Public and private spaces
Curated by Nikola Dietrich
Monica Bonvicini (*1965 in Venice, lives in Berlin) and Tom Burr (*1963 in New Haven,
Connecticut, lives in New York) are internationally regarded as among the most important
representatives of contemporary art today. They share an interest in the functional purposes of
social spaces and their psychological, social and gender-specific conventions. This mutual
interest manifests itself in very different types of photographs, drawings, sculptures and
installations. But common to both oeuvres is the question of the dynamics of power manifested
by architecture, behaviour and action. Enthusiasm for the almost libidinous quality of surfaces
and materials is a further bond between Monica Bonvicini and Tom Burr’s artistic output. This
exhibition is the first dedicated to an encounter between these artists; bringing their respective
oeuvres face to face, it seeks to draw attention to their sometimes similar, sometimes
contrasting aesthetic strategies.
At the center of the exhibition, then, stands the use of public and private spaces as an idea
derived from the human body. In the exhibition space, these works meet in their shared
reference to Minimal art; they part ways in their respective formal realizations and in their
diverging references to a politics of the body, of gender, and of history.
It becomes clear, moreover, that sites and objects cannot simply be conceived as neutral
values but must be recognized as social constructions that figure relationships of power.
The project was conceived in cooperation with the Städtische Galerie im Lenbachhaus und
Kunstbau, Munich, and was shown there differently from Mai 30iest to August 16th, 2009.
Considering the singularity of both Monica Bonvicini ́s and Tom Burr ́s oeuvre, two catalogues
were published by DuMont publishing to accompany the exhibitions, one dedicated to each
artist.
The exhibition is generously supported by the "Fonds für künstlerische Aktivitäten im Museum
für Gegenwartskunst der Emanuel-Hoffmann-Stiftung und der Christoph Merian Stiftung".
Image: Monica Bonvicini, 2 Tonnen Nationalgalerie, Bauschutt (Fassade der Nationalgalerie) + C-Print, Courtesy of the artist
Press contact
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