The exhibition presents the work of four artists working with abstract drawing in its most austerely resolved and poetic manner: Belinda Cadbury, Sarah Cawkwell, Wendy Smith and Alison Turnbull.
Curated by Deanna Petherbridge
Belinda Cadbury
Sarah Cawkwell
Wendy Smith
Alison Turnbull
This exhibition presents the work of four artists working with abstract drawing in its
most austerely resolved and poetic manner.
Although the finished works appear to share a common understanding of geometry
or notational systems, each artist works in different ways, on a different scale and in
response to very different agendas. Some of the drawings are highly complex, others
are deceptively simple, but they all employ straightforward graphic techniques on
paper and celebrate the austere lines and forms of such simple means.
What unites the work in the exhibition is that these are not rough sketches, graphic
passages towards a work in another medium or the sparking-off point for a series of
exploratory positions. Rather each drawing marks a point of arrival and resolution as
the result of much thought, refinement and decision-making. In most cases careful
mathematical calculations and all manner of preparatory graphic stages have been
explored before finality is arrived at. Processes of work and thought have become
narrativised in the geometries of these finished works, which abjure text or
explanatory commentaries.
The idea of drawing as a self-legitimating act of resolution is a rather neglected aspect
of works on paper. It is certainly undervalued in an age that worships the
spontaneous, the open-ended and the sketchy as marks of the embodied hand, while
relegating notions of finish to computer-generated drawing. Nevertheless, in their
very different ways they all achieve a graphic resolution or finito in their paper
abstractions, which exist in their own right as authoritative artworks, not as adjuncts
to other forms of practice in a hierarchical relation.
Geometry and mathematical systems were deeply important concepts historically in
the second half of the twentieth century when groups of artists worked within the
shared rules and orthodoxies of Minimalism, Constructivism, Constructionism and
Systems Art. Bitter ideological battles were fought over notions of ‘pure’ geometry
or the authority of mathematical systems for generating series and sequences. For
the artists in this exhibition, such orthodoxies have long been superseded and each
has appropriated aspects of drawn geometry for very personal and conceptual ends.
A Catalogue will be available. View on-line at www.artspacegallery.co.uk
Image: image: In this light it's difficult to see, Wendy Smith, 2011
cut Japanese paper on board, 43 x 31 cm.
Art Space Gallery
Michael Richardson Contemporary Art
84 St.Peter's Street, London N1 8JS
Gallery hours:
11 am to 6 pm Tues. - Sat. during exhibitions.