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Piotr Uklanski
dal 16/10/2007 al 8/12/2007

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Piotr Uklanski



 
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16/10/2007

Piotr Uklanski

Whitney Museum of American Art, New York

Summer Love. The first feature film by the artist, appropriates one of American popular cinema's most classic genres - the Western - to create an allegorical movie. Uklanski shifts the Wild West frontier of America's past to the present of post-Communist Eastern Europe.


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Summer Love

Summer Love (2006), the first feature film by artist Piotr Uklanski, appropriates one of American popular cinema's most classic genres -- the Western -- to create an allegorical movie. Uklanski shifts the Wild West frontier of America's past to the present of post-Communist Eastern Europe.

Shot in southern Poland with a mainly Polish cast, the film's stock characters are instantly recognizable to viewers for whom the myth of the American West is ingrained by the Westerns of the 1950s, 60s and 70s. Yet Uklanski's film is "a copy of a copy", referring to the European spaghetti Western as much as to the American 'original'. As Uklanski explains, it exploits cinema's most codified genre to address issues of cultural authenticity. With its impressive cinematography and strong performances, including an appearance by Hollywood star Val Kilmer, Summer Love functions not only as a conceptual statement, but also as a genuine Western, adding to the grand tradition of the genre.

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