calendario eventi  :: 




4/9/2009

Anabasis

Ludwik Grohman Villa, Lodz

On Rituals of Homecoming. The exhibition's title pertains to the hero's mythical voyage as a metaphor. The goal of this voyage and the act of the return is a central point of the work by the artists invited to participate. Each of them grapples with the universal theme of uprooting, return and the significance of place in shaping a person's identity. On display works by: Lidia Abdul, Helena Almeida, Mieke Bal, Yael Bartana, Rita Sobral Campos, Jonas Dahlberg, Leszek Danilczyk & Dorota Krakowska, Edith Dekyndt, Elmgreen & Dragset and many others. Curated by Adam Budak in the frame of the Festival of Dialogue of Four Cultures.


comunicato stampa

curated by Adam Budak

Artists: Lidia Abdul, Helena Almeida, Mieke Bal, Yael Bartana, Rita Sobral Campos, Jonas Dahlberg, Leszek Danilczyk & Dorota Krakowska, Edith Dekyndt, Elmgreen & Dragset, Famed, Jarosław Fliciński, Kasia Fudakowski, Lothar Hempel, Teresa Hubbard/Alexander Birchler, Marine Hugonnier, Tadeusz Kantor, Susanne Kriemann, Agnieszka Kurant, Sharon Lockhart, Vera Lutter, Ernesto Neto, Adrian Paci, Agnieszka Polska, Mai-Thu Perret, Pedro Cabrita Reis, Mathilde Rosier, Esther Stocker, Andriej Tarkowski

Special productions will make up a significant part of the exhibit. New works will be shown by such famous artists as Pedro Cabrita Reis, Sharon Lockhart, Susanne Kriemann, Esther Stocker, Rita Sobral Campos, and Lothar Hempel. Vera Lutter is preparing a new series of photographs in cooperation with students of the Academy of Fine Arts in Łódź. In addition, the exhibit will include admired works by Yeal Bartana, the Hubbard & Birchler duo and artists of Polish extraction living in Berlin – Kasia Fudakowski and Agnieszka Polska.

The exhibition’s title pertains to the hero’s mythical voyage as a metaphor. The goal of this voyage and the act of the return is a central point of the work by the artists invited to participate. Each of them grapples with the universal theme of uprooting, return and the significance of place in shaping a person’s identity. The tensions between the public and private spheres, architecture and the city, and various ways of experiencing these things are all brought to light.
The city of Łódź and its crippled history have served as the inspiration for these questions. The exhibition is placed in a heritage industrialist’s residence – a place once occupied by many generations of a family, and then transferred to the hands of various random people. The Ludwik Grohman Palace allows us to weave more tales of complex homecomings, with their mythological, political and personal dimensions.

Over 20 artists have been invited to take part, presenting works in various media: from installations and sculptures to photography and videos. Artists with confirmed positions or who are just gaining recognition in the international arena will be taking part. The Polish public will have its first opportunity to see the work of artists like Helena Almeida and Elizabeth Diller. The event of the show will be a premiere showing of one-of-a-kind Polaroids by the film director Andrei Tarkovsky.

Special productions will make up a significant part of the exhibit. New works will be shown by such famous artists as Pedro Cabrita Reis, Rita Sobral Campos, Sharon Lockhart, Adrian Paci and an artist of Polish extraction living in Berlin – Kasia Fudakowski. Vera Lutter is preparing a new series of photographs in cooperation with students of the Academy of Fine Arts in Łódź. In addition, the exhibit will include admired works by Yeal Bartana, the Hubbard & Birchler duo and Agnieszka Polska.

Lida Abdul (b. 1973) comes from Kabul. After the Soviet invasion of Afghanistan, she left for Germany and India, and is presently affiliated once more with her native city. She works in various media – she takes photographs and makes videos, installations and performances. Abdul has won the Prince Claus Fund Award and has received a scholarship from the Isabella Stewart Gardner Museum in Boston. She has taken part in a range of collective exhibitions, and her work has been shown at the biennials in Venice (2005), São Paulo (2006), Moscow (2007) and Istanbul (2007).

Helena Almeida (b. 1934) comes from Lisbon, where she lives and works to this day. She is one of Portugal’s most interesting contemporary artists. She often makes women the main figures in her photographs and pictures. She has made a famous series of self-portraits called Inhabited Paintings and Inhabited Drawings. An important aspect in Almeida’s work is the relationship between space and the body, between interior and exterior. Her works have been exhibited in Barcelona, Madrid, Lisbon and New York.

Yael Bartana (b. 1970) is an Israeli artist who takes photographs and makes video and sound installations. Her work deals with war reports, military rituals and social life. Her work has been shown at numerous solo exhibitions, including at Stedelijk van Abbemuseum in Eindhoven and Fridericianum in Kassel, and collective ones including: Manifesta 4 in Frankfurt (2002), the 27th Biennial in São Paulo (2006) and Documenta 12 in Kassel (2007). She lives and works in Israel and Holland.

Rita Sobral Campos (b. 1982) comes from Lisbon, but lives and works in New York. She has graduated from the New York School of Visual Arts and ArCo in Lisbon. She has presented her work in a wide range of collective projects and solo exhibitions in Portugal and Spain. Her sculpture project will premiere in Poland during the Dialogue of Four Cultures Festival.

Jonas Dahlberg (b. 1970) is a Swedish video artist. He studied art history at Gothenburg University and Architecture at the Technical University in Lund. He received his arts education at the Arts Academy in Malmö. He has shown his works in collective projects all around the world, including New York, Sienna, Taipei, Prague and Madrid. He took part in the 50th Biennial in Venice (2003) and Manifesta 4. in Frankfurt (2002). His work deals with the experience of space and architecture.

Jarosław Fliciński (b. 1963) lives and works in Warsaw and in his hometown, Gdańsk. He is a graduate of the Architecture Department of the Gdańsk Technical Academy and the Painting Department of the same city’s State Visual Arts Academy. He has won the ArtsLink Foundation Award (2002), and has received scholarships from prestigious institutions in Europe and the USA. His painting uses spare, abstract forms. The artist also takes photographs and makes video films.

Kasia Fudakowski (b. 1985) is a sculptress. She comes from London. Since 2006 she has lived and worked in Berlin. She is a graduate of the Ruskin School of Drawing and Fine Arts at Oxford University. In 2003 she received the Stephen Farthing Anatomy Award, and in 2004 the Mitzi Cunliffe Prize. Her work has been shown at numerous collective and solo exhibitions: Gleaning the Gloss (Berlin, 2009), Daytime Drama (Krakow, 2008), and Sculpture (Oxford, 2005).

Lothar Hempel (b. 1966) comes from Köln, where he lives and works to this day. He graduated from the Kunstakademie in Düsseldorf. He has participated in collective exhibits organized by the ZKM in Karlsruhe, the Saatchi Gallery in London and Tate Liverpool. He has also done a number of solo projects. His works are found in the collections of high-ranking institutions in France, Italy and Germany. The artist is affiliated with New York’s Anton Kern Gallery, among others.

Teresa Hubbard / Alexander Birchler are an artistic duo active since 1990. Their output includes photography, sculpture and videos. Teresa Hubbard comes from Australia, and Alexander Birchler from Switzerland. They began working together at an arts residency at the Banff Centre for the Arts. Then both graduated from the Nova Scotia College of Art and Design in Halifax. They have had solo exhibitions at K21 in Düsseldorf, the Miami Art Museum and the Whitney Museum of American Art at Altria in New York. They have also taken part in a range of collective exhibitions all over the world. Their works experiment with traditional film materials to explore the relationships between the construction of time and space.

Marine Hugonnier (b. 1969) comes from Paris, where she graduated in anthropology and philosophy. She got her arts education at the Fresnoy Studio National des Arts Contemporains in Lille. She has had a few dozen individual exhibitions to date. In 2007 she took part in the 52nd Biennial in Venice. Her works are found in numerous collections in Europe and the USA. Hugonnier is interested in the relationships between architecture, landscape, and history, and their means of representation. She lives and works in London.

Susanne Kriemann (b. 1972) is a German artist who makes installations and videos and takes photographs. She graduated from the Akademie der Bildenen Künste in Stuttgart. From 1995-2007 she received scholarships in France and Holland, participating in a few residency programs. She has taken part in many collective and solo projects. Her works are found in numerous German and Dutch collections. The artist explores ways of representing reality and history subject to museum and archival processes. She lives and works in Rotterdam.

Agnieszka Kurant (b. 1978) comes from Łódź, but lives and works in Paris and in Warsaw.
She graduated from the Film School in Łódź, in art history from Łódź University, and in curator studies from Goldsmiths College at London University. In 2008 she received a Ministry of Culture scholarship. She has participated in collective projects in Poland and abroad, including Frieze Projects, which accompanied the famous Frieze Art Fair in London.

Sharon Lockhart (b. 1964) is an American artist, photographer and director. She lives and works in Los Angeles. She graduated from the San Francisco Art Institute and Art Center College of Design in Pasadeno (California), and has won numerous international scholarships and grants. She explores the subtle relationships between film and photography. Animated and motionless images are her medium for documenting daily life. She has made the films Lunch Break (2008), Pine Flat (2006) and Goshogaoka (1998).

Vera Lutter was born in Germany, but presently lives and works in New York. She takes city portraits with the camera obscura technique. She studied at the Academy of Fine Arts in Munich and in New York. Her photographs have been shown at collective and solo exhibitions all around the world, including the Museum of Contemporary Photography in Chicago, New York’s Museum Of Modern Art and Austria’s Kunsthaus Graz. Lutter has received a range of awards and grants, including the Pollock-Krasner Foundation Grant.

Ernesto Neto (b. 1964) is one of the leading artists on the Brazilian scene. His work features biomorphic, large-format installations that offer the viewer a new experience of space. The artist has taken part in many collective exhibitions worldwide, from New York to Tokyo. He and Vik Muniz represented Brazil at the 49th Biennial in Venice (2001). His work can be found in numerous collections in Europe and the USA.

Adrian Paci (b. 1969) is an Albanian artist who comes from a family of artists. He studied at the Arts Academy in Tirana. In 1997 he moved to Italy, and currently lives in Milan. As a teacher, he is affiliated with the academies in Bergamo and Venice. In his pictures and video projects he deals with the problem of the immigrant’s status, and the identity of a person in a reality subject to political and symbolic transformation. In 2005 he participated in the 51st Biennial in Venice.

Mai-Thu Perret (b. 1976) comes from Geneva, and presently divides her time between her native city and New York. She studied English literature at Cambridge University. Her work draws from the heritage of modernism and the avant-garde arts movements. Her output mainly contains installations, drawings, videos, and book projects. Her solo exhibitions have been shown at Frankfurter Kunstverein (2005) and SF MOMA (2008), among others.

Agnieszka Polska (b. 1985) comes from Lublin, and presently lives and works in Berlin. She studied at UMCS in Lublin and the Academy of Fine Arts in Krakow. She is continuing her arts education at the Universitat der Kunste in Berlin. She takes photographs, and makes videos and animation. She enjoys using found footage techniques, though her interventions into the found material are subtle and barely perceptible. She is affiliated with Żak-Branicka Gallery.

Pedro Cabrita Reis (b. 1956) comes from Lisbon, where he lives and works to this day. His art in the 80s had a decisive impact on the new face of sculpture. His works have been put on display at many international exhibitions, including Documenta X in Kassel, Aperto in 1995, and at the 24th Biennial in São Paulo. Moreover, in 2003 he represented Portugal at the 50th International Art Biennial in Venice. His installations are rooted in the issues of space, architecture and memory.

Mathilde Rosier (b. 1973) comes from Paris, where she originally studied economics at the Université Paris-Dauphine, and then took her arts education at the École Nationale Supérieure des Beaux Arts. She has participated in a range of collective exhibitions. Her works have also been shown at solo exhibitions in Paris, Karlsruhe and Barcelona, among other places. Rosier’s work is marked by an almost romantic fascination with nature and a commentary on the relationship it has with people.

Esther Stocker (b. 1974) comes from Italy, but is presently affiliated with Vienna. She mainly makes pictures, murals, installations and site-specific projects. She has studied at arts academies in Vienna, Milan and Pasadeno. Her work is marked by a narrative whose form and significance is complex, using the language of geometrical abstraction. She has a range of solo and collective exhibitions to her credit, in Europe and around the world – from Chicago, to Sydney and Tokyo.

Andriej Tarkowski (1932-1986) was a Russian film and theater director, one of the most outstanding figures in the history of cinema. He first gained an education in various fields – including music and the visual arts. From 1956-1960 he studied at the Direction Department of the Moscow Film School (WGIK). His work is saturated with autobiographical and metaphysical strains, and a love of nature. While in the Soviet Union he made such films as Andrei Rublov, Solaris, Stalker and The Mirror. After departing for Italy in 1982, he also made Nostalgia and The Sacrifice.

For more information please contact:
Monika Wąsik e-mail monika.wasik@4kultury.pl tel +48 515 891045
Weronika Dobrowolska e-mail weronika@4kultury.pl tel +48 695 554955
Press office biuro.prasowe@4kultury.pl

Opening: 5 September 2009, 7:00 p.m. (Saturday)

Ludwik Grohman Villa
ul. Tylna 9/11 - Lodz

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Anabasis
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