Game Plan. A full retrospective. Celebrating the material diversity, conceptual complexity, and visual beauty of Boetti's work, the exhibition brings together approximately 100 works across many mediums that address his ideas about order and disorder, non-invention, and the way in which the work is concerned with the whole world, travel, and time. Also, MoMA Extends Museum Hours for the Summer Months. Live music performances return to the Sculpture Garden with MoMA Nights in July and August.
Alighiero Boetti
Game Plan. A full retrospective
Alighiero Boetti: Game Plan marks the largest presentation of
works by Alighiero Boetti (Italian, 1940–1994) in the United States to date. A full retrospective
spanning the artist’s entire career, the exhibition will be on view in two locations in the Museum
from July 1 to October 1, 2012. Celebrating the material diversity, conceptual complexity, and
visual beauty of Boetti’s work, the exhibition brings together approximately 100 works across
many mediums that address Boetti’s ideas about order and disorder, non-invention, and the way
in which the work is concerned with the whole world, travel, and time. Proving him to be one of
the most important and influential international artists of his generation, the exhibition focuses on
several thematic threads, demonstrating the artist’s interest in exploring recurring motifs in his
work instead of a linear development. In The International Council of The Museum of Modern Art
Exhibition Gallery on the sixth floor, the exhibition will feature works from the first 15 years of the
artist’s career, while works in the Donald B. and Catherine C. Marron Atrium on the second floor
are drawn from the latter part of his career, focused on Boetti’s embroidered pieces and woven
rugs. Alighiero Boetti: Game Plan is organized in collaboration with the Museo Reina Sofía in
Madrid and the Tate Modern in London, where the exhibition was previously on view, and is
organized at The Museum of Modern Art by Christian Rattemeyer, The Harvey S. Shipley Miller
Associate Curator of Drawings.
Working in his hometown of Turin in the early 1960s among a close community of artists
that included Luciano Fabro, Mario Merz, Giulio Paolini, and Michelangelo Pistoletto, among others,
Boetti established himself as one of the leading artists of the Arte Povera movement. Organized
chronologically, the MoMA exhibition will begin with his sculptural objects, comprising everyday
“hardware store” materials including wooden sticks, cardboard, and fiber cement tubes. Brought
together (many for the first time since Boetti’s seminal exhibition at Galleria Christian Stein in
Turin in 1967) and installed in a dense configuration inspired by the original clustered
presentation, these early works convey the material experiments of the period and already
suggest notions of measurement and chance that Boetti would play with and revise throughout his
career.
While Boetti is often chiefly affiliated with the Arte Povera moment, this exhibition will
consider Boetti beyond these brief years. In 1969 Boetti began exploring notions of duality and
multiplicity (famously ‘twinning’ himself into ‘Alighiero e Boetti’), order and disorder, travel and
geography, and he initiated postal and map works imagining distant places. For the work Viaggi
Postali, begun the summer of 1969, Boetti sent envelopes to friends, family, and fellow artists but
used imaginary addresses, forwarding each returned envelope to yet another non-existent place,
thus creating imaginary journeys for the people he admired. The exhibition brings together this
and other works related to travel, geography, and mapping, many of which relate to his extensive
travels to Afghanistan, where he operated the One Hotel as an artist’s project from 1971 until the
Soviet invasion in 1979 (archival materials from that project will be on view). During this period,
Boetti began working with local artisans to produce embroideries such as the
Mappas (maps), Arazzi (word squares), and Tutto (literally, “Everything”), culminating in his
multi-year research project to classify the 1000 longest rivers in the world: an idea equally poetic
and scientific, rigorous and absurd.
An important aspect of Boetti’s oeuvre is drawing, which runs as a constant throughout his
work. A monumental Biro (ball point pen) drawing from 1973, spelling out the title “Mettere al
mondo il mondo (Bringing the world into the world)” points to some of Boetti’s ideas about art
making that were fundamental to his practice: that the artist, rather than inventing, simply brings
what already exists in the world into the work; and that everything in the world is potentially
useful for the artist.
The exhibition is made possible by the generous support of two anonymous donors.
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Live music returns to the Sculpture Garden this summer with MoMA nights
every thursday and annual Summergarden Concerts
MoMA Extends Museum Hours for the Summer Months
NEW YORK, May 2, 2012—This summer, live music performances return to The Museum of
Modern Art’s Abby Aldrich Rockefeller Sculpture Garden with MoMA Nights on Thursdays in July
and August and Summergarden concerts on four Sundays in July. In addition, MoMA will extend
its hours by opening from 10:30 a.m. to 5:30 p.m. on Tuesdays (June 26 through September 25),
a day the Museum is usually closed, and until 8:00 p.m. on Thursdays (July 5 through August 30),
providing the public with more opportunities to enjoy the Museum’s renowned collection and
special exhibitions.
MoMA Nights will feature live music at 6:30 p.m., in the Sculpture Garden (weather
permitting). MoMA Nights concerts are free with Museum admission and feature an international
and innovative selection of live music. In addition to an evening of Brazilian music in celebration
of the 10th anniversary of Premiere Brazil!, MoMA’s annual collaboration with the Rio de Janeiro
Film Festival, audiences can expect African Soukous music, Colombian traditional folkloric Cumbia,
Bubu music of Sierra Leone, virtuosic American guitar, an arresting experimental-pop
singer/songwriter, and a concert of John Cage’s percussion music commemorating the 2012 John
Cage centenary.
Further concert details will be available in late-May. The MoMA Nights music series is
organized in collaboration with Olivier Conan, programmer and co-owner of Barbès performance
space in Brooklyn.
During MoMA Nights, there will be a cash bar (specialty cocktails, draft beer, wine, and
nonalcoholic beverages) and seasonal tapas for purchase in the Sculpture Garden. The Garden Bar
will sell local gelati and sorbetti, ice cream sandwiches, and cookies, as well as wine, beer, and
specialty coffees. Terrace 5, on the fifth floor of the Museum, will offer wines and salumi in an
“urban picnic” in addition to the regular ala carte menu presented by Chef Lynn Bound.
On Sundays, July 8 through 29, the Museum’s free Summergarden series once again
welcomes the participation of two constituents from Lincoln Center—The Juilliard School and Jazz
at Lincoln Center—with concerts in the Sculpture Garden (weather permitting). New Music for New
York presents four evenings of adventurous contemporary music, with premieres each night.
Members of The New Juilliard Ensemble, under the artistic direction of Joel Sachs, perform on July
8 and 22 and will offer two distinctive programs of contemporary compositions, all of which are
enjoying their New York, United States, Western Hemisphere, or world premieres. Jazz at Lincoln
Center has selected two leading jazz groups whose concerts on July 15 and 29 emphasize original
works, each with one world premiere.
During Summergarden, the Garden Bar will sell gelati and seasonal sorbetti from il
laboratorio del gelato, homemade cookies, and Café 2’s signature ice cream sandwich. Wine,
champagne, American craft beer, specialty coffees, and bottled water are also available for
purchase.
In addition to the Museum’s collection, special exhibitions on view this summer include
Ecstatic Alphabets/Heaps of Language (May 6–August 27), Alighiero Boetti: Game Plan (July 1–
October 1), Century of the Child: Growing by Design, 1900–2000 (July 29–November 5),
and Quay Brothers: On Deciphering the Pharmacist's Prescription for Lip-Reading Puppets (August
12, 2012–January 7, 2013).
MoMA SUMMER HOURS:
Mondays:
10:30 a.m. – 5:30 p.m.
Tuesdays:
OPEN 10:30 a.m. – 5:30 p.m. (June 26 through September 25)
Wednesdays: 10:30 a.m. – 5:30 p.m.
Thursdays:
10:30 a.m. – 8:00 p.m. (July 5 through August 30)
Fridays:
10:30 a.m. – 8:00 p.m. Target Free Friday Nights begin at 4:00 p.m.*
Saturdays:
10:30 a.m. – 5:30 p.m.
Sundays:
10:30 a.m. – 5:30 p.m.
MoMA NIGHTS:
Thursdays, July 5, 12, 19, 26, and August 2, 9, 16, 23, 30
Live music set at 6:30 p.m. , The Abby Aldrich Rockefeller Sculpture Garden (weather permitting)
Regular admission applies. In the event of rain, the Sculpture Garden will close, and music will
take place indoors. Sculpture Garden and indoor seating are limited and on a first-come, first-
served basis.
SUMMERGARDEN:
July 8—Juilliard concert 1 – New Music for Large Ensembles
July 15 —Jazz at Lincoln Center concert 1 - Yosvany Terry Quintet
July 22 —Juilliard concert 2 – New Music for String Quartet
July 29 —Jazz at Lincoln Center concert 2 - Vijay Iyer Trio
8:00 p.m., The Abby Aldrich Rockefeller Sculpture Garden (weather permitting)
Summergarden is free and seating is on a first-come, first-served basis. The Abby Aldrich
Rockefeller Sculpture Garden may close if attendance reaches maximum capacity. Entrance to
Summergarden is through the Sculpture Garden gate on West 54 Street between Fifth and Sixth
avenues. The Sculpture Garden opens at 7:00 p.m., and concerts start at 8:00 p.m. and run
approximately one hour to 90 minutes. The Sculpture Garden closes at 10:00 p.m. In the event of
rain, concerts will be held in The Agnes Gund Garden Lobby, and the Museum’s 54 Street entrance
will open at 7:30 p.m. The exhibition galleries are closed during Summergarden.
Major annual support for Summergarden is provided by The Ethel P. Shein Fund for Music at
MoMA, which is generously funded by Agnes Gund. Additional support is provided by The Fan Fox
and Leslie R. Samuels Foundation, The Gladys Krieble Delmas Foundation, Paul D. Shein, Myrna
and Freddie Gershon, and Elizabeth Pozen.
Press Contact: Kim Donica, 212-708-9752 or kim_donica@moma.org
The Abby Aldrich Rockefeller Sculpture Garden - The Museum of Modern Art
11 West 53 Street, New York, NY 10019, (212) 708-9400
Hours: Wednesday through Monday, 10:30 a.m.–5:30 p.m. Friday, 10:30 a.m.–8:00 p.m. Closed Tuesday
Summer Hours June 26—September 25: Monday through Thursday, 10:30 a.m.-5:30 p.m.
Friday, 10:30 a.m.-8:00 p.m.
Museum Admission: $25 adults; $18 seniors, 65 years and over with I.D.; $14 full-time students with
current I.D. Free, members and children 16 and under. (Includes admittance to Museum galleries and film
programs). Target Free Friday Nights 4:00–8:00 p.m.
Film Admission: $12 adults; $8 seniors, 65 years and over with I.D. $10 full-time students with current
I.D. (For admittance to film programs only)
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Image: Alighiero Boetti (Italian, 1940-1994). Gemelli (Twins). 1968. Photomontage 5 7/8 x 3 15/16" (15 x 10 cm). Collection Annemarie Sauzeau, Paris. © 2012 Estate of Alighiero Boetti / Artists Rights Society (ARS), New York / SIAE, Rome.
Press Contact:
Paul Jackson, (212) 708-9593, paul_jackson@moma.org
Margaret Doyle, (212) 408-6400, margaret_doyle@moma.org
Press Preview: Tuesday, June 26, 10:00 a.m.-12:00 p.m.
MoMA The Museum of Modern Art
11 West 53 Street, New York, NY 10019
Hours: Wednesday through Monday, 10:30 a.m.–5:30 p.m. Friday, 10:30 a.m.–8:00 p.m. Closed Tuesday
Admission: $25 adults; $18 seniors, 65 years and over with I.D.; $14 full-time students with
current I.D. Free, members and children 16 and under.