L like hell. The starting point of the exhibition is based on a found piece of sliced bread left in a trolley by a tramp in Hyde Park in 2001. The tramp ate the centre of the soft bread and left the crust, leaving a shape resembling the Pound Sterling symbol. Pradeau entitles the work Fortune.
Frédéric Pradeau born in 1970 and living in Paris brings a strong element of
surprise to the gallery’s visitor.
In his exhibition in 2004 at the Corentin Hamel Galerie in Paris, he shrunk
the gallery space (by creating new walls) to standard wall sizes such as
those used in the construction industry for cheap housing. He called the
exhibition L’Homme qui rétrécit, the Shrinking Man.
A work entitled Désertificateur 2005 at the Naples Gallery Raucci
Santamaria, consisted of a floor sculpture made with a pile of white dust
surrounded by strong terrarium lamp, looking very much like an elegant piece
of minimal work. The white powder was in fact Calcium chloride, which
literally took away the saliva of the approaching visitor, the neon lights
had a blinding intensity, both recreating the environmental conditions of a
desert.
In London, the starting point of the exhibition is based on a found piece of
sliced bread left in a trolley by a tramp in Hyde Park in 2001. The tramp
ate the centre of the soft bread and left the crust, leaving a shape
resembling the Pound Sterling symbol. Pradeau entitles the work Fortune.
From a simple symbol to the vast notion of money, the artist then derives
multiple figures, drawings and sculptures, all associated with the effects
that *money* creates, numerically or quantitatively, emphasising its
arbitrariness.
Numbers fascinates Frédéric Pradeau. Abstract drawings of multiple orange
and yellow coloured squares evoke numbers, further developed in an audio
work demanding mental calculus considerations from the listener. Visual and
mental associations are suggested by works encountered either in the
upstairs gallery space and echoed in the downstairs space, forcing an
exercise of visual memory and mental metaphors.
This is his first solo exhibition in London after his participation at the
Liverpool Biennale in 2007.
Private view: Friday 26th June: 6 – 8PM
Laure Genillard
2 Hanway Place - London
hours: Wed – Sat: 2 - 6PM
free admission