'Envoy' is an exhibition of photographic and video documentation of an ongoing series of site-specific actions and interventions which have been made over the last four years (1998-2002) in St. Petersburg, the Hague, the North Sea, New York, the Gulf of Finland, Lapland, the Norwegian-Russian border, the Barents Sea, Democracy Square, Gwangju and the Yellow Sea, Korea.
Envoy
'One gives because one is forced to do so, because the recipient has a sort
of proprietary right over
everything which belongs to the donor.'
(Marcel Mauss, The Gift, 1954)
'Only what can be posted exists'
(Bernhard Siegert, Relays: Literature as an Epoch of the Postal System,
1999)
'Envoy' is an exhibition of photographic and video documentation of an
ongoing series of site-specific actions and interventions which have been
made over the last four years (1998-2002) in St. Petersburg, the Hague, the
North Sea, New York, the Gulf of Finland, Lapland, the Norwegian-Russian
border, the Barents Sea, Democracy Square, Gwangju and the Yellow Sea,
Korea.
Undertaking a series of journeys in order to deliver a package or gift to a
specific institution (gifting a copy of Thomas More's Utopia to the
International Court of Justice, the Hague and to the United Nations, New
York) or travelling to a specific site in order to throw a sealed package
or symbolic object into the sea, or simply reading certain texts in
significant cultural or political contexts, each action references the
failure of utopian 'grand narratives' of modernity and democracy. These
works combine the individual and the ideological in an exploration of the
social function of the artist - as a 'courier' of packages and objects or
as an 'envoy' sent by an unknown power for an unspecified end.
Like 'utopia', 'envoy' has a double meaning. An envoy (envoi) is not only
an accredited messenger, courier, agent or representative (from French
envoyer: to send on a journey), but also the object (letter, postcard,
package, gift) which is dispatched and that may or may not reach its
destination: 'Getting out of hand is in fact the very condition of an
envoi, which means a sending off, a kick-off, a dispatch, a missive, or
transmission; in short it marks a passage out of hand and into a postal or
telecommunications network from which the envoi may or may not emerge at
its addressed destination.' (Peggy Kamuf, A Derrida Reader, 1991). In this
way, 'envoy' refers not only to the social role of the artist but also to
the uncertain destination of the work of art.
Ross Birrell, 2003
image: "Envoy (the stars & stripes are thrown from the Staten Island Ferry in New York)", videostill, 2000
Ellen de Bruijne
Rozengracht 207 A
1016 LZ Amsterdam
The Netherlands
tel. +31(0) 20 530 4994
fax. +31(0) 20 530 4990