of traditions influencing Brazil's artistic development.
Brazil: Body and Soul, a major exhibition organized by the Solomon R.
Guggenheim Museum, will explore several key periods of artistic
production in Brazil. The exhibition will feature Baroque masterpieces from
the 17th and 18th centuries together with exceptional works of modern
and contemporary art exploring the cultural diversity of Brazilian artistic
expression. The juxtaposition of important works by indigenous,
Afro-Brazilian, and European artists working in Brazil will underscore the
complex network of traditions influencing Brazil's artistic development.
As the title implies, the exhibition will emphasize the integration of the
physical and spiritual experience in Brazilian art -the union of body and
soul. It will examine the importance of performance, music, and ritual as
well as the role of religious processions and secular celebrations in
Brazilian art and culture.
The installation for Brazil: Body and Soul will be designed by noted French
architect Jean Nouvel, who is creating a unique context in which to view
the exhibition.
Brazil: Body and Soul will contain approximately 350 objects, ranging from
a monumental Baroque altarpiece, liturgical pieces in gold and silver,
historical and contemporary ritual objects, and religious painting and
sculpture, to modern and contemporary paintings, installations,
photographic works, and sculptures. The introductory section of the
exhibition will be an examination of the "outsiders' view" of Brazil in the
Age of Exploration. Included in this section will be major paintings by early
17th-century Dutch artists Frans Post and Albert Eckhout, attesting to
the presence of European artists in early modern Brazil.
The section on the Baroque will feature superb examples of religious
sculpture rendered in polychrome wood. The abundance of processional
figures, ritual liturgical objects, and private devotional altars will
emphasize the link between the performative and the spiritual nature of
much of the art of this period. Among the artists in this section will be
Frei Agostinho da Piedade, Manuel Inacio da Costa, Francisco Xavier de
Brito, and the great master, Antonio Francisco Lisboa, known as
Aleijadinho. It will also include an entire Baroque altarpiece from the
Monastery of São Bento in Olinda (northeast Brazil), recently restored and
presented for the first time in a museum setting.
Interwoven throughout the exhibition will be fine examples of work by
indigenous artists from early and modern times, including feather capes
and other body adornments from the Amazonian and coastal peoples. The
pervasive influence of Afro-Brazilian ritual and traditions will be
represented by a large selection of objects ranging from 19th-century
gold and silver jewelry, in which the inspiration from Africa is still strongly
felt, to contemporary expressions by artists such as Mestre Didi, "GTO,"
Agnaldo dos Santos, and Rubem Valentin. The blending of indigenous and
of Baroque traditions of woodcarving is observed in the large selection of
popular objects from ex-votos (milagres) to the animal heads (carrancas)
affixed to the boats that plied the São Francisco River in northeast Brazil.
The modern section will explore the radical innovations in Brazilian art of
the 1920s and 30s, including Tarsila do Amaral, Anita Malfatti, Lasar
Segall, Emiliano Di Cavalcanti, Victor Brecheret, Vicente do Rêgo Monteiro
and Candido Portinari. The investigations of these artists, together with
those of writers of the period, led to the Pau-Brasil and Antropofagia
movements, and in turn, to a greater appreciation of the country's
indigenous cultures and a rediscovery of the Baroque.
The exhibition also comprises numerous examples of the Concrete and
Neo-Concrete movements of the 1950's, 1960's and 1970's, including
works by Sérgio Camargo, Lygia Clark, Hélio Oiticica, LuÃs Sacilotto, Mary
Vieira, and Franz Weissman.
A selected group of key contemporary figures, including Miguel Rio
Branco, Antonio Manuel, Vik Muniz, Ernesto Neto, Lygia Pape, Regina
Silveira, Tunga, and Adriana Varejão will represent the continually
evolving and dynamic character of Brazilian visual culture of the later
twentieth and early twenty-first centuries.
Organization:
The exhibition is organized by an international team of curators, including,
from the Solomon R. Guggenheim Museum, Thomas Krens, Director; Lisa
Dennison, Chief Curator and Deputy Director; Germano Celant, Senior
Curator of Contemporary Art; and Julian Zugazagoitia, Executive Assistant
to the Director. Leading the curatorial team is Edward J. Sullivan,
Professor and Chairman, Department of Fine Arts, New York University.
Brazilian members of the team include Nelson Aguilar, Chief Curator of the
22nd and 23rd São Paulo Biennials (1994 and 1996) and Chief Curator of
Brazil: 500 Years (2000); Emanoel Araújo, Director, Pinacoteca do Estado
de São Paulo; and Mari Marino, Director, Museu de Arte Sacra, São Paulo.
Adjunct Programming:
An extensive film festival, music program, and an array of education
initiatives will be organized in conjunction with Brazil: Body and Soul. The
fall series of Works & Process at the Guggenheim will focus on Brazilian
music and dance, including choir music directed by George Steele and a
performance showcasing the traditions of capoeira, Candomblé, and
samba. Education programs will include a lecture series featuring
prominent Brazilian art scholars and a symposium entitled Brazil: Visual
Culture Matters. Additional workshops, performances, and events related
to Brazil: Body and Soul will be offered in conjunction with the opening of
The Sackler Center for Arts Education in October 2001.
The film program, which includes Brazilian feature films, independent short
works, documentaries, videos, and television productions, will explore the
variety and extraordinary accomplishment, as well as the historical
importance of Brazilian cinema. Featuring modernist masterpieces of the
1930s, chanchadas (parodic musical comedies) of the 1950s, films by
Glauber Rocha and other key directors from the Cinema Novo movement,
Brazilian telenovelas and innovative broadcast programs, and new films
from the recent resurgence of Brazilian cinema, the program will reflect
the dynamic and diverse range of Brazilian media production of the last 70
years. The guest curators, Robert Stam, Professor of Cinema Studies at
New York University, and Ismail Xavier, Professor of Cinema Studies at
the School of Communications, University of São Paolo, are leading
international scholars of Brazilian film and television. The series is
organized at the Guggenheim by John G. Hanhardt, Senior Curator of Film
and Media Arts, and Maria-Christina Villaseñor, Associate Curator of Film
and Media Arts.
Solomon R. Guggenheim Museum
1071 Fifth Avenue (at 89th Street), New York City