Mary Temple
Byron Kim
Rafael Lozano
Hemmer
Eve Sussman
Mary Temple
Daniel Bejar
Beth Coleman
Ron Cooper
Brent Green
Hillerbrand+Magsamen
Jennie C. Jones
Tellervo Kalleinen
Oliver Kochta-Kalleinen
Linda Montano
Paul Notzold
Geof Oppenheimer
Ben Patterson
Dawit Petros
Adrian Piper
Liliana Porter
Postcommodity
Mark Tribe
Donald Woodman
Irene Hofmann
Janet Dees
Including installations, performances, and films, Time-Lapse explores the possibility of a more dynamic exhibition environment by including both artworks that change over time and utilizing curatorial structures that are based on change. With hourly, daily, and weekly alterations to the works in the show, no two days of show will be the same.
curated by Irene Hofmann, Phillips Director and Chief Curator, and
Janet Dees
Exhibition Changes Continuously for Three Months; No Two Days will be the Same
Santa Fe, NM—SITE Santa Fe is pleased to present Time-Lapse, a group exhibition that
challenges the notion that an exhibition is a fixed entity—with artworks that remain
consistent throughout the run of the exhibition. Including installations,
performances, and films, Time-Lapse explores the possibility of a more dynamic
exhibition environment by including both artworks that change over time and utiliz-
ing curatorial structures that are based on change. With hourly, daily, and weekly
alterations to the works in the show, no two days of Time-Lapse will e the same. The
exhibition runs from February 18 through May 20, 2012.
The work in the exhibition takes the form of large- scale installations in the
galleries; web-based media, as in the March 2012 Project; and a constantly evolving
series of activities and events including film screenings, performances, discussion
groups and lectures in the Time Capsule Lounge.
Questioning the nature of time is a subtext for some of the works in the exhibition;
other works question the nature of current curatorial practice by exploiting
alternative time-based exhibition platforms such as the performance series or the
Internet.
Participating Artists: Byron Kim; Rafael Lozano-Hemmer; Eve Sussman/Rufus
Corporation; Mary Temple; the March 2012 Project, including Axle Contemporary Art,
Daniel Bejar, Beth Coleman, Ron Cooper, Brent Green, Hillerbrand+Magsamen, Jennie C.
Jones, Tellervo Kalleinen & Oliver Kochta- Kalleinen, Linda Montano, Paul Notzold,
Geof Oppenheimer, Ben Patterson, Dawit Petros, Adrian Piper, Liliana Porter,
Postcommodity, Mark Tribe, and Donald Woodman among others
Time-Lapse is co-curated by Irene Hofmann, Phillips Director and Chief Curator, and
Janet Dees, Assistant Curator. Support for this exhibition is generously provided in
part by Lisa and David Barker, Barker Realty.
INSTALLATIONS
Time-Lapse consists of works of art in which the notion of change over time is
integral to the structure of the artwork itself. Mary Temple’s Currency is a drawing
project the artist began on September 24, 2007 and has continued every day since.
Temple creates a new drawing fromimages and headlines from various internet news
sites, including The New York Times. She makesa portrait of a political figure
depicted in the news and creates accompanying text that is an amal- gam of the
headline and the image caption. During the run of Time-Lapse, Temple will scan her
daily drawings and send a digital image to SITE, where the image will be printed out
and added to
a growing grid of drawings on the gallery walls. Byron Kim’s Sunday Painting is a
project he has been engaged in since 2001. Each Sunday, Kim creates a painting of
the sky from wherever in the world he finds himself. The skyscapes are coupled with
diaristic text, creating a dialogue between the infinite and the everyday. Each week
of Time-Lapse, Kim will send a new Sunday Painting to SITE.
Rafael Lozano-Hemmer will present a selection from a body of technological-based
artworks he refers to as Recorders, which depend upon audience participation to take
form. Pulse Index, for example, is an interactive installation in which
participants’ fingerprints and heartbeats are recorded and become the visual and
sonic material of the artwork. Eve Sussman | Rufus Corporation’s
whiteonwhite:algorithmicnoir is an experimental film noir set in a dystopian
“future-oplis” named City A. The film is edited in real time through a
custom-designed computer algorithm that draws on 3,000 film clips, 80 voice-overs
and 150 pieces of music. The film runs continuously with a constantly changing
narrative that never presents the same juxtapositions of images, words, or music.
Time-Lapse consists of works of art in which the notion of change over time is integral to the
structure of the artwork itself. Mary Temple’s Currency is a drawing project the artist began on
September 24, 2007 and has continued every day since. Temple creates a new drawing from
images and headlines from various internet news sites, including The New York Times. She makes
a portrait of a political figure depicted in the news and creates accompanying text that is an amal-
gam of the headline and the image caption. During the run of Time-Lapse, Temple will scan her
daily drawings and send a digital image to SITE, where the image will be printed out and added to
a growing grid of drawings on the gallery walls. Byron Kim’s Sunday Painting is a project he has
been engaged in since 2001. Each Sunday, Kim creates a painting of the sky from wherever in the
world he finds himself. The skyscapes are coupled with diaristic text, creating a dialogue between the
infinite and the everyday. Each week of Time-Lapse, Kim will send a new Sunday Painting to SITE.
Rafael Lozano-Hemmer will present a selection from a body of technological-based artworks he
refers to as Recorders, which depend upon audience participation to take form. Pulse Index, for
example, is an interactive installation in which participants’ fingerprints and heartbeats are recorded
and become the visual and sonic material of the artwork. Eve Sussman | Rufus Corporation’s
whiteonwhite:algorithmicnoir is an experimental film noir set in a dystopian “future-oplis” named City
A. The film is edited in real time through a custom-designed computer algorithm that draws on 3,000
film clips, 80 voice-overs and 150 pieces of music. The film runs continuously with a constantly
changing narrative that never presents the same juxtapositions of images, words, or music.
MARCH 2012 PROJECT
In 1969, Seth Siegelaub, pioneering supporter of conceptual art, organized March
1969 a.k.a. One Month, anexhibition that existed only in catalogue form.
Siegelaubinvited thirty-one artists to contribute a work; one for eachday of the
month. Time-Lapse curators Irene Hofmann and Janet Dees have conceived of a project
that is an homage to Siegelaub’s ground-breaking “exhibition,” updated for today’s
virtual, technological world. March 2012 will be hosted on the homepage of SITE’s
website. Each day during March one work by a different artist will be featured. The
participating artists are an intergenerational group currently working with
conceptual, time-based and media-oriented practices. March 2012 artists include:
Axle Contemporary Art, Daniel Bejar, Beth Coleman, Ron Cooper, Brent Green,
Hillerbrand+Magsamen, Jennie C. Jones, Tellervo Kalleinen & Oliver Kochta-Kalleinen,
Linda Montano,Paul Notzold, Geof Oppenheimer, Ben Patterson, Dawit Petros, Adrian
Piper Liliana Porter, Postcommodity, Mark Tribe, and Donald Woodman among others. A
cumulative archive of the project will be presented in the galleries. If you visit
SITE during the month of March you will be able to view all the works presented on
the website up to that day. During the months of April and May an archive of all
thirty-one works will be on view.
THE TIME CAPSULE LOUNGE
The Time Capsule Lounge occupies a physical space within the exhibition for a
constantly evolving series of activities and events including an ongoing
time-inspired film program curated by Jason Silverman; a time-travel library
selected by Cynthia Melchert, Collected Works Bookstore & Coffee- house’s sci-fi
specialist; performances; discussion groups; and lectures. As part of the
programming in the Time Capsule, Santa Fe-based art collective Meow Wolf will
present a series of performances on selected Fridays.
FILMS
In the Time Capsule Lounge, a film series exploring the different ways time has been
treated within the history of cinema will be screened continuously. Curated by Jason
Silverman, Director of Center for Contemporary Art’s (CCA) Cinematheque, the films
are:
A Trip to the Moon (1902), the best-known film of Paris magician Georges Méliès, in
which a group of scientists send men to the moon in a rocketship to discover strange
beings and landscapes. Recently digitized in the most expensive restoration in
cinema history, with the new soundtrack by legendary French band AIR, the film
stands as a turning point in the history of fantasy, depicting worlds and times
collapsing and colliding.
La Jettée (1962). Iconic experimental documentary filmmaker Chris Marker tells the
strange, fractured story
of a man who, after an apocalypse, is sent first into the past via time travel, and
then into the future, only to find the strands connected. Even as Marker’s use of
still images, which constitute the bulk of the film, plays with our temporal
expectations, he also pulls us back and forth along an imagined timeline.
Powers of Ten (1977). Starting with a picnic on the banks of Lake Michigan, Charles
and Ray Eames take us to the edge of the known universe, and then back into the
world of subatomic particles, situating us in a conceptual space where we can
reconsider our notions of time.
Primer (2004). Winner of the Sundance Grand Jury Prize, and then nearly buried due
to distribution problems and rarely seen since, Shane Carruth’s $7,000 feature film
follows two young scientists who build a time travel box, hoping to game the
financial system. Problems ensue.
MEOW WOLF
For SITE’s Time Capsule Lounge, Meow Wolf presents a series of flowing performances,
discussions, and moving image meditations that slip into and out of the Lounge’s
expanse of space and time, activating the room with an experimental theater piece
entitled Novelty. Additional rogue-like moments will include spontaneous poetry and
dance, costumed characters, and live creation of visual art.
Meow Wolf is a cultural project that creates art installations, produces music
shows, forms relationships, welcomes newcomers to Santa Fe and provides individuals
with an open space to be expressive. Its highly acclaimed project “The Due Return”
was presented at the Center for Contemporary Arts in 2011.
Meow Wolf Performance Schedule:
Thursday, Feb 16 at Members Opening, 6–7 pm And from 5–7 PM on the following dates:
Friday, Feb 17 at Public Opening
Friday, Mar 9; Friday, Apr 6 Friday, May 18
TIME TRAVEL LIBRARY
In a unique collaboration with Collected Works Bookstore & Coffeehouse, the Time
Capsule Lounge offers visitors the opportunity to relax and read. Time travel to
your heart’s content with selections from a library of science fiction featuring
classics and contemporary additions to the genre from
the ever popular Time Machine by H.G. Wells to the newly released 11/22/63, by
Stephen King. Curated by Cynthia Melchert, Collected Works’ sci-fi specialist, many
of the titles will be available for purchase from the SITE bookstore.
Information about events in the lounge will be constantly updated and made available
at SITE as well as on SITE’s website and social media platforms.
Special thanks to David Merrill for the design of the Time Capsule Lounge; Joanne
Lefrak, Director of Education and Outreach and Juliet Myers, Curator of Public
Programs for organizing programming in the Time Capsule Lounge; Jason Silverman,
Director of CCA’s Cinematheque for organizing the film series in the Time Capsule
Lounge; Cynthia Melchert of Collected Works Bookstore and Coffeehouse for curating
the Time Travel Library; and Filip Celander for developing the time-lapse films of
the exhibition. Special thanks to anagram for developing the March 2012 website.
ART & CULTURE
Sunday, March 18, 1 pm
Seth Siegelaub with Lucy Lippard: A Conversation via Skype
Co-sponsored by
Constellation Home Electronics
In 1973, Lucy Lippard included Seth Siegelaub’s, groundbreaking exhibition, March
1969 a.k.a. One Month, in her annotated bibliographic work Six Years: The
dematerialization of the art object. Join us for an historic conversation between
these two astute witnesses to the era of conceptual art.
Lippard is a writer/curator/editor/lecturer/activist, author of 21 books on
contemporary art and cultural criticism, most recently Down Country: The Tano of the
Galisteo Basin, 1250-1782 (Museum of New Mexico Press, 2010). She is arecipient of
eight honorary degrees, a Guggenheim Fellowship and a Lannan grant among other
awards. She lives in rural Galisteo, New Mexico where she is on the County
Traditional Community Planning Committee and for 15 years has edited the monthly
community newsletter: El Puente de Galisteo.
Siegelaub was born in the Bronx, New York in 1941 and grew up in New York City. He
has been active as a plumber, art dealer, publisher, independent art exhibition
organizer, political researcher and publisher, textile bibliographer and collector.
Presently based in Amsterdam, Siegelaub is working on The Time and Causality
Project. Under the auspices of the Stichting Egress Foundation, the project will
provide an open-access bibliographic database, and online diction- ary on the
theories of time. www.egressfoundation.net
Tuesday, March 20, 6 pm
Georges Méliès: Cinema’s First Time Traveler Lecture by Jason Silverman
Co-sponsored by Barker Realty
Imagine the moment before cinema began. How did our concept of the universe change
when the first audiences saw the first films? And how did Georges Méliès, the
magician of early cinema, take us still deeper into new temporal spaces? Silverman,
Cinematheque Director at the CCA and a former writer for Wired magazine, shows clips
and discusses Méliès’ work via Skype with Serge Bromberg, a leading authority on
early cinema and the man who restored A Trip to the Moon.
Friday, April 27, 6 pm
Free Family screening of Time Bandits (d. Terry Gilliam, 1981, USA, 116 m)
Co-sponsored by Century Bank
Join us for the Railyard Arts District’s Final Friday, and bring the kids for a dark
family film by Terry Gilliam that’s grimly comic and clever enough for adults, with
popcorn and treats!
All programs are held at SITE Santa Fe.
Image: Eve Sussman | Rufus Corporation, Lera in Yuri’s Office, 2010,
Digital c-print, 44 × 65.5 inches, courtesy of Eve Sussman, photo by
Monia Lippi
Media Preview: Thursday, February 16, 5 pm
Members Opening Thursday, February 16, 2012, 6–7pm
Public Opening, Friday, February 17, 2012, 5–7pm
SITE Santa Fe
1606 Paseo de Peralt - Sante Fe
Hours: Thursday - Saturday: 10 am - 5 pm
Friday: 10 am - 7 pm
Sunday: 12 - 5 pm
Monday - Wednesday: closed
Admission :$10 for adults, $5 for students, seniors and SITE members at the Friend and
Family levels. Free for members at the Supporter level and above. The Art & Culture
series is made possible in part by the Marlene Nathan Meyerson Foundation.
As this exhibition will evolve and change over its duration, SITE is pleased to
offer Time-Lapse courtesy passes; when a visitor purchases general admission, s/he
will receive a complimentary guest pass to return later during the run of the
exhibition.