White Elephant. With her seamless combination of intensively assisted readymades and modeled polychrome figures the artist fixes awkward cracks and gaps within contemporary sculpture, crafting and improvising with great skill and integrity.
White Elephant
The Directors of Marlborough Fine Art are delighted to announce their first
London exhibition of sculptures by Cathie Pilkington. Cathie Pilkington is
a sculptor whose figurative tradition has been picked out sideways rather
than historically, assembled from disparate lowly or debased sources, folk
museums, souvenirs, self-taught road side sculptors and the like. With her
seamless combination of intensively assisted readymades and modeled
polychrome figures Pilkington fixes awkward cracks and gaps within
contemporary sculpture, crafting, tinkering, cobbling together, mending,
and improvising with great skill and integrity.
White Elephant consists of an entirely new body of work with a theme of
childhood.
Pilkington’s recent shows have involved sprawling and excessive
installations, in White Elephant, sculptural objects are presented
independently, with a formality that suggests the hallowed context of a
museum or the contents of an eccentric private collection.
In the title piece Punch appears as a liveried manservant-cum-cheerleader,
advertising the show and offering viewers a heap of tiny elephants on a
tray. This dish of sacred oddities is an hors d’oeuvre for the rest of the
show.
In other rooms the show is populated by a diverse community of statues and
figurines: a chrome-plated biker, a Welsh golly, a 1950’s sci-fi
super-monster. A museum vitrine contains cherubs and/or possibly child-gods
drawn from various pantheons.
Throughout the show the surfaces of things demand attention. Some dolls are
hairy, matted and fetish-like, some are exquisitely painted for a
connoisseur’s perusal, others are coated with a glossy syrup of
unspecifiable origin.
The show climaxes with a baroque explosion of sculptural joy. In The
Motherlode a monstrous infant reclines like Olympia on a bed of
sub-sculptural bric-a-brac. An imperious, decadent fatty squashing her
entourage of monkeys and gnomes, she might be a fragment from some vast
frieze.
A fully illustrated catalogue of the works will be available. For further
information
Image: Cathie Pilkington, Majolica (detail), 2007
Marlborough Fine Art
6 Albemarle Street - London