Freek Wambacq
Jozef Somerlinck
Adam Leech
Michael Van den Abeele
Simona Denicolai
Ivo Provoost
Richard Artschwager
Neal Beggs
Jean-Philippe Convert
Francois Curlet
Stefaan Dheedene
Michel Francois
Nicolas Gaillardon
Ann Veronica Janssens
Xavier Martin
Benoit Platous
A.R. Penck
Audrey Reynolds
Petr A tembera
Christophe Terlinden
Marijke van Warmerdam
Romy Zaugg
Werner Herzog
Bram Van Damme
It's Not Fair - Le Monde est Arbitraire. The title refers to accessibility as a double-sided phenomenon (as opposed to the idea of accessibility as the lowest common denominator). This issue is represented through the question of inside and outside. By showing art as a (mild?) derailment of reality, the artists animate and intensify daily environments. They make capricious connections between "here" and "somewhere else" in some cases it becomes a conceptual and/or cerebral evil twin, creating an alienating and elusive form of domesticity.
curated by Bram Van Damme
An exhibition with new and old work by Freek Wambacq, Jozef Somerlinck, Adam Leech,
Michael Van den Abeele, Simona Denicolai & Ivo Provoost, Richard
Artschwager, Neal Beggs, Jean-Philippe Convert, Francois Curlet, Stefaan Dheedene,
Michel Francois, Nicolas Gaillardon, Ann Veronica Janssens, Xavier Martin, Benoit
Platous, A.R. Penck, Audrey Reynolds, Petr A tembera, Christophe Terlinden, Marijke
van Warmerdam, Romy Zaugg, Werner Herzog (curator: Bram Van Damme).
The title It's Not Fair - Le Monde est Arbitraire (It's not fair - the world
is arbitrary) is meant as a nonsensical truth: a truth without clear outlines that
obtains significance trough its context. In the Huis Van Winckel (the Van Winckel
mansion) the title refers to accessibility as a double-sided phenomenon (as opposed
to the idea of accessibility as the lowest common denominator). This issue is
represented through the question of inside and outside. By showing art as a (mild?)
derailment of reality, the artists animate and intensify daily environments. They
make capricious connections between 'here' and 'somewhere else' in some
cases it becomes a conceptual and/or cerebral evil twin, creating an alienating and
elusive form of domesticity.
The title may as well refer to the more unrestrained corners of consciousness: the
uncontrolled moments where precision dilutes into absurdity: a liquid dinner party,
the undefined end of an evening when some of the guests are drawing circles on the
table cloth while others consider whether art is making life more interesting than
art. Somebody who's not expected is standing at the door - the guests invite her
in, but she replies: I'm not sure if I'm really the one who's out ...
Image: Adam Leech, Silverleaf, still and installation view, 2007
Opening Sun 27/04/08 - 11am
Cultuurcentrum Belgica
Kerkstraat 24, 9200 Dendermonde