Angela Bulloch
dal 19/1/2012 al 8/4/2012
Segnalato da
19/1/2012
Angela Bulloch
Witte de With, Rotterdam
Short big drama. Focusing on three types of works - namely her monumental wall paintings, colorful pixel installations and interactive drawing machines - the exhibition presents a selection of existing works together with specially commissioned new pieces. In her wall projects, specific references to artistic, political or social groups are deconstructed and graphically assembled.
Curated by Amira Gad & Nicolaus Schafhausen
There is more than meets the eye to Angela Bulloch’s work. Her solo exhibition SHORT BIG DRAMA at Witte de With, Center for Contemporary Art plays with this red herring – the illusion of simplicity – and highlights the theatricality of Bulloch’s practice. Focusing on three types of works – namely her monumental wall paintings, colorful pixel installations and interactive drawing machines – SHORT BIG DRAMA presents a selection of existing works together with specially commissioned new pieces.
In this exhibition, contradiction takes center-stage and reveals the inherent beauty of Bulloch’s complex artworks. Playing with the nature of drama, whether epic or mundane, big or short, the project adapts the form of a play to structure a sequence of commissions and a new suite of works by the artist. For Witte de With, Bulloch interprets and manipulates earlier potentially clashing installations into a seemingly harmonious whole.
Bulloch adopts an interdisciplinary approach, incorporating references from a wide array of sources, be it history, film or music. In her wall paintings, specific references to artistic, political or social groups are deconstructed and graphically assembled. Through this process of détournement, the artist questions the informational status of an artwork, as well as the possibility of narrating history. Bulloch’s drawing machines are interactive pieces, triggered or altered by the engagement of visitors. In this way, her drawing machines explore the dialectic between technology and labor, making us conscious of our place, and that of others, within the gallery space. With her Pixel works, Bulloch ‘programs’ our experience of art by encoding specific references in the technical programming of her modular light and sound installations. Though the complexity of the workings behind these installations is invisible, a predefined experience of the work is imposed upon the viewer, thus challenging the viewer’s subjective input.
A common thread in Bulloch’s artistic practice is thus the manipulation of codes and a sense of control. Whether that code is music or text-based, the artist plays with and orchestrates our perception and experience of art. She proposes that this experience can be ‘subliminally programmed’ and her work stages that which is beyond our grasp.
EDUCATION
The educational program conceived for this exhibition puts an emphasis on Angela Bulloch’s interdisciplinary approach by exploring her different artistic strategies, which are reminiscent of both minimal and conceptual traditions of art. The program draws upon the many references Bulloch makes in her work, linking visual art to literature, film and media. The workshops and master classes created by Witte de With Education address students and artists from different disciplines. They will explore the performative aspect of Bulloch’s work and dive into the science behind art, negotiating the relationships between art, technology and media.
PUBLICATION: Source Book 10: Angela Bulloch
To accompany the exhibition, Witte de With Publishers will release Source Book 10: Angela Bulloch in March 2012. In addition to visual documentation of the exhibition, this publication will include writings by Nav Haq and John Miller as well as a script by Christine Lang and Christoph Dreher. It will also feature a special selection of Angela Bulloch’s Rules under the title of ‘Rules of the Century.’ Source Book 10: Angela Bulloch is the 10th and final publication of Witte de With Publishers’ Source Book series, monographic publications providing an in-depth look into one artist’s practice.
Support
Goethe-Institut Niederlande, German Ministry of Foreign Affairs (Auswärtiges Amt), and the Canada Council for the Arts.
Image: Feeling, Exploring and Describing a Fragrance (2011); Courtesy of the artist & Esther Schipper
PARALLEL on view in the Museum Boijmans Van Beuningen is also Bulloch’s wall painting Body Space Motion Things (2011).
Press contact:
Jessie Hocks or Angélique Kool +31(0)104110144 or press@wdw.nl
Opening Friday 20 January 2012 (6 – 9 pm).
6 – 7 pm: Guided tour of the exhibition (English and Dutch).
7pm: Speeches by Defne Ayas (Witte de With director as of 1 January 2012); Amira Gad (co-curator of the exhibition); and Nicolaus Schafhausen (Witte de With director from 2006 to 2011 and co-curator of the exhibition).
10:30 pm: After-party at Nieuw Rotterdams Café (Witte de Withstraat 63).
Witte de With Center for Contemporary Art
Witte de Withstraat 50 3012 BR Rotterdam The Netherlands
Opening hours:
Tuesday through Sunday 11 a.m. to 6 p.m.
Closed on Mondays and during installation periods.
Admission prices:
€ 5,00 Witte de With
€ 7,00 Witte de With en Tent.
€ 2,50 discount: under 18 / students / CJP / seniors / groups (min. 10)
Free: under 12 / Cultuurkaart / Rotterdampas
Museumjaarkaart is valid.
With a Witte de With entry ticket, you are entitled to a € 2,50 reduction to your entry ticket at the Boijmans Museums van Beuningen, and vice versa. The museum is at a 3 min. walking distance.