The Void Between Saturn and the Fixed Stars. At aspreyjacques, Nader will present eight large-scale paintings which involve chance encounters' between Emanuel Swedenborg (1688-1772, scientist and spiritual explorer), Percy Wyndham Lewis (1882-1957, artist and writer) and William Blake (1757-1827, writer, philosopher and artist).
The Void Between Saturn and the Fixed Stars
'Nader's mongrel contraptions, seemingly built from the detritus of some
post apocalyptic hardware store, inhabit an ambiguous space in which
imaginary architectures are rendered in a style of hard edged abstraction.
His paintings lack the slickness of a techno-inflected world informed by the
computer age; rather they bear the imprint of earlier Surrealist evocations
of a sci-fi future that never was'.
Douglas Fogle, 'Painting at the Edge of the World', Walker Art Center,
Minneapolis, 2001.
aspreyjacques is pleased to present Nader Ahriman's first solo show in
London. Nader, who lives and works in Berlin, was born in Iran (1964). The
exhibition coincides with a month long series of events and exhibitions
supported by the Iranian Heritage Foundation including Artangel's exhibition 'The Logic of the Birds'
(http://www.artangel.org.uk).
At aspreyjacques, Nader will present eight large-scale paintings which
involve chance encounters' between Emanuel Swedenborg (1688-1772, scientist
and spiritual explorer), Percy Wyndham Lewis (1882-1957, artist and writer)
and William Blake (1757-1827, writer, philosopher and artist). Blake is a
major influence in Nader's current body of work, particularly Blake's poem
'The Marriage of Heaven and Hell' (c.1790). Nader, like Blake, works within
the framework of his own visual vocab-ulary often crossing geometric
abstraction and architecture or morphing organic and mechanical forms to
create a unique vision of reality.
In one of the new paintings, Nader presents Blake in an act of defiance
offering Swedenborg his rear. Having once been his most vociferous
supporter, Swedenborg, who is depicted as half goat, half primitive machine,
stands defeated, defecating in despair. In another canvas, Lewis and Blake
come face to face despite the fact these men lived over a century apart.
Nader places them in chance encounters to explore the possibilities of what
might have been had these ideological revolutionaries ever met.
Nader has previously exhibited at the Whitechapel Art Gallery, London in
'Examining Pictures' (1999) co-curated by Francesco Bonami and Judith
Nesbitt and more recently in 'Painting at the Edge of the World' at the
Walker Art Center, Minneapolis (2001). He will have a solo exhibition at the
Kunstverein Freiburg in April 2003, for which a catalogue will be published.
private view: thursday, 7 november, 6 - 8
next exhibitions:
Antje Majewski, 10 january - 15 february
Candice Breitz, 21 february - 5 april
art fairs: Artissima, Turin, 14 - 17 november / Art Basel Miami Beach, 5 - 8 december
For further information and images please contact Alison Abrams on 0207 287
7675
gallery hours: tuesday - friday, 10 - 6, and saturday, 10 - 1
asprey jacques
4 Clifford Street
London