30/3/2008
High Speed, Smooth Movements
HSF, New York
In mostra le opere realizzate dagli artisti borsisti HSF durante la loro permanenza a New York. Curata da Raffaele Bedarida, lo spazio ospita tre artisti: Susy Blu (video, fotografia), Reuven Israel (scultura, disegno) e Francesco Tumbiolo (pittura, disegno).
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HSF by montrasioarte è lieto di presentare High Speed, Smooth Movements. In mostra le opere realizzate dagli artisti borsisti HSF durante la loro permanenza a New York (gennaio-aprile 2008). Curata da Raffaele Bedarida, High Speed, Smooth Movements espone tre artisti: Susy Blu (video, fotografia), Reuven Israel (scultura, disegno) e Francesco Tumbiolo (pittura, disegno).
Non è forse più stimolante una connessione internet ad alta velocità di un Donald Judd? (Mutamenti sostanziali sono occorsi da quando Marinetti ha scritto che il rombo una macchina sfrecciante è “più bello della Nike di Samotracia”). Oggi una connessione web ultraveloce è percepita come necessità, slow food/slow sex sono praticati come ideologia. La velocità è stato archetipo moderno e feticcio post-moderno: in High Speed, Smooth Movements gli artisti di HSF giocano con la ridefinizione di questo concetto, rispettivamente a livello sociale, esperenziale e percettivo.
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HSF by montrasioarte is proud to present High Speed, Smooth Movements, a group exhibition showing works realized by artists during their three-month stay (January-April 2008) at HSF residency program. Curated by Raffaele Bedarida, High Speed, Smooth Movements includes Susy Blu (Italian, video, photography), Reuven Israel (Israeli, sculpture, drawing), and Francesco Tumbiolo (Italian, painting, drawing).
Isn’t a high-speed internet connection more exiting than a Donald Judd? (Substantial shifts have occurred since Marinetti wrote that a ride on a roaring car was “more beautiful than the Victory of Samothrace”). Now a super-fast web connection is perceived as a necessity and slow food/slow sex is practiced as an ideology. Speed is an archetype of modernity, a fetish of post-modernity: in High Speed, Smooth Movements, HSF artists play with its redefinition, respectively at a social, experiential, and perceptive level.
Susy Blu presents Fast Tourism, a series of photographs and a video on the transcontinental ritual of chronometric cultural consumption. In Sicily, the sublime experience of the volcano Aetna is turned into a standard ten-minute walk around a secondary, small crater (with parking and restaurant). In New York, the bridge as symbol of the eternal challenge between natural obstacles and human ingenuity is revised in the touristic walk on the Brooklyn Bridge: not across the river (too long), just half of it.
Reuven Israel exhibits two large drawings and two sculptures. L.V. and Roger Roger are ambiguous shiny things. Israel’s painstaking craftwork turns cheap wood into highly refined plastic-like, industrial-like objects. The iconic L.V. is hung high on the wall as a religious symbol, the kinetic Roger Roger satisfies the viewer’s wish to touch its shiny surface. When pushed, Roger Roger spins, smoothly and uselessly.
Francesco Tumbiolo shows two series of paintings, Bookmarks and Waterproof Memoirs, and a site-specific painting installation, A Study for ''As Far as the Dust.” As with a tennis ball, he plays with the perception and interrelation between photography, movement, and experience through time, embodied by the two interrupted tennis players, their game and our gaze. The viewer eyes are not able to grasp the image, they slip on the enameled, glossy surface of, A Study for ''As Far as the Dust,” as the gummy black lines flow on the water-proof fabric of Bookmarks and Waterproof Memoirs.
Opening reception: March 31, 2008, 6:00-10:00 pm
HSF
128 W 121 Street - New York
On view by appointment