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7/1/2009

Richard Aldrich

Bortolami Gallery, New York

Sometimes the best that's possible is a stand-in or an approximation in order to manifest a desire for the internal. In the process you make notes inadvertently that reveal the gaps between a fantasy and one's own ability. It becomes the same thing over and over. Then maybe it's a confidence issue from then on. Coping with one's fantasies. Drawing (on) something that's out of reach so instead drawing the reach, or pretending to.

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