Brian Groombridge
Tiziana La Melia
Arnaud Maggs
Liz Magor
Sandra Meigs
Sasha Pierce
Michael Snow
The Least She Weighed. A selection of works that ''bracket'' a biography of a woman that, in this case, doesn't really exist. Her presence and her absence are described through works that evoke a body, or allude to weight as a state of mind. Works by Brian Groombridge, Tiziana La Melia, Arnaud Maggs, Liz Magor, Sandra Meigs, Sasha Pierce and Michael Snow.
Works by Brian Groombridge, Tiziana La Melia, Arnaud Maggs, Liz Magor, Sandra Meigs, Sasha Pierce, and Michael Snow
For a period in the early 1980s, Liz Magor made a series of sculptures and bookworks based on a seemingly insignificant anecdote. Each work articulated the story of Dorothy, an acquaintance of the artist, who for most of her life remained at 98 pounds—a weight that the woman most identified with—though she recorded several fluctuations at various points in her life. The Most She Weighed / The Least She Weighed, a sculpture that Magor completed in 1982, visualized Dorothy’s lifetime using two collections of cast lead objects—such as eggs, bananas, and light bulbs—on a pair of metal shelves to approximate these two extremes.
It is curious to think, in an age where representations of one’s identity seem hinged on more pressing concerns—political, sexual, racial—how weight, articulated as tangible objects in Magor’s work, becomes a qualifier for someone’s lifetime. Similarly, Felix Gonzalez-Torres’s candy spills come to mind, in the sense that the objects that comprise his portraits generate an overwhelming presence of lives lived, as well as a sense of absence as they are dispersed and depleted.
It is within this framework that the group exhibition The Most She Weighed / The Least She Weighed begins by bringing together a selection of works that “bracket” a biography of a woman that, in this case, doesn’t really exist. Her presence and her absence are described through works that evoke a body, or allude to weight as a state of mind. These works sketch out a portrait of a person who might be or once was, but one that is far from complete.
The exhibition’s narrative impulse prevails in the accompanying reader, an anthology of previously published writing by Tiziana La Melia, Liz Magor, Daphne Marlatt, Sandra Meigs, and Michael Snow.
Image: Arnaud Maggs, Downwind Photograph, 1981-83
Opening: June 8th from 7:00 to 9:00 pm
Susan Hobbs Gallery
137 Tecumseth Street, Toronto
Hours: Wednesday through Saturday from 11:00 am to 5:00 pm or by appointmen