The Serpentine Gallery Pavilion 2011 is designed by world-renowned Swiss architect Peter Zumthor. This year's Pavilion is the 11th commission in the Gallery's annual series, the world's first and most ambitious architectural programme of its kind. It is the architect's first completed building in the UK and includes a specially created garden by the influential Dutch designer Piet Oudolf.
The Serpentine Gallery Pavilion 2011 is designed by world-renowned Swiss architect Peter
Zumthor. This year’s Pavilion is the 11th commission in the Gallery’s annual series, the
world’s first and most ambitious architectural programme of its kind. It is the architect’s first
completed building in the UK and includes a specially created garden by the influential Dutch
designer Piet Oudolf.
At the heart of Peter Zumthor’s Pavilion is a garden that the architect hopes will inspire
visitors to become observers. Zumthor says his design ‘aims to help its audience take the time
to relax, to observe and then, perhaps, start to talk again - maybe not.’ The design emphasises
the role the senses and emotions play in our experience of architecture. With a refined
selection of materials Zumthor creates contemplative spaces that evoke the spiritual
dimension of our physical environment. As always, Zumthor’s aesthetic goal is to customise
the building precisely to its purpose as a physical body and an object of emotional experience.
Zumthor has stated that ‘the concept for this year’s Pavilion is the hortus conclusus, a
contemplative room, a garden within a garden. The building acts as a stage, a backdrop for the
interior garden of flowers and light. Through blackness and shadow one enters the building
from the lawn and begins the transition into the central garden, a place abstracted from the
world of noise and traffic and the smells of London – an interior space within which to sit, to
walk, to observe the flowers. This experience will be intense and memorable, as will the
materials themselves – full of memory and time.’
Materials have always played an evocative as well as an essential role in the buildings designed
by Zumthor. The 2011 Pavilion is constructed of a lightweight timber frame wrapped with scrim
and coated with a black Idenden over scrim. Exterior and interior walls with staggered
doorways offer multiple paths for visitors to follow, gently guiding them to a central, hidden
inner garden. The covered walkways and seating surrounding this central space create a
serene, contemplative environment from which visitors look onto the richly planted sunlit
garden, the heart and focus of the building.
With this Pavilion, as with previous structures such as the famous Thermal Baths at Vals,
Switzerland, or the Bruder Klaus Chapel in Mechernich, Germany, Zumthor has emphasised
the sensory and spiritual aspects of the architectural experience, from the precise yet simple
composition and ‘presence’ of the materials, to the handling of scale and the effect of light.
Piet Oudolf is a prominent garden designer and a leading figure of the New Perennial planting
movement. His award-winning designs emphasise the natural architecture of plants, using
expressive drifts of grasses and herbaceous perennials to create gardens that evolve in form
throughout the lives of the plants. These are chosen for their structure, form, texture and
colour, showcasing many different varieties in his compositions. Oudolf has pioneered an
approach to gardening that embraces the full life-cycle of plants, delighting in their beauty
throughout the seasons.
Piet Oudolf said: “I am very pleased to be collaborating with Peter Zumthor and the
Serpentine Gallery on this year’s Pavilion and to be part of this exciting project. My work aims
to bring nature back into human surroundings and this Pavilion provides the perfect
opportunity for people to reflect and relax in a contemplative garden away from the busy
metropolis.”
The Serpentine’s Pavilion commission, conceived in 2000 by Gallery Director Julia Peyton-
Jones, has become an international site for architectural experimentation and follows a decade
of Pavilions by some of the world’s greatest architects. Each Pavilion is sited on the Gallery’s
lawn for three months and the immediacy of the commission – a maximum of six months from
invitation to completion – provides a unique model worldwide.
Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery, said:
“It is an honour and a great joy to be working with Peter Zumthor on the 11th Serpentine
Gallery Pavilion. The commission allows us to connect with the best architects in the world
and each year is an exciting and completely new experience. Zumthor’s plans will realise an
exquisite space for the public to enjoy throughout the summer.”
Zumthor’s Serpentine Gallery Pavilion will operate as a public space and as a venue for
Park Nights, the Gallery’s high-profile programme of public talks and events. Park Nights
will culminate in the annual Serpentine Gallery Marathon in October, now in its sixth year.
In 2006 the Park Nights programme included the renowned 24-hour Serpentine Gallery
Interview Marathon, convened by Hans Ulrich Obrist and architect Rem Koolhaas; in 2007,
the Serpentine Gallery Experiment Marathon presented by artist Olafur Eliasson and Hans
Ulrich Obrist; in 2008, Obrist led over 60 participants in the Serpentine Gallery Manifesto
Marathon. These were followed in 2009 by the Serpentine Gallery Poetry Marathon and in
2010 by the Serpentine Gallery Map Marathon.
Biographies
Peter Zumthor
Born in Basel in 1943, grew up in Oberwil, Baselland, married to Annalisa Zumthor-Cuorad.
Children: Anna Katharina, Peter Conradin and Jon Paulin Zumthor. Trained as cabinetmaker,
1958-62, at the shop of his father Oscar Zumthor, and as designer and architect, at the
Kunstgewerbeschule Basel, 1963-67, Vorkurs und Fachklasse, as well as at the Pratt Institute,
New York.
As from 1967, employment as building and planning consultant and inventarisator of
historical villages with the Department for the Preservation of Monuments, Canton of
Graubünden, Switzerland; in addition the realisation of some renovations.
In 1979, establishes his own architectural practice in Haldenstein, Switzerland.
Visiting professor at Southern California Institute of Architecture, SCI-ARC, Los Angeles,
1988; at the Technische Universität Munich, 1989, and at the Graduate School of Design,
GSD, Harvard University, Boston, 1999. 1996-2008 professor at the Accademia di architettura,
Università della Svizzera italiana, Mendrisio.
Important buildings: Zumthor Studio, Haldenstein, Switzerland, 1986; Protective Housing for
Roman Archaeological Excavations, Chur, Switzerland, 1986; Sogn Benedetg Chapel,
Sumvitg, Switzerland, 1988; Homes for Senior Citizens, Chur, Masans, Switzerland, 1993;
Gugalun House, Versam, Switzerland, 1994; Spittelhof Estate, Biel-Benken, Switzerland, 1996;
Therme Vals, Switzerland, 1996; Kunsthaus Bregenz, Austria, 1997; Swiss Sound Box, Swiss
Pavilion Expo 2000, Hanover, Germany, 2000; House Luzi, Jenaz, Switzerland, 2002; House
Zumthor, Haldenstein, Switzerland, 2005; Kolumba Art Museum, Cologne, Germany, 2007;
Bruder Klaus Field Chapel, Wachendorf, Germany, 2007; Log houses for Annalisa and Peter
Zumthor, Unterhus and Oberhus, Vals, Leis, Switzerland, 2009.
Piet Oudolf
Piet Oudolf’s projects include the internationally renowned High Line in New York, which
involved planting along a railway line that winds through the city. Combining minimalism with
ecology, this garden was conceived of as a series of interwoven elements that lead visitors
along a richly planted path. Other notable designs include the Lurie Garden in Millennium Park,
Chicago; Wisley, the Royal Horticultural Society Garden in Surrey; Il Giardino delle Vergini at
the 2010 Venice Biennale; and his own innovative garden in Hummelo, The Netherlands. He is
the recipient of numerous awards including the 2010 Award of Distinction by the Association of
Professional Landscape Designers and the 2009 Dalecarlica Award, Sweden. Oudolf’s garden
was also awarded ‘Best in Show’ at the 2000 Chelsea Flower Show, London. In 2010 he was
named as one of the 100 Most Creative People in Business by Fast Company.
For press information, contact:
Tom Coupe, 020 7298 1544, tomc@serpentinegallery.org
Rose Dempsey, 020 7298 1520, rosed@serpentinegallery.org
Erica Bolton, Bolton & Quinn, 020 7221 5000, erica@boltonquinn.com
Serpentine Gallery Pavilion 2011
by Peter Zumthor
opening from 1 July to 16 October 2011
Serpentine Gallery
Kensington Gardens, London
admission free