Fountain. The 7-minute film is a poetic and linguistic study of the readymade and Marcel Duchamp's last work Etant donnes (1946-66). At the same time, it addresses the particular relationship between language and art. In her art, the artist reflects on the act of making art, the content and production of meaning through art and the relationship between art and life.
Fountain is a new film from the Welsh artist Bethan Huws, which premieres at the daadgalerie. The 7-
minute film is a poetic and linguistic study of the readymade and Marcel Duchamp's last work Étant donnés
(1946-66). At the same time, Fountain addresses the particular relationship between language and art.
In her art, Bethan Huws reflects on the act of making art, the content and production of meaning through
art and the relationship between art and life. In the early 1990s, Huws became known internationally for her
boats each made of a folded blade of rush which were exhibited like miniature sculptures. Within the
context of art, this, a Welsh child’s game transforms into a quiet but powerful gesture that underscores the
imagination and personal memory space of art through a material manipulated by human hands. Here
Huws’ specific approach to the readymade and the work of Duchamp becomes apparent. Huws considers
Duchamp both a turning point in Western art history, and the starting point for her own artistic practice.
Rather than as a gesture of institutional critique, Huws sees the readymade as a source of artistic
possibilities. Thus Duchamp’s step of generating meaning through a conceptual act forms a crucial basis
for Huws’ own work.
Huws has long used language both to restrict and expand the production of meaning in art. In Fountain she
analyzes Duchamp’s use of idiomatic expressions in a poetic form on the level of the spoken text and
confronts it with shots of Roman fountains at the level of the image. The gap between image and text
allows Huws to explore the layers of meaning and the implications and evocations of art. Ultimately, every
meaningful artistic expression in Fountain runs the risk of faltering through a deliberate, unexpected or
unintended connotation.
Excerpts from Huws’ storyboard and research notes will be on display along with Fountain, offering a
deeper insight into her explorations of Duchamp.
Bethan Huws (b.1961 in Bangor, Wales) studied in the 1980s at the Royal College of Art in London and
now lives in Paris and Berlin. In 2007, she was a guest of the DAAD’s Berlin Artist Programme. Huws
works have been exhibited at numerous international institutions, including solo exhibitions at the Tate
Modern, the Bonnefantenmuseum in Maastricht, the Kunstmuseum St. Gallen, the K21 in Düsseldorf and
at the Serralves Museum in Porto in 2009. She has also recently participated in group exhibitions at the
Hayward Gallery, the Tate Modern and Tate Britain, London, the Hamburger Kunsthalle and the Marta
Herford Museum.
Fountain is produced by Dieter Association Paris, the Serralves Museum of Contemporary Art, and the
Berliner Künstlerprogramm / DAAD
For more information and images please contact:
artpress – Ute Weingarten Phone: +49 (0)30 21961843 artpress@uteweingarten.de
Image: Fountain, 2009 (16mm, still). Courtesy: the artist
Opening: 9 September, 7 – 9 pm
Daad Galerie
Zimmerstr. 90/ 91 10117 Berlin
Mon – Sat 11am – 6pm