Canadian artist Jana Sterbak is increasingly establishing herself as one of the most significant innovators in contemporary art. Despite the considerable attention she has aroused around the world, the current retrospective exhibition in Malmö Konsthall is her first in Sweden. The exhibition highlights different aspects of her art and displays a selection of all her important works from an artistic career of more than twenty years.
Canadian artist Jana Sterbak is increasingly establishing herself as one of
the most significant
innovators in contemporary art.
Despite the considerable attention she has
aroused around the
world, the current retrospective exhibition in Malmö Konsthall is her first in
Sweden.
It is
therefore a unique opportunity to get to know the work of this exciting and
distinctive artist.
The
exhibition highlights different aspects of her art and displays a selection of
all her important
works from an artistic career of more than twenty years.
The works have been
borrowed from
museums and private collections in Canada, the United States and Europe. In
conjunction with
the exhibition a catalogue will be published illustrating all the works in the
exhibition.
Jana Sterbak had her international breakthrough in 1987 with her work Vanitas
- a dress made
from raw beef.
It was a work of art that changed over time and by the time the
exhibition closed
the dress had taken on the appearance of dried-out leather.
That same year she
created Generic
Man - a photograph of a mans shaved head seen from the back, in which
everything appears
normal until the viewer notices the bar code apparently carved or tattooed in
his neck.
She has
subsequently continued to create surprising works which leave no one unmoved.
The exhibition at Malmö Konsthall includes a number of Jana Sterbaks newer
works such as Hot
Crown from 1998 and Dissolution (Auditorium) from 2001. Hot Crown consists of
an over two-meter-
high, stylised crown from which there now and again emerge puffs of heat.
The
opposite, cold, is met in Dissolution. She again surprises us: what we think
are normal chairs turn
out to have their backs and seats made of ice. The nature and balance of the
chairs change the
longer the day goes on and the ice melts.
Jana Sterbak creates exciting art works that both amuse and challenge us. She
wants us to stop
and think. Almost unnoticed, she leads our thoughts into themes such as the
relationship between
private and public, seduction and force, or man and machine. In her works, she
seeks out the
often absurdly deadlocked situation that is the condition in which we humans
find ourselves
today as a result of our own physical and psychological nature. Jana Sterbak
works in many
different materials, but they always play a decisive role by following and
strengthening the
concept and nature of her works.
Jana Sterbak was born in 1955 in Prague, Czechoslovakia, but since 1968 she
has lived in
Canada, New York and Paris. She currently divides her time between Montreal
and Barcelona.
Jana Sterbak has had a number of major solo exhibitions which have received
considerable
attention, including ones at the National Gallery of Canada, Ottawa, the
Museum of
Contemporary Art, Chicago and the Serpentine Gallery, London. Her only solo
exhibition in the
Nordic region up to now was at Louisiana, Denmark, in 1993.
Image: Perspiration: Olfactory Portrait, 1995
Glass bottle, reconstituted
human sweat
Height: 25,4 cm Diameter:
15,2 cm
Collection of the artist
Malmö Konsthall
S:t Johannesgatan 7 Box 17 127 SE-200 10 Malmö
Sweden
tel +46 40 34 12 94
fax +46 40 30 15 07