The Islanders: An Introduction is the latest instalment in Avery's epic project which began in 2004. For the past four years, the artist has created texts, drawings, installations and sculptures which describe the topology and cosmology of an imaginary island, whose every feature embodies a philosophical proposition, problem or solution.
Parasol unit is delighted to present The Islanders: An Introduction, the latest instalment in
Charles Avery's epic project which began in 2004. For the past four years, Scottish artist Avery
has created texts, drawings, installations and sculptures which describe the topology and
cosmology of an imaginary island, whose every feature embodies a philosophical proposition,
problem or solution. Previous exhibitions have presented chapters in this ongoing endeavour,
revealing individual aspects of the Island. For the first time, the whole project thus far will be
brought together including several new works. This major exhibition at Parasol unit will be
accompanied by a large-scale publication.
Avery's mapping of the Island, to be completed over a projected ten-year period, can be
interpreted as a meditation on making art and the impossibility of finding 'truth'. The artist is
characterised as a bounty-hunter, retrieving artifacts and documenting scenes from the
subjective realm. Some of the works on show will focus in absurd detail, on particulars such as
the sale of pickled eggs in the marketplace. Others present mysterious landscapes, such as the
Eternal Forest, a place no one can ever reach but where a prized beast called the Noumenon is
rumoured to live. A specimen of the Island’s wildlife will also be on show, having been realised
in the form of a large taxidermy sculpture. These vivid and intricate works invite the viewer to
recreate the Island in their own minds, and to use it as an arena for exploring philosophical
conundrums and paradoxes.
Avery's art is imbued with a formal beauty, humour, and a spirit of philosophical enquiry. It has
roots in the work of such diverse figures as William Blake, P.G. Wodehouse, Jorge Luis Borges,
Joseph Beuys, Joseph Kosuth and Ludwig Wittgenstein, but above all contains echoes of Avery’s
own life, such as his upbringing on the Isle of Mull. Once this sprawling project is complete,
Avery plans for it to be encapsulated in several large, leather-bound encyclopaedic volumes.
Charles Avery (b. 1973) has exhibited widely both in Britain and internationally. His recent solo
exhibitions include The Islanders: an introduction - part III, Galerie Arquebuse, Geneva (2007);
The Plane of the Gods, Cubitt Gallery, London (2006); The Islanders: an introduction - part II,
Galleria Sonia Rosso, Turin (2006); The Islanders: an introduction, doggerfisher, Edinburgh (2005);
AVATARS, Galleria S.A.L.E.S., Rome (2005); and The Hunter, Man in the Holocene, London (2004).
In 2007, Avery was selected with five other artists to represent Scotland at the 52nd Venice
Biennale, as part of the Scotland and Venice exhibition. He has also participated in numerous
group shows including the Lyon Biennale, France (2007); the Athens Biennale, Greece (2007); The
Drawing Room, London (2007); Musée d'Art Contemporain, Avignon (2005); The Gallery of
Contemporary Art, Glasgow (2003); Gallerie Civico d'Arte Contemporanea di Siracusa, Sicily
(2003); and Marc Foxx Gallery, Los Angeles (2003). Charles Avery is represented by Galleria
Sonia Rosso, Turin; Galleria S.A.L.E.S., Rome; doggerfisher, Edinburgh; and Arquebuse, Geneva.
Following its debut at Parasol unit, The Islanders: An Introduction will tour to the Scottish
National Gallery of Modern Art, Edinburgh and the Museum Boijmans van Beuningen, Rotterdam.
Parasol unit will be publishing a book to accompany the exhibition, with contributions by Nicolas
Bourriaud, Tom Morton and Ziba de Weck Ardalan.
preview 9 September, 6 – 8 pm
Parasol Unit
14 Wharf Road - London
Gallery opening times: Tuesday – Saturday, 10am – 6pm and Sunday, 12 – 5pm
Admission: Free