Carola Dertnig
Ines Doujak
Arnold Dreyblatt
Maria Eichhorn
Vera Frenkel
Rainer Ganahl
Klub Zwei
Michaela Melian
Christian Philipp Muller
Lisl Ponger
Silke Schatz
Till Velten
Arye Wachsmuth
Sophie Lillie
The thematic lines of the exhibition, object histories and life-stories of people dispossessed by the Nazis and of their descendants are taken up by international artists and reflected in installations, photo and video pieces. The significance that restitution has for the heirs is linked with questions of cultural identity, history policy, individual recollection and the collective memory. At the same time, 14 art projects informed by the restitution cases represented in the show reflects subjects such as the Nazi bureaucracy of robbery, collection and family histories, and the present-day awareness of restitution.
In a show entitled “RECOLLECTING”, the UNLIMITED Association, in
cooperation with the MAK, presents art and everyday objects from Jewish
possession and their history between robbery and restitution. Especially for
the exhibition, new artworks were created which put this issue of controversial
topicality in a present-day perspective.
The thematic lines of the exhibition, object histories and life-stories of people
dispossessed by the Nazis and of their descendants are taken up by inter-
national artists and reflected in installations, photo and video pieces.
The significance that restitution has for the heirs is linked with questions of
cultural identity, history policy, individual recollection and the collective
memory. Restituted objects may have individual biographical relevance and
contribute to reactivating the family memory. Robbed art objects become
“crystallization points of collective identity and individual history,” says Ingo
Zechner (head of the Holocaust Victims’ Information and Support Center of
the Vienna Jewish Community).
The show also casts light on exemplary aspects of the Nazi bureaucracy and
its continuities in the Austrian restitution policy after 1945 as well as an on the
present-day practice of provenance research and active search for heirs as is
currently being conduced by a number of Austrian museums and institutions.
The exhibition features both restituted objects and pieces whose rightful
owners are still being searched. The about 100 loans come from private
possession in Austria, Great Britain, Switzerland, and the USA as well as from
museums and institutions in Austria and abroad and comprise pieces from
former collections of paintings and porcelain, but also everyday items such as
furniture, books, photographs, and even a car.
Confiscation and restitution processes in connection with the exhibits will be
traced in terms of selected correspondences, inventory lists, official papers
and documents and other materials. The historical documentation will be
complemented with the personal dimension of restitution through conversation
quotes and video interviews with descendants.
At the same time, 14 art projects informed by the restitution cases represented
in the show will reflect subjects such as the Nazi bureaucracy of robbery,
collection and family histories, and the present-day awareness of restitution.
Artists participating: Carola Dertnig, Ines Doujak, Arnold Dreyblatt, Maria
Eichhorn, Vera Frenkel, Rainer Ganahl, Klub Zwei, Michaela Melián, Christian
Philipp Müller, Lisl Ponger, Silke Schatz, Till Velten, Arye Wachsmuth/Sophie
Lillie.
The MAK particularly qualifies as the venue of this exhibition since even
before the Art Restitution Act was passed in 1998 the museum actively
addressed the problem of unrightfully acquired and inventoried items in its
collections and their restitution. Moreover, the MAK also hosted the 1996
“Mauerbach Benefit Sale” organized by the London-based auction house
Christie’s on behalf of the Federal Association of Jewish Communities of
Austria, and thus the museum took a clear political stance early on.
The MAK homepage (http://www.MAK.at/sammlung/f_provenienz1.htm) gives a
survey of collection items restituted to their rightful owners to date, including
prominent examples such as the Bloch-Bauer porcelain collection or the
Rothschild furniture collection. Some of the pieces already restituted by the
MAK will be on view one more time in the “RECOLLECTING” exhibition.
An exhibition catalogue with contributions by Aleida Assmann, Constantin
Goschler, Anja Heuss, Jacques Rancière, Harald Welzer, Ruth Wodak,
several Austria provenance researchers and others is currently being
prepared to be published by Passagen Verlag, Vienna.
The exhibition is supported by the Austrian Federal Ministry of Education, Art,
and Culture, by the Science and Research Promotion Fund of the Vienna
Municipal Department for Cultural Affairs, by the National Fund of the Republic
of Austria for Victims of National Socialism, and by the Future Fund of the
Republic of Austria.
Image: Ines Doujak, Adé, Adele!, 2008, Collage © Ines Doujak
MAK
Stubenring 5, A-1010 Vienna
Opening Hours: Tue MAK NITE 10:00 a.m.–12:00 p.m.
Wed–Sun 10:00 a.m.–6:00 p.m., Mon closed
Admission: € 9.90 with MAK Guide / € 7.90 / reduced € 5.50
Free Admission on Saturdays