The artist has chosen to show a group of new paintings alongside a selection of rare 19th Century Indian drawings which are believed to have been used as healing "spells". His works on paper originate from an obsession with Indian Miniature paintings - a tradition that he has subverted and applied to his own particular visual language.
We are delighted to announce the imminent opening of the 17th in our current series
of 26 exhibitions presenting work by a contemporary artist with someone or something
else of their choosing...
Following our invitation, the New York based British artist Alexander Gorlizki has
chosen to show a group of new paintings alongside a selection of rare 19th Century
Indian drawings which are believed to have been used as healing ‘spells’. This is
the first time Gorlizki’s work has been seen in Scotland.
Gorlizki’s works on paper originate from an obsession with Indian Miniature
paintings - a tradition that he has subverted and applied to his own particular
visual language. In the mid 1990’s he opened a studio in Jaipur, India with Riyaz
Uddin, a master painter with a perfect command of a technique that goes back over
600 years. Gorlizki draws out wonderfully odd subjects, patterns and compositions
that Uddin then paints with jewel-coloured pigments, stone colours and gold leaf
with a single hair-tipped brush to create works of breathtaking intricacy. When not
working together in the studio, drawings get sent back and forth to be modified and
adapted between New York and Jaipur, often over a period of years.
Like scenes and characters from some strange dream, these small paintings
brilliantly combine the mythical and the banal, the everyday and the absurd: a giant
topiary bird is ‘hunted’ by topiary hunters; photographs of famous faces – Gilbert &
George, Francis Bacon, Rita Hayworth - are reduced to strangely familiar eyes and
lips which peer and smile from beneath extraordinarily ornate expanses of pattern.
If one could imagine the Surrealist painter René Magritte working centuries ago in
the court of a Mughal emperor, the results may have looked something like these
idiosyncratic gems.
The exhibition’s counterpoint is a group of very rare and unusual drawings from
Northern India dating from the 19th Century. Part of Gorlizki’s extensive private
collection of early Indian Folk drawings, these compelling and enigmatic works have
not been researched or documented and very little is known about them. They are
understood to represent healing diagrams and magic spells made by holy men and
priests in remote villages in which the image of the patient’s body is drawn over
and around with real and fictive scripts that act as talismanic, protective charms.
Alexander Gorlizki was born in London in 1967 and studied Fine Art at Bristol
Polytechnic, followed by an MFA in Sculpture at the Slade, London. He currently
lives and works in New York and is represented by Kudlek Van der Grinten Gallery,
Cologne.
Opening Saturday 23rd February 2008
Ingleby Gallery
6 Carlton Terrace - Edinburgh
Free admission