Dallas Museum of Art
Dallas
1717 North Harwood St.
214 9221200
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The Dallas Architecture Forum
dal 20/11/2002 al 21/11/2002

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20/11/2002

The Dallas Architecture Forum

Dallas Museum of Art, Dallas

The Dallas Architecture Forum, the non-profit organization dedicated to providing challenging and on-going public discourse about architecture, will continue its seventh season with Terence Riley, chief curator of the Department of Architecture + Design at the Museum of Modern Art.


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The Dallas Architecture Forum, the non-profit organization dedicated to providing challenging and on-going public discourse about architecture, will continue its seventh season with TERENCE RILEY, chief curator of the Department of Architecture + Design at the Museum of Modern Art, New York on Thursday, Nov. 21 at 7 p.m. in the Horchow Auditorium of the Dallas Museum of Art, 1717 N. Harwood in downtown Dallas.

A reception for members and their guests will begin at 6 p.m. in the auditoriumís foyer. Admission is free to DAF members, $15 general, $10 for DMA members, $5 for students with ID. Call (214) 740-0644 or visit http://www.dallasarchitectureforum.org for more information.

Terence Riley is Chief Curator of Architecture and Design at The Museum of Modern Art, New York. He studied architecture at the University of Notre Dame and Columbia University and before joining the Museum established an architectural practice with John Keenen. Keenen/Rileyís work has been published and exhibited widely.

In 1989, Riley curated ìPaul Nelson: Filter of Reason,î the inaugural exhibition at the Arthur Ross Architecture Galleries at Columbia University, where he served as Director until 1991. He also directed exhibitions on the work of Iacov Chernikhov and a restaging of the MoMAís first exhibition on architecture entitled ìExhibition 15: The International Style and The Museum of Modern Art.î He has been an adjunct faculty member since 1987.

Mr. Riley joined the MoMA in October 1991, and was appointed Chief Curator in September of 1992. In addition to the landmark retrospectives, ìMies in Berlinî (2001, co-curated with Barry Bergdoll) and ìFrank Lloyd Wright: Architectî (1994), Riley has focused primarily on major figures and themes in contemporary architecture. In 1994, Riley organized exhibitions on the work of Rem Koolhaas and Bernard Tschumi. He also curated two major international surveys ìLight Constructionî in 1995, and ìThe Un-Private Houseî in 1999. In 2001, Rileyís co-organized with Barry Bergdoll ìMies in Berlin,î a major scholarly exhibition focusing on some 30 projects from the architectís Berlin years, ìMies in Berlinî, was the first in-depth investigation of this vital period of Ludwig Mies van der Roheís career. The exhibition and its accompanying publication examined Miesís architectural work from the time he arrived in Berlin in 1905 and established his architectural practice there in 1913, until his emigration to the United States in 1938.

Riley has also devoted considerable effort to highlighting the work of lesser-known architects. Organized jointly with the Wexner Center for the Arts and the San Francisco Museum of Modern Art, the 1998 show ìFabricationsî presented 12 younger architects from across the United States. The exhibition of selected works from the Mies van der Rohe Prize for Latin American architecture featured the works for both established and younger architects deserving of a wider international audience.

Riley was a staff liaison to the MoMAís Architect Selection Committee. In December of 1997, the Committee announced that Yoshio Taniguchi has been chosen to design the new Museum. Riley curated two shows related to the expansion, ìTowards the New Museum of Modern Artî and ìRethinking the Modern: Three Proposals for The Museum of Modern Art.î

DAF memberships (which include admission to the lectures, panel discussions, receptions and tours at private homes, and invitations to international study tours) are available - students: $30; individuals: $100; partnership: $175, support: $500; patron: $1000; and sponsor: $2500. Sponsorships are also available at the Season Benefactor Level: $10,000; Season Underwriter: $6,000; Lecture Benefactor: $2,500; Reception Underwriter: $1,500; Folio Sponsor $1,000; and Panel Sponsor: $500.

The Dallas Architecture Forum offers a variety of additional events for members: receptions where members can meet and socialize with guest lecturers and each other: ìThe Panel,î informal, moderated discussion groups that focus on different current issues in architecture and design; and an international study tour to an architecturally significant site. Lecture and study tour participants can earn continuing education credit through the American Institute of Architects.

Horchow Auditorium
Dallas Museum of Art
1717 N. Harwood St. Dallas

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