The Dallas Architecture Forum, the non-profit organization dedicated to providing challenging and on-going public discourse about architecture, will continue its seventh season with Terence Riley, chief curator of the Department of Architecture + Design at the Museum of Modern Art.
The Dallas Architecture Forum, the non-profit organization dedicated to providing challenging and on-going public discourse about architecture,
will continue its seventh season with TERENCE RILEY, chief curator of
the Department of Architecture + Design at the Museum of Modern Art, New
York on Thursday, Nov. 21 at 7 p.m. in the Horchow Auditorium of the
Dallas Museum of Art, 1717 N. Harwood in downtown Dallas.
A reception
for members and their guests will begin at 6 p.m. in the auditoriumÃs
foyer. Admission is free to DAF members, $15 general, $10 for DMA
members, $5 for students with ID. Call (214) 740-0644 or visit
http://www.dallasarchitectureforum.org for more information.
Terence Riley is Chief Curator of Architecture and Design at The Museum
of Modern Art, New York. He studied architecture at the University of
Notre Dame and Columbia University and before joining the Museum
established an architectural practice with John Keenen. Keenen/RileyÃs
work has been published and exhibited widely.
In 1989, Riley curated ìPaul Nelson: Filter of Reason,î the inaugural
exhibition at the Arthur Ross Architecture Galleries at Columbia
University, where he served as Director until 1991. He also directed
exhibitions on the work of Iacov Chernikhov and a restaging of the
MoMAÃs first exhibition on architecture entitled ìExhibition 15: The
International Style and The Museum of Modern Art.î He has been an
adjunct faculty member since 1987.
Mr. Riley joined the MoMA in October 1991, and was appointed Chief
Curator in September of 1992. In addition to the landmark
retrospectives, ìMies in Berlinî (2001, co-curated with Barry Bergdoll)
and ìFrank Lloyd Wright: Architectî (1994), Riley has focused primarily
on major figures and themes in contemporary architecture. In 1994,
Riley organized exhibitions on the work of Rem Koolhaas and Bernard
Tschumi. He also curated two major international surveys ìLight
Constructionî in 1995, and ìThe Un-Private Houseî in 1999. In 2001,
RileyÃs co-organized with Barry Bergdoll ìMies in Berlin,î a major
scholarly exhibition focusing on some 30 projects from the architectÃs
Berlin years, ìMies in Berlinî, was the first in-depth investigation of
this vital period of Ludwig Mies van der RoheÃs career. The exhibition
and its accompanying publication examined MiesÃs architectural work from
the time he arrived in Berlin in 1905 and established his architectural
practice there in 1913, until his emigration to the United States in
1938.
Riley has also devoted considerable effort to highlighting the work of
lesser-known architects. Organized jointly with the Wexner Center for
the Arts and the San Francisco Museum of Modern Art, the 1998 show
ìFabricationsî presented 12 younger architects from across the United
States. The exhibition of selected works from the Mies van der Rohe
Prize for Latin American architecture featured the works for both
established and younger architects deserving of a wider international
audience.
Riley was a staff liaison to the MoMAÃs Architect Selection Committee.
In December of 1997, the Committee announced that Yoshio Taniguchi has
been chosen to design the new Museum. Riley curated two shows related
to the expansion, ìTowards the New Museum of Modern Artî and ìRethinking
the Modern: Three Proposals for The Museum of Modern Art.î
DAF memberships (which include admission to the lectures, panel
discussions, receptions and tours at private homes, and invitations to
international study tours) are available - students: $30; individuals:
$100; partnership: $175, support: $500; patron: $1000; and sponsor:
$2500. Sponsorships are also available at the Season Benefactor Level:
$10,000; Season Underwriter: $6,000; Lecture Benefactor: $2,500;
Reception Underwriter: $1,500; Folio Sponsor $1,000; and Panel Sponsor:
$500.
The Dallas Architecture Forum offers a variety of additional events for
members: receptions where members can meet and socialize with guest
lecturers and each other: ìThe Panel,î informal, moderated discussion
groups that focus on different current issues in architecture and
design; and an international study tour to an architecturally
significant site. Lecture and study tour participants can earn
continuing education credit through the American Institute of
Architects.
Horchow Auditorium
Dallas Museum of Art
1717 N. Harwood St. Dallas