Candida Alvarez
John Bankston
Miriam Backstrom
Francis Baker
Rebeca Bollinger
Jim Christiansen
Viola Frey
Doug Hall
Matthias Hoch
Candida Hofer
Bill Jacobson
Stefan Kurten
Sang Lee
Hung Liu
Chip Lord
Tracey Moffatt
Martin Mull
Vik Muniz
Irene Pijoan
Paul Seawright
Henry Wessel
Sandra Wong
A group exhibition of works that explore notions of landscape, ground, and vista. The artists included document, depict, mimic, extrapolate, and deconstruct their surroundings.
For our end of the season exhibition, Rena Bransten Gallery will present
Scenery, a group exhibition of works that explore notions of landscape, ground,
and vista. The artists included document, depict, mimic, extrapolate, and
deconstruct their surroundings.
· Candida Alvarez's painting of lush tropical foliage overshadowed by an
ominous shadow shows the other side of paradise.
· John Bankston's drawing of an idyllic woodland scene reveals upon
closer inspection an abandoned picnic site with only wigs and empty bottles left
by the attendees.
· Miriam Bäckström photographs film sets showing the literal rough edges
of the "scenery".
· Francis Baker's photographs show plant life forced into molds that
become kitschy forms, such as a Buddha figurine or a Barbie Doll, to comment on
society's impact on natural courses.
· Rebeca Bollinger makes thumbnail drawings of natural elements as they
appeared in a web search.
· Jim Christiansen is the subject in many of his drawings of scenes from
his Southern childhood.
· Viola Frey's densely painted garden scene perfectly captures the
bleaching, fractured sun light of an afternoon in the Sacramento Valley of
California.
· Doug Hall's photo of Highway 50 shows a vista familiar to drivers
heading West.
· Matthias Hoch's photographs depict urban cement parks in European
locations.
· Candida Höfer photographs man-made habitats for zoo animals that mimic
nature or leave if out altogether.
· Bill Jacobson's fuzzy photos reduce the natural landscape to color
fields that appear to be paintings.
· Stefan Kürten's small paintings catalogue sunsets and other landscape
details in an effort to control the uncontrollable.
· Sang Lee's eerie color photographs of neighborhoods at night suggest a
depth and intensity belied by the conventions of home and hearth.
· Hung Liu's lush canvas refers to both photography and Chinese bird and
flower paintings in its depiction of a wading person and a wading bird.
· Chip Lord's photo diptychs pair urban scenes from films featuring San
Francisco.
· Tracey Moffatt's photo litho features a babe in the woods taunted by
terrifying trees as she runs along.
· Martin Mull's painting turns the concept of safe suburban life on its
ear.
· Vik Muniz makes models of famous earthworks then photographs them
blurring the line between fact and fantasy.
· Irene Pijoan's cut-out metal wall pieces show dense groupings of
different plant species.
· Paul Seawright's photograph of docks show very little water and a lot
of human impact on the coastal environment.
· Henry Wessel's photographs show the grim remains of nature in abandoned
urban areas.
· Sandra Wong's drawings of individual ranch houses floating on isolated
white grounds provide for a springboard of associations.
Rena Bransten Gallery will be closed from August 17 through September 1. Normal
gallery hours are Tuesday through Friday 10:30 to 5:30, Saturdays 11 to 5.
Images are available upon request.
Rena Bransten Gallery, San Francisco, CA