Mark Wolak. What if you had all the time in the world to study and develop your artistic talent? Would you take advantage of it? That's precisely the one thing artist Mark Wolak had in abundance -- time. But time had a high cost. The price he paid was his freedom.
MARK WOLAK
"TIME FOR ART"
by Robert Maniscalco
What if you had all the time in the world to study and develop your artistic
talent? Would you take advantage of it? That's precisely the one thing
artist Mark Wolak had in abundance -- time. But time had a high cost. The
price he paid was his freedom. Wolak served eight years in prison on a
non-violent, drug related conviction during most of the 1990s. He's not
proud of that fact but no one can say he didn't make the best of a bad
situation. In prison, he began studying graphite photo-realism under Donald
Gregory and color theory with Samuel Allen. "You'd be amazed at some of the
talent that finds its way into prisons," says Wolak. While in prison he
created over 450 abstract paintings, filling reams of blank books and
canvases with ever more fully resolved images.
The abstraction he evolved came out of several years of drawing and painting
realism. Eventually he began de-constructing forms; gradually Wolak
departed from the representational realm into a more direct, intimate
relationship with work. "I became infatuated with the paint itself."
Eventually, Wolak got back to the enthusiasm for paint we all possess as a
child. "Paint out of the tube is beautiful, in and of itself." So he began
to paint paint instead of things. "I used to be one of those people who
believed 'my kid could paint like that,'" Wolak admits. "Then I realized
the level of discipline it takes to paint a good abstract. I wasted a lot
of paint in the beginning until I rediscovered the pure joy of the paint
itself."
Is it possible only a kid can paint like that? "There comes a point when we
begin to want to draw what we see, when we start looking at what others are
doing. It's a long road back to the time before, the time when we enjoyed
the paint for its own visceral pleasure."
There is an apparent contradiction between the idea of freeing the inner
child and the discipline of creating a sophisticated work of art. "You have
to develop a trained eye," says Wolak. For him, it has involved a careful
and long study of great painters. He had the luxury of studying a square
inch of a Van Gogh for hours. He studied a lot out of books. "You don't
often have the opportunity to see the real thing, especially in prison. For
unfortunate reasons, I was in the incredible position to spend fourteen
hours a day, day after day, over eight years, painting and studying."
He equates the discipline of painting to a memory he has of when he worked
in a hospital as a teenager. "When I started a shift one day I noticed a
doctor stooped over a microscope performing brain surgery. He was in the
exact same position at the end of my shift. That's the level of discipline
I'm talking about." It is the discipline of taking focused action, the
commitment of being there 100%. Prison imposed that commitment upon him but
he maintains a monk-like commitment to his work even now that he is free.
He still manages to finds large blocks of time to continue developing his
work.
Wolak achieves what he refers to as a "highly emotional state" when he
paints. He uses emotional recall to trigger himself into "the zone." He
uses music, scenes from movies that have touched him, anything he can think
of to focus his energy into his work. He works wet-on-wet, so the painting
process demands total concentration. There is an urgency. That's why he
works in oil. "Acrylics are great but with the fast drying time the urgency
is more frenzied and less productive." The process of painting is cathartic
for Wolak. "I don't think about anything in particular once I'm into the
painting. Perhaps I'm concerning myself with balancing colors and shapes,
but on a very non-verbal level. The discipline is in not allowing anything
to happen that would stop the flow of energy." Wolak is also a black belt
in Kung fu, which has deepened his level of discipline as well as influenced
the rhythm and action of his paintings.
When he approaches an abstract he immediately activates the entire canvas
with wet paint, often working with light values first, unlike traditional
oil painters who tend to work dark to light. Like a landscape painter, he
begins with a horizon. "Of course, it's not a literal horizon." He is
working within the landscape of the mind, after all. "The main thing is to
not be afraid. Remember, nothing really bad can happen to you when you're
painting. Getting started is the hardest part." His goal is an accurate
translation of the minds eye; it is through this monistic approach that he
strives to make concrete our most subtle thoughts and feelings.
As to whether his time in prison has "rehabilitated" him, Wolak responds,
"fixing integrity and morals can only happen in your heart. It doesn't
happen in prison. What prison did was give me a lot of time to think. If
anything, my art kept me from going insane."
Mark Wolak has exhibited at the Edward Hopper Museum, the Detroit Artists
Market, the Rackham Gallery and at the University of Michigan. Wolak is
soon to be the featured artist at the Maniscalco Gallery in Grosse Pointe.
The Mark Wolak exhibition opens September 13th and runs through November
9th, 2002.
In the image: Untitled, 30x24 cm.
Opening reception is Friday, September 13th from 6-9 pm (exhibition through November 9th 2002).
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AROUND AND ABOUT
The gallery continues its FREE painting
demonstrations every Thursday evening 6-9 pm. All are welcome to this
entertaining learning experience. You may want to call ahead. The gallery also offers classes in drawing and painting, introducing a computer art class this fall. Call for a schedule or visit our up-to-date website.
WAYNE COUNTY COUNCIL FOR ARTS, HISTORY AND HUMANITIES presents the annual
Artists Among Us juried exhibition. The Unique Exhibition presents new
works created by top Wayne County poets and musicians, inspired by juried
artworks and performed during the receptions at each of the venues. The
first opening will take place at the fabulous new FORD COMMUNITY &
PERFORMING ARTS CENTER IN DEARBORN on September 5th, 7-9pm. The final stop
on the tour will be the new GROSSE POINTE ARTISTS ASSOCIATION home in Grosse
Pointe Park in November. Tour stops include the National Conference Gallery
at the Fisher Building and Madonna College in Livonia. For more information
on these events, call (313) 886-2993. http://www.waynearts.org/
AMBLESIDE GALLERY presents selected works from the annual Michigan
Watercolor Society exhibition. Opening reception is September 6, 6-9 pm.
Exhibit runs through September 28. The Ambleside Gallery is at 17116
Kercheval. For more information (313) 885-8999.
THE SCARAB CLUB Hosts the 60th ANNUAL WATERCOLOR EXHIBITION, July
31st -September 28th. The prestigious annual exhibition features
extraordinary work from artists throughout the Great Lakes area. For more
information call (313) 831-1250 or visit http://www.thescarabclub.org/.
Tune into "INSIDE ART" on WMTV-5, hosted by Robert Maniscalco (available in
Grosse Pointe & Harper Woods only) for an exploration into the creative
process of art spirits right in our own backyard. "Inside Art" episodes are
also available to view at the Maniscalco Gallery during normal hours of
operation (Tues - Sat. 10-5 - open until 9pm on Tuesday & Thursday).
Maniscalco Gallery
17728 Mack Ave (near Rivard) in Grosse Pointe.
(313) 886-2993