Adolf Loos
Hans Hollein
Hermann Czech
Alvaro Siza
Eduardo Souto de Moura
Jacques Herzog
Paulo Mendes da Rocha
Toyo Ito
David Adjaye
Steven Holl
Preston Scott Cohen
Rainald Franz
Yehuda E. Safran
At the core of the exhibition a series of interviews with contemporary architects on the present-day significance of Adolf Loos as a pioneer of modern architecture. His interviewees include Hans Hollein, Hermann Czech, Alvaro Siza, Eduardo Souto de Moura, Jacques Herzog, Paulo Mendes da Rocha, Toyo Ito, David Adjaye, Steven Holl, and Preston Scott Cohen.
A cooperation of Columbia University, New York and the MAK, Vienna
Curator: Rainald Franz, Curator, MAK Glass and Ceramics Collection
Guest Curator: Yehuda E. Safran, architectural theorist, Professor at the GSAPP – Graduate School of Architecture, Planning and Preservation at Columbia University, New York
The continuous influence of Adolf Loos (1870–1933) on the building culture of the
past hundred years will be in focus at the exhibition LOOS: Our Contemporary, set
to run from 13 March 2013 at the MAK in Vienna. Loos’s minimalist aesthetic
paradigms and his radical concept for an ethical world architecture and aesthetics
influenced the oeuvres of numerous modern-era architects, a fact that this showing—
developed by the British Loos expert Yehuda E. Safran—vividly demonstrates.
LOOS: Our Contemporary was first seen by the public at the CAAA – Centro para os
Assuntos da Arte e Arquitectura in Guimarães, Portugal, and its presentation at
Columbia University (beginning in July) will be accompanied by a symposium at
MoMA, New York.
Yehuda E. Safran, an architectural theorist and a professor at New York’s Graduate
School of Architecture, Planning and Preservation (GSAPP) at Columbia University,
took inspiration for this project from Jan Kott’s book Shakespeare Our
Contemporary (1965), as well as from Adolf Loos’s essay Ornament and Crime
(1908). In this legendary polemic, Loos—who helped shape Vienna’s turn-of-the-
century aesthetic discourse as an ardent opponent of the Ringstraße Style and a sharp
critic of Art Nouveau and the Vienna Secession—vehemently opposed the application
of any and all newly invented ornamentation to utilitarian items and buildings.
His radically modern ideas and typical design style are based on the functional
advancement of the traditional; Loos’s best-known works include the interior of Café
Museum on Vienna’s Karlsplatz (1899) and the commercial building for the Viennese
men’s clothier Goldman & Salatsch on Michaelerplatz (1911).
At the core of the exhibition LOOS: Our Contemporary is a series of interviews
conducted by Yehuda E. Safran with contemporary architects on the present-day
significance of Adolf Loos as a pioneer of modern architecture. His interviewees
include Hans Hollein, Hermann Czech, Álvaro Siza, Eduardo Souto de Moura,
Jacques Herzog, Paulo Mendes da Rocha, Toyo Ito, David Adjaye, Steven Holl, and
Preston Scott Cohen.
The relevance of Loos’s writings and projects as stylistically formative parameters of
modernism is also discussed in light of examples selected from the oeuvres of
international architects. Designs, models, photos, and everyday objects by Le
Corbusier, Hermann Czech, José Paulo Dos Santos, Eileen Gray, Herzog & De
Meuron, Friedrich Kiesler, Rem Koolhaas, Richard Neutra, Aldo Rossi, Rudolph M.
Schindler, Eduardo Souto de Moura, Ludwig Wittgenstein, and others document the
neverending effort to achieve a balance between exterior and interior worlds, thus
rendering the cosmos of Adolf Loos more easily understood.
This exhibition’s Viennese presentation will be enriched by never-before-shown
drawings and objects by Loos for projects such as the Villa Karma (1904–1906) in
Clarens near Montreux, Switzerland. Contemporary Viennese takes on Loos in the
form of works by artists and architects such as Heinz Frank, Karl-Heinz Klopf and
Hubmann – Vass Architects will likewise round out this showing, as will a
retrospective on major Loos presentations and Loos-related research in Vienna.
For this exhibition, an issue of the magazine Potlatch has been published with the
title Adolf Loos: Our Contemporary / Unser Zeitgenosse / Nosso Contemporâneo
(No. 3, Autumn 2012, New York, edited by Yehuda E. Safran); it contains texts by
Beatriz Colomina, Hermann Czech, Rainald Franz, Benedetto Gravagnuolo,
Christopher Long, Can Onaner, Daniel Scherer, and Philip Ursprung, and can be
purchased at the MAK Design Shop for € 20.
For the realization of the exhibition LOOS: Our Contemporary, as well as for
exhibition and tourism projects in the Centrope Region, the MAK and the Moravian
Gallery in Brno have been granted financial support by the EU subsidy program
“European Territorial Cooperation Between Austria and the Czech Republic, 2007–
2013.”
Image: Adolf Loos, House design for Josephine Baker (unbuilt), 1927 (reconstruction/model by G. Bittorf, M. Burer) © Albertina
MAK Press and PR:
Judith Anna Schwarz-Jungmann (Head)
Sandra Hell-Ghignone
Veronika Träger
Lara Steinhäußer
T +43 1 711 36-233, 229, 212 presse@MAK.at
Press Conference Tuesday, 12 March 2013, 10:30 a.m.
Opening Tuesday, 12 March 2013, 7 p.m.
MAK – Austrian Museum of Applied Arts / Contemporary Art
Stubenring 5, 1010 Wien, Austria
Opening Hours:
Tue 10 a.m.–10 p.m.
Wed–Sun 10 a.m.–6 p.m.
Mon closed
Free Admission on Tuesdays 6–10 p.m.
Admission:
€ 7,90 / reduced € 5,50
Free admission for children and teens up to 19
Free Admission on Tuesdays 6–10 p.m.
Family ticket € 11 (2 adults and at least one child under 14)