galerie wieland is pleased to announce Helen Cho's solo show ''When We Were Kings''. Cho will present an installation of soap objects and a series of photographs of carved soap pieces in snow.
galerie wieland is pleased to announce Helen Cho's solo show ''When We
Were Kings''. Cho will present an installation of soap objects and a
series of photographs of carved soap pieces in snow.
Strange and wondrous things often lie hidden in plain sight. Not long
ago, Helen Cho had a quiet epiphany regarding soap, specifically those
scented cleansing bars to which we give barely a passing thought, but
with which we share an unusual tactile intimacy. Cho soon began
experimenting with soap as an artistic medium whose mutability is as
intrinsic to its nature as is its hygienic utility. Undeniably sensuous
and personal soft, slippery and pleasing soap begins its short
life as a generic consumer product, but ends it as a well-worn,
uncannily human relic.
Cho recognizes this curious and neglected beauty, taking obvious delight
in stripping a common domestic material of its functionality while
enhancing its inherently expressive and anthropomorphic peculiarities.
She makes her "useless" objects with ordinary kitchen utensils in a
process more similar to food preparation chopping, grating, washing
than to conventional sculpting. The highly-polished forms, sporting
the readymade soapy colors Cho favors (fleshy pinks, creamy ambers), are
freed by their purposelessness to explore a multitude of latent
associations. They suggest everything from the corporeal fanciful
internal organs, glossy bodily orifices and protuberances, lustrous
mutated limbs to the exotically zoological odd tropical fruits
or metamorphosing sci-fi insects. The effect of her clustered objects is
analogous to the astonishment one might experience while floating face
down, eyes wide open, in some equatorial lagoon, gazing rapturously at
the sea cucumbers, urchins, and corrals of a fantastical realm.
Inversely, the deep snows of the Canadian north have special
significance for Cho: Blankets of temporary purity giving a magical
grace to the quotidian grimness of what lies hidden beneath. For this
reason, she often photographs her soap pieces in this neutral
environment, carefully arranging scenes and situations that suggest the
fragile incongruity of extraterrestrial flora and fauna emerging from
the frozen Arctic wastes. Soap like the snowdrifts in which Cho
nestles it is an ephemeral, delicate substance living on borrowed
time. It too will dissolve, slither away, and disappear. Its materiality
may be fleeting, but the innocently seductive qualities that Cho summons
from it remain.
(James Trainor)
With support from the Canadian Embassy
opening reception: Friday, March 8, 2002, 7pm
exhibition duration: March 9 - April 20, 2002
gallery hours: Wed-Fr 2-7pm, Sat 12-5pm
open weekend: Fri/Sat March 8/9 til 11pm
mi-fr 14-19, sa 12-17 uhr
Galerie Wieland
ackerstr. 5
10115 berlin
fon: +49-30-28 38 57 51
fax: +49-30-28 38 57 52