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31/10/2007

Torkwase Dyson

Corcoran Gallery Art, Washington

The Rims Costs but the Guck is for Free. Her creates hyper-real composite images that examine the complex relationship between the automobile industry, black popular culture, nature, and consumption. Drawing upon science fiction and its infinite possibilities, her narratives address the fertile territory and inherent tension between objects of cultural power and their impact on the environment. Comprised of paintings, animation, sculpture, and wall-mounted drawings, the exhibition is a satirical jab at the nature of consumer-driven society, commerciality, pollution, identity, and the difficult borders between race, culture, and reality.

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