Vito Acconci
Robert Adams
Ryoji Akiyama
Carl Andre
Keith Arnatt
Richard Artschwager
Richard Avedon
Lewis Baltz
Robert Barry
Larry Bell
Mel Bochner
Marcel Broodthaers
Scott Burton
James Lee Byars
John Cage
Vija Celmins
Ron Davis
Walter De Maria
Agnes Denes
Jan Dibbets
Fluxus
Helen Frankenthaler
Lee Friedlander
Gego
Guerrilla Art Action Group
Philip Guston
R. L. Haeberle
Art Workers Coalition
Peter Brandt
Richard Hamilton
Strike Poster Workshop
Douglas Huebler
Robert Irwin
Jasper Johns
Ray Johnson
Donald Judd
Stephen Kaltenbach
Craig Kauffman
Joseph Kosuth
Standish Lawder
Sol LeWitt
Lee Lozano
George Maciunas
John McCracken
Lutz Mommartz
NASA
Bruce Nauman
Claes Oldenburg
Dennis Oppenheim
Nam June Paik
Richard Pettibone
Adrian Piper
Arnulf Rainer
Ely Raman
Robert Rauschenberg
Gerhard Richter
Martha Rosler
Dieter Roth
Edward Rusha
Rudolf Schwarzkogler
Seth Seigelaub
Richard Serra
Joel Shapiro
Robert Smithson
Nancy Holt
Michael Snow
Andy Warhol
Claes Oldenburg
David Novros
Forrest Myers
Robert Rauschenberg
John Chamberlain
Lawrence Weiner
John Wesley
Christopher Wilmarth
Garry Winogrand
David Altmejd
Alex Da Corte
Robert de Saint Phalle
Cheryl Donegan
Zak Kitnick
Sam Moyer
Heather Rowe
Melanie Schiff
Martin Soto Climent
Marc Swanson
Penelope Umbrico
Kynaston McShine
Neville Wakefield
Michelle Elligott
Eva Respini
Tim Goossens
Kate McNamara
Exploring a cross section of art made during a period marked with revolution and socio-political tumult, the exhibition ''1969'' presents works drawn from every department of the Museum and also embraces 5 interventions by a current generation of artists whose work reflects the concerns of 1969. This show includes examples of painting, sculpture, photography, print, illustrated books, design, drawing, media, and film as well as a wealth of documents drawn from MoMA's archives. ''Between Spaces'' is a group exhibition organized by P.S.1's junior curatorial staff that brings together 11 emerging and established artists who remove familiar objects from their traditional functions, creating work that suggests new contexts and possibilities.
1969
P.S.1 Contemporary Art Center presents 1969, a large scale exhibition occupying the entire second floor with works drawn from every department of The Museum of Modern Art. Exploring a cross section of art made during a period marked with revolution and socio-political tumult, this exhibition also will embrace five interventions by a current generation of artists whose work reflects the concerns of 1969 and brings the exhibition into the present. These younger artists will be given free reign to respond to the works on view and to the time period in general.
1969 is organized by a team of curators representing both institutions and includes MoMA's archivist. One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S.1, with its fast-paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA. This exhibition includes examples of painting, sculpture, photography, print, illustrated books, design, drawing, media, and film as well as a wealth of documents drawn from MoMA's archives.
Diverse artistic practices, concerns, and themes are presented ranging from the minimalist sculpture of Sol LeWitt and Carl Andre, abstract painting and drawing of Helen Frankenthaler and Gego, to films by Walter de Maria and Michael Snow, and politically charged works of the Art Workers Coalition and Martha Rosler. By exploring a single year, this exhibition is not an attempt to recount the events of 1969, but rather, to present a variety of works made in a single year, each one with its own narrative and point of view. Clearly, the exhibition also outlines MoMA's own collecting history; as such, it is part of a cross-departmental curatorial examination of MoMA's collection with an eye to expanding the range of its holdings from a period when art was being redefined.
Several of the featured works from the collection will be exhibited for the first time, including pieces by major artists like Robert Barry, Mel Bochner, Lutz Mommartz, Bruce Nauman, and John Wesley. In addition, Mel Bochner's room-sized installation, Theory of Painting, marks not only its debut at P.S.1 and MoMA, but the first time it will be realized in New York City. The exhibition will also include new acquisitions of Fluxus works which form part of a recent donation to MoMA from the Gilbert and Lila Silverman Fluxus Collection.
Central to the exhibition is the re-staging of MoMA's 1969 exhibition, Five Recent Acquisitions, organized by noted MoMA curator Kynaston McShine, highlighting then-recently acquired works by Larry Bell, Ron Davis, Robert Irwin, Craig Kauffman, and John McCracken. This exhibition within an exhibition is further contextualized by photographs by Gary Winogrand and Lee Friedlander, among others, in addition to exhibition catalogs, books, and archival documents which depict the events, excitement, and anxieties of the period. By juxtaposing the meditative space of the white cube gallery of the transplanted MoMA exhibition with the tumult of the outside world, 1969 reflects the expansive concerns held by artists of the time. Archival materials document MoMA's relationship with and involvement in the momentous events of the time.
Similar to the presentation of Five Recent Acquisitions, a younger group of artists will create interventions within the galleries that highlight, reflect, and disrupt the collection show. The intervention artworks will speak to themes both present and absent from the exhibition, such as NASA's lunar landing, the legacy of iconic post-war artists like Joseph Beuys and Robert Morris, the rise of collaborative artistic practices, and the cultural and political affects of the Civil Rights movement. The artists acting as commentators are Base, The Bruce High Quality Foundation, Mathew Day Jackson and David Tompkins, Stephanie Syjuco, and Hank Willis Thomas.
Artists include: Vito Acconci; Robert Adams; Ryoji Akiyama; Carl Andre; Keith Arnatt; Richard Artschwager; Richard Avedon; Lewis Baltz; Robert Barry; Larry Bell; Mel Bochner; Marcel Broodthaers; Scott Burton; James Lee Byars; John Cage; Vija Celmins; Ron Davis; Walter De Maria; Agnes Denes; Jan Dibbets; Fluxus; Helen Frankenthaler; Lee Friedlander; Gego; Guerrilla Art Action Group; Philip Guston; R. L. Haeberle, Art Workers Coalition and Peter Brandt; Richard Hamilton; Strike Poster Workshop, Harvard University Graduate School of Design; Douglas Huebler, Robert Irwin; Jasper Johns; Ray Johnson; Donald Judd; Stephen Kaltenbach; Craig Kauffman; Joseph Kosuth; Standish Lawder; Sol LeWitt; Lee Lozano; George Maciunas; John McCracken; Lutz Mommartz; NASA; Bruce Nauman; Claes Oldenburg; Dennis Oppenheim; Nam June Paik; Richard Pettibone; Adrian Piper; Arnulf Rainer; Ely Raman; Robert Rauschenberg; Gerhard Richter; Martha Rosler; Dieter Roth; Edward Rusha; Rudolf Schwarzkogler; Seth Seigelaub; Richard Serra; Joel Shapiro; Robert Smithson and Nancy Holt; Michael Snow; Andy Warhol, Claes Oldenburg, David Novros, Forrest Myers, Robert Rauschenberg, and John Chamberlain; Lawrence Weiner; John Wesley; Christopher Wilmarth; and Garry Winogrand.
Organized by Neville Wakefield, P.S.1 Senior Curatorial Advisor; Michelle Elligott, MoMA Archivist; and Eva Respini, MoMA Associate Curator of Photography.
The exhibition is supported by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, The Contemporary Arts Council of The Museum of Modern Art, and Sally and Wynn Kramarsky.
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Between Spaces
P.S.1 Contemporary Art Center is proud to present Between Spaces, a group exhibition organized by P.S.1's junior curatorial staff. The exhibition brings together eleven emerging and established artists who remove familiar objects from their traditional functions, creating work that suggests new contexts and possibilities. On view in the First Floor Main Gallery from October 25, 2009, through April 5, 2010.
Adopting the role of alchemist, the artists in Between Spaces reform and shift the aesthetic and cultural connotations of their materials. Notions of presence and absence are highlighted, evoking the space in between.
In recasting the functionality of standard materials, including light, the works in Between Spaces challenge the viewer's perception of domestic material conventions. In his series Blinds, Martin Soto Climent explores the physical limits of Venetian blinds as he twists and transforms them into a draped installation that cascades from the wall. Artist Alex Da Corte uses homemade multicolored soda as the sole medium in his large site-specific floor installation. The soda is poured into molds and then hardens into an abstract composition of juxtaposed primary shapes.
Artists: David Altmejd, Alex Da Corte, Robert de Saint Phalle, Cheryl Donegan, Zak Kitnick, Sam Moyer, Heather Rowe, Melanie Schiff, Martin Soto Climent, Marc Swanson, and Penelope Umbrico
Organized by Tim Goossens and Kate McNamara, P.S.1 Curatorial Assistants.
The exhibition is supported by The Student Body of P.S.1 Contemporary Art Center.
Image: Marc Swanson, Untitled (Window Box), 2008-2009, Wood, glass, paper, shellac, 81 1/2 x 32 x 11 inches
Courtesy the artist and Richard Gray Gallery, NY
Press Department
April Hunt tel 718.786.3139 e-mail april@ps1.org
Opening Day Celebration: Sunday, October 25, 2009, 12-6PM
P.S.1 Contemporary Art Center
22-25 Jackson Avenue at 46th Avenue in Long Island City, Queens, New York
Hours: 12p.m. to 6p.m., Thursday through Monday.
Admission is a $5.00 suggested donation; $2.00 for students and senior citizens; free for MoMA members and MoMA admission ticket holders. The MoMA ticket must be presented at P.S.1 within thirty days of date on ticket and is not valid during Warm Up or other P.S.1 events or benefits.