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31/10/2012

Robert Sagerman - Meridel Rubenstein

Brian Gross Fine Art, San Francisco

Meridel Rubenstein
Heaven Turned on its Side: Photosynthesis

Brian Gross Fine Art is pleased to announce Heaven Turned on its Side: Photosynthesis, a solo exhibition of work by Santa Fe artist Meridel Rubenstein, opening Thursday, November 1 with a reception for the artist, from 5:30-7:30 pm. Her series, Heaven Turned on its Side, investigates the relationship between nature and culture. Comprised of three parts, a selection from the first part of this series, Heaven Turned on its Side: Photosynthesis, will be on view at Brian Gross Fine Art through December 22, 2012.

In Heaven Turned on its Side: Photosynthesis, Rubenstein photographed people and trees at each solstice and equinox during the different stages of photosynthesis. In investigating the exchange of oxygen and carbon dioxide throughout the seasons, Rubenstein utilizes photosynthesis as a means to expose current ecological and social imbalances. Set against a post-Edenic world, the work emphasizes that survival is dependent upon a balance between conservation and human development.

In the second part of this series, Heaven Turned on its Side: The Volcano Cycle, Rubenstein photographed volcanoes from Indonesia’s Ring of Fire. The image of the volcano as symbol for life before human beings, conjures up ideas of earth, climate change, and human evolution. The third part of this series, Heaven Turned on its Side: Eden in Iraq, is a proposed wastewater art garden to be created in 2013 in the damaged S. Iraq marshes in proximity to the probable historic site of the Garden of Eden. Utilizing preconceived notions of Eden as the universal concept of paradise, Rubenstein investigates the inevitable destruction of Eden, drawing on the reality of the destruction caused by the war in Iraq. Rubenstein remarks, “to really restore Eden, recognition of waste must be included to make things grow. These small steps of purification and re-greening lead us back from the brink of ‘desert-ification.’”

Rubenstein was born in Detroit, Michigan in 1948. Well known in the photography community, She received an MA and MFA from the University of New Mexico, Albuquerque. Since 2006 she has been a Visiting Associate Professor at the School of Art, Design, and Media at Nanyang Technological University in Singapore where she teaches Installation Art and Art and Ecology. From 2000-2005, she was the Harnish Visiting Artist at Smith College, Northampton, MA and from 1985-90, she headed the photography program at San Francisco State University. Her work has been the focus of numerous gallery and museum exhibitions throughout the United States including Site Santa Fe, New Mexico, the Museum of Contemporary Photography, Chicago, the List Center for Visual Arts, MIT, Boston, the Smithsonian Institution, Washington, DC, the Museum of Fine Arts, Houston, the San Francisco Museum of Modern Art, among others. She currently maintains a studio in Santa Fe, New Mexico. Last spring her well known Lowrider images from 1980 were shown at the Louvre in Paris.

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Robert Sagerman
Still Without Cessation

Brian Gross Fine Art is pleased to announce Still Without Cessation, a solo exhibition of work by New York artist Robert Sagerman, opening Thursday, November 1 with a reception for the artist, from 5:30-7:30 pm. Robert Sagerman creates rich color field paintings through the application of daubs of oil paint, layer upon layer, in a rhythmic, methodical, and meditative gesture. The result is an activated surface built of layers of applied paint that crosses the boundaries between painting and sculpture. The exhibition will be on view through December 22, 2012.

Sagerman’s artistic process is a calculated action in which he counts and journals each and every stroke. The total number of marks ultimately provides the title of each piece, such as 4,511. The meticulous counting of gestures integrates a temporal element to his work as the process is frozen in time. Also, the keeping record of each strokes portrays the influence of his study of medieval Jewish mystical tradition in which “numbers partook of the immaterial heart of the material world, of the world’s true nature.” For Sagerman, numerical tabulation of the marks captures the true nature and essence of the painting.

In these latest works, Robert Sagerman continues his process-orientated field painting, with the recent development of incorporating gradations of color and value from one end of the painting to another. In previous exhibitions, color and value were more static. The shifts in color add a compositional dynamism that results in a rich surface infused with movement and energy.

Born in Bayside, New York in 1966, Robert Sagerman received his MFA in Painting and MA in Art History from the Pratt Institute in 1998; his MA in Religious Studies in 2000 from New York University; and his PhD in Hebrew and Judaic Studies from New York University in 2008. Sagerman has participated in numerous exhibitions in New York, Atlanta, Chicago, and Germany. This exhibition is his fourth at Brian Gross Fine Art.

Image: Meridel Rubenstein, Winter Seasonal, 2009-11, 52.9 × 40 inches

opening Thursday, November 1 with a reception for the artist, from 5:30-7:30 pm

Brian Gross Fine Art
49 Geary Street, 5th Floor - San Francisco, CA 94108
Gallery hours: Tuesday-Friday 11-5:30pm; Saturday 11-5pm

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