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10/12/2001

GA2001

Politecnico di Milano, Milano

Generative Art performs the idea as process. Moving from Artefacts to Artegens.
GA builds Natural/Artificial Worlds.Transforming generative codes realize, as the natural DNA does, always different and unpredictable series of events, pictures, industrial objects, architectures, music, environment, communications, software and hardware devices, all recognizable by creative concepts.
GA is identifiable as one of the most advanced approaches in creative and design world. It performs the incoming new naturality of artificial world.
Generative Projects, Morphogenetic Design, Evolutionary Systems can design the species, their identity in progress, the recognizability of each possiblegenerated event.

With Generative approach we can control the quality and manage the increasing complexity of the contemporary objects, spaces and communications.
Today the generative approach to Art and Design represents the best way to carry out the idea as a product, and not only the product as the unique representation ofthe idea.

GA2001, as the last 3 previous annual conferences, gives the opportunity to develop and to exchange theorical approaches, operative and teaching experiences and to value the innovative field of production and business that belongs to Generative approach.
An exhibition of Generative Works: 2D/3D Images and Artworks, VHS Video, Generative Robots and Hardware, Installations, Art/Design Web Sites, CD-ROM, Interactive Environments, Musics, Slide projections, Video-Music Generations, Movies, Generative software working in real time, will be presented in the Exhibition Hall.
Music and Video Performances will be presented to a more vast audience in a public space.


Program of GA2001
Politecnico di Milano University
Piazza Leonardo da Vinci 32, Milano, Italy

11/15 Dec. 2001 - 10.00 AM / 7:00 PM
Exhibition Hall of Architecture Faculty
• Exhibition GA2001
11 Dec. 2001 - 5:00 PM
Exhibition Hall of Architecture Faculty
• Registration Desk
• Welcome Cocktail

12 December, 9:30, Aula Rogers
• ''Welcome to GA2001'', Giuseppe Turchini, Dean of Faculty of Engineering-Architecture of Milan Polytechnic University
Papers presentation
• ''Generative natural flux'', Celestino Soddu, Milan Polytechinc University, Italy
• ''Hitchhiking through a maze of transformations and filters with a bag of data'', Hans Dehlinger, Kassel University, Germany
• ''Dust, Plates & Blobs'', Paul S. Coates AA Dipl with: Tom Appels MSc B.Arch, Corinna Simon MSc B.Arch, Christian Derix MSc B.Arch. CECA (Centre for Environment & Computing in Architecture) University of East London, Stratford London UK

• ''Drawing as transformation: From Primary Geometry to Secondary Geometry'', Howard Riley, Swansea Institute, University of Wales, UK
• ''Morpheus - emergent music'', John Eacott, Sound Media Research Group,University of Westminster, London, UK
• ''Organic visualisation of high-dimensional objects: exploration of a world of forms based on heart transform'', Philip Van Loocke, University of Gent, Belgium
• ''Performing evocations'' , Enrica Colabella, Milan Polytechinc University, Italy

• ''Interactive Evolutionary Design in a Hierarchical Way'', K.H. Chan, J. Frazer, M.X. Tang, Design Technology Research Centre, School of Design, the Hong Kong Polytechnic University, Hong Kong
• ''Foundations of Generative Art:Systems - a hybrid survey and studio class for graduate students'', Philip Galanter, Interactive Telecommunications Program, New York University, USA
• ''ArtiE-Fract : Interactive Evolution of Fractals'', Jonathan Chapuis, Evelyne Lutton, INRIA - Projet Fractales, France
• ''Integration: Master [Planner | Programmer | Builder]'', Cristiano Ceccato, Gehry Partners LLP, Santa Monica, California, USA.

Installations Presentation
• ''The Infinite Window'', Ben Piper, Tangible Media Group, Massachusetts Institute of Technology, Media Lab., Stoffel Kuenen, ID-StudioLab, School of Industrial Design Engineering, TU Delft.
• ''NewZoid'', Daniel Young, Newzoid, USA
• ''dyad - sonic visual improvisations'' and ''Revision History'', Jonny deKam, Dyad, USA
• ''Urban genodiffuser'', Massimo Fontana, Francesco Deriu, ProgettoapertO, University of Architecture, Firenze, Italy
• ''Blip'', Marianne Selsjord, Norway
• Martin Howse, Artificial Paradises, London, UK
• Mark Goulthorpe, dECOi Architects, France
• Patrick Lichty, UK
• ''Virtual Exhibitions: How to put the gallery on-line?'', Roberta Buiani, Dept Art History, York University, Toronto, Canada
• ''Swamp: A Wireless Interactive Narrative'', Rodrigo Caballero, New Media Design Programme, Bell h@bitat/Canadian Film Centre, Canada
• ''Generative Visual Music - Pictures....to Listen'', Sergio Maltagliati, Italy
• ''Babel'', Simon Biggs, Art and Design Research Centre, School of Cultural Studies, Sheffield Hallam University, UK
• ''Amorphoscapes'', Stanza, UK
• Sarawut Chutiwongpeti, Thailland
• Simone Merli, UK
• Umberto Roncoroni, Faculty of Art and Graphic Design of the USIL University, Peru'
Workshop
• ''Generative approach and quality, new naturality and complexity''
12 December, 20:00, Conference Dinner
13 December, 9:30, Aula Rogers
Papers presentation
• ''Self-organization and beauty'', Giuseppe Caglioti, Milan Polytechinc University, Italy
• ''InstrumentAll: a Virtual Instrument'', Artemis Moroni, Jônatas Manzolli, Alaide Mammana, ITI - Instituto Nacional de Tecnologia da Informação, Brazil
• ''Perfect Distribution Phenomenon and the origin of the spacetime harmony'' , Volodymyr Riznyk, Scientific Center TIKON, Lviv Polytechnic National University, Ukraine
• ''Beyond tha math visualization. Geometrica and Stochastica'', Yoshiyuki Abe, Japan

• ''Cunning Crafts or Poetic Place-Making? Towards a Historiography of Generative Art'', Gregory Caicco, Department of Architecture, Arizona State University
• ''The Virtual Forest: Integrating VRML Worlds and Generative Music'', Martin Dupras, Research Associate, Faculty of Art, Media and Design, Nadezda Brkljac, Faculty of Built Environment, University of the West of England, Bristol (UK)
• ''Learning and contamination in virtual worlds'', Mauro Annunziato, Piero Pierucci, Plancton Art Studio, Italy
• ''Sound and Graphics in CSoundAV'', Gabriel Maldonado, Composer, Italy

• ''Artefacts of Distributed Agency'', Tim Barrass, School of Creative Arts, Melbourne University, Australia
• ''Teaching Generative Design'', Thomas Fischer, Polytechnic University, Hong Kong, Christiane M. Herr, University of Hong Kong
• ''Anamorphic perspective and Illusory Architecture '', Tomás García Salgado, Faculty of Architecture/ UNAM, Mexico
• ''The darwinian structure of the design process'', Riccardo Antonini, Universita' di Roma 3, Italy
Posters and Artworks presentation
• ''Il sogno di Eliza'', Angelo Comino, Italy
• ''chaos versus business'', Claudio Parrini, fERRYbYTE, Strano Network and Undo.Net, Italy
• ''Educational approach'' and ''superstudio'', Ed Annink, Ontwerpwerk, The Netherlands
• ''CCA [Communication Center for Architecture]'', Furio Barzon & Carlo Costa, architecture.it, Italy
• ''Phonoscopy'', Greg Giannis, Australia
• ''Complex topology in euclidean space'', Juricic Bruno, Croatia
• ''Genius Bodybuilder'', Martin Schneider, Germany
• ''generative 2D contaminations'', Matteo Codignola, Milan Polytechnic University, Italy
• ''Dwelling units in the city'', Nishikori Maya, Tokyo National University of Fine Arts and Music, Japan
• ''Consumption processes in virtual communities'', Paolo Dell'Aquila, Sociology and Social Policies, University of Bologna,Italy
• ''Generative interaction tool'', Riccardo Casula, Milan Polytechinc University, Italy
• ''Rifrazioni'', Salvo Portuese, Italy
• ''Artworks'', Soban Bogdan, Slovenja
Workshop
• ''Art, music and poetry''
13 December, 20:00, Aula Magna S01, Performances
• John Eacott, Sound Media Research Group, University of Westminster, London, UK
• Gabriel Maldonado, Enrica Colabella, Celestino Soddu, Maria Grazia Sarandrea, ''Hora unlimited interaction'', Italy
• Luca Tanzini, ''Milano: la citta' che saliva'', Università di Siena, Italy
• Michael Edward Edgerton, Composer, and Rebekka Uhlig, voice, Berlin, Germany
14 December, 9:30, Aula Rogers
Papers presentation
• ''Organic-inorganic. The body: the displaced interface'', Franco Torriani, ArsLab, Torino, Italy
• ''Self-design and ontogenetic evolution'', Pablo Miranda Carranza, Interactive Institute, Stockholm, Sweden
• ''The Influence of Nonlinear Dynamics and Scaling of Multidimensional Parameter Spaces in Instrumental, Vocal and Electronic Composition'', Michael Edward Edgerton, Technischen Universität Berlin, Germany
• ''Cellular automata and algorithmic visual creation'', Bernard Caillaud, France

• ''TecnoSphere'', Jane Prophet, UK
• ''Generative processes in psycopathology'', Giorgio Bellotti, University of Varese, Italy
• ''Further Automatic Breakbeat Cutting Methods'', Nick Collins, Research Fellow, Middlesex University, UK
• ''Communicating Generic Process. Some Issues of Representation Related to Architectural Design'', Mirjana Devetakovic Radojevic, School of Architecture, UNITEC Institute of Technology, Auckland, New Zealand

• ''Face Recognizing Robot (An AI Approach)'', Singh S.K., Vatsa Mayank, Singh Richa, Dept. Of Computer Sc. & Engg, Instt. Of Engg. & Technology, Purvanchal University, Jaunpur U.P., India
• ''Urban morphogenetic design and urban mathematical modelling'', Giovanni Rabino, Politecnico di Milano, Italy
• ''Defects Defined by Form Making Method for Improving Generative Design System'', Chak Chan Lewis, China
• ''Architectural Interpretation of Cellular Automata'', Robert J. Krawczyk, Illinois Institute of Technology, College of Architecture, Chicago, USA
Workshop
• ''Architecture, Design and Communication.''
• ''Final Discussion on Generative Art and Design: The incoming scenarios''
14 December, 20:00, Aula Magna S01, Performances
• Jan Jacob Hofmann, Germany, Supported by the Hessian Ministry of Cultural Affairs and Science, the Assosiation of Friends and Funders of the Staedelschule, Frankfurt am Main and wemove -digital solutions Frankfurt/ Main
• Nick Collins, Research Fellow, Middlesex University, UK
• Jonatas Manzolli, Affection Objects, Brazil

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