The artist explores the nature of consciousness. Deriving inspiration from looking directly into the brain she has observed numerous scans in hospitals and undergone research brain scans herself to try to make sense of the material basis of personality.
‘The harder one stares into the machinery of the brain, the starker
the realization that there is no one in there. There is no inner
sanctum of the self. Neural networks have a life and logic of their
own. There is no one running the show. The self is a shadow-puppet
shaped by the firings of a hundred billion brain cells. These are
conceptual conundrums, intractable to current science, they call for
an artistic response.’
Paul Broks, neurospychologist and writer from his catalogue essay for
Scribing the Soul
Susan Aldworth’s art explores the nature of consciousness. In 1999,
the experience of observing her brain live on a monitor during a
diagnostic brain scan triggered an ongoing fascination with the
relationship between the physical brain and the sense of self. Since
then Aldworth has worked and collaborated with doctors,
neuroscientists, artists and musicians in pursuit of this elusive
subject. Deriving inspiration from looking directly into the brain
she has observed numerous scans in hospitals and undergone research
brain scans herself to try to make sense of the material basis of
personality.
In parallel with these investigations she has experimented with
etching techniques and developed a radical method whose chemical
processes are analogous to those in the brain that might be
responsible for personality. Aldworth also works with animated film,
digital print and light installation. The exhibition Scribing the
Soul is the result of her tracking consciousness over the past seven
years.
Susan Aldworth is Research Fellow in Print at London Metropolitan
University and Artist in Residence at the Gordon Museum of Pathology
at KCL working on a Wellcome Trust funded project. Recent exhibitions
include Mapping the Imagination at the V&A, with solo exhibitions at
Customs House Gallery, Newcastle, Peninsula Arts,University of
Plymouth in 2008, and Menier Gallery, London in 2006. In 2007 she was
invited to exhibit at the Cuenca Biennial in Ecuador.
Scribing the Soul Gallery Talks
Sun 27 July 3pm - Seeing the mind: do art and science meet?
Dr Caterina Albano, Research Fellow/Curator, Artakt, Central Saint
Martins College of Art and Design
Thurs 7 August 7pm – States of Mind: an artist’s exploration of the
brain and consciousness through drawing and etching.
Gill Saunders, Senior Curator (Print) Word and Imaging Department at
the V&A in conversation with Susan Aldworth.
-Talks take place at Transition Gallery, they are free and no booking
is necessary
Private View Fri 25 July 6-9pm
Transition Gallery
8 Andrews Road - London