Projects 97. In his documentary video installations, the artist investigates the space between abstract concepts and material reality. The two-channel video installation 'All That Is Solid Melts into Air' juxtaposes two communities at opposite ends of the world, each struggling to control petroleum.
The Museum of Modern Art presents Projects 97: Mark Boulos,
the New York premiere of the artist’s video installation All That Is Solid Melts into Air (2008), on
view March 19 through July 16, 2012.
In his documentary video installations, Mark Boulos (b. 1975, United States) investigates
the space between abstract concepts and material reality. The two-channel video installation All
That Is Solid Melts into Air juxtaposes two communities at opposite ends of the world, each
struggling to control petroleum. One video depicts floor brokers in the Chicago Mercantile
Exchange trading petroleum contracts during the first days of the financial crisis in 2008. The
other presents footage from the artist’s experience living among Nigerian fishermen, members of
the militant organization Movement for the Emancipation of the Niger Delta (MEND), who live in
one of the largest oil fields in the world. Fighting to alleviate the poverty of the population, the
guerilla group violently battles the exploitation of the natural environment. The conflict between
the guerillas and national government, which benefits from its contracts with international
corporations, has escalated over the past few decades. Simultaneously, the local residents
compete for the resource by seizing it directly from pipelines. For the brokers, on the other hand,
who never see or touch the substance, oil is a virtual commodity with quasi-mystical properties.
Inspired by the potential for a more equal distribution of the world’s wealth, Boulos has titled the
installation after a passage from the Communist Manifesto (1848), by Karl Marx and Friedrich
Engels, in which the authors condemn the capitalist system and its detrimental effects on the
working class and social relations at large.
Projects 97 is organized by Cara Starke, former Assistant Curator at MoMA and current
Director of Exhibitions at Creative Time, and Stephanie Weber, Curatorial Assistant, Department
of Media and Performance Art, The Museum of Modern Art. The Elaine Dannheisser Projects series
is coordinated by Kathy Halbreich, Associate Director, The Museum of Modern Art.
ABOUT THE ARTIST
Mark Boulos lives and works in Amsterdam and London. He received a BA in philosophy from
Swarthmore College, Pennsylvania, in 1998, and an MA in film and television, documentary
direction, from the National Film and Television School, Beaconsfield, England, in 2005. His work
has been shown in solo exhibitions at the Miami Art Museum (2011); Ar-Ge Kunst, Bolzano, Italy
(2010); and Stedelijk Museum, CS, Amsterdam (2008). He was also included in group exhibitions
at the Sundance Film Festival (2011); Berlin Biennale (2010); Center for Contemporary Art,
Glasgow (2009); Biennial of Sydney, Australia (2008); and Institute of Contemporary Art, London
(2004).
Modern Mondays: An Evening with Mark Boulos, March 19, 7:00 p.m.
The Roy and Niuta Titus Theater 2
In conjunction with the exhibition Projects 97: Mark Boulos, artist and filmmaker Mark Boulos
(American, b. 1975), will discuss his practice. Boulos’s work explores beliefs that are held with
such transcendent fervor that they are capable of transforming one’s perception of the world.
Focusing on political and religious conviction, he investigates the processes through which ideas
take material form in day-to-day society. Using this approach, Boulos has conducted firsthand
research by observing such radical political organizations as the Philippine revolutionary New
People’s Army and the Movement for the Emancipation of the Niger Delta (MEND).
Modern Mondays is made possible by Anna Marie and Robert F. Shapiro. Additional support is
provided by The Contemporary Arts Council of The Museum of Modern Art.
Tickets: $12 adults; $10 seniors, 65 years and over with ID; $8 full-time students with current ID
(For admittance to film programs only.) The price of a film ticket may be applied toward the price
of a Museum admission ticket when a film ticket stub is presented at the lobby information desk
within 30 days of the date on the stub.
ABOUT THE CURATORS
Cara Starke is currently the Director of Exhibitions at Creative Time. As Assistant Curator,
Department of Media and Performance Art, at MoMA, from 2005 to 2011, she co-organized Francis
Alÿs: A Story of Deception (2011), Projects 93: Dinh Q. Lê (2010), and William Kentridge: Five
Themes (2010). She also collaborated on numerous other exhibitions, including Pipilotti Rist: Pour
Your Body Out (7354 Cubic Meters) (2008), Take your time: Olafur Eliasson (2008), Doug Aitken:
sleepwalkers (2007), and Douglas Gordon: Timeline (2006). Ms. Starke received an MA in art
history from Williams College.
Stephanie Weber, Curatorial Assistant, Department of Media and Performance Art, joined the
Museum in 2010. Ms. Weber has collaborated on several exhibitions, including Projects 93: Dinh
Q. Lê (2010), Looking at Music 3.0 (2011), and Francis Alÿs: A Story of Deception (2011). Ms.
Weber received an MA in history of art, french literature and linguistics, and cultural
studies (Westfälische Wilhelms-Universität, Münster/Germany, 2004) and a postgraduate degree
in Museum Studies from Ecole du Louvre in Paris (2005).
ABOUT THE ELAINE DANNHEISSER PROJECTS SERIES
The Elaine Dannheisser Projects series was created in 1971 as a forum for emerging artists and
new art and plays a vital part in MoMA’s contemporary art programs. With exhibitions organized
by curators from all of the Museum’s curatorial departments, the series has presented the work of
over 200 artists to date. For further information on the series, including a listing of all Projects
artists, please visit MoMA.org/projects.
SPONSORSHIP
The Elaine Dannheisser Projects Series is made possible in part by The Junior Associates of The
Museum of Modern Art.
Images: Stills from All That Is Solid Melts into Air. 2008. Two-channel video (color, sound), 15 min. Courtesy the artist and Galerie Diana Stigter, Amsterdam. © 2012 Mark Boulos
Press Contact: Kim Donica, 212/708-9752 or kim_donica@moma.org
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