Shah Jahan, Natasja Kensmil & Sara Van Der Heide
Shah Jahan, Natasja Kensmil & Sara Van Der Heide
Curated by Marlene Dumas
I had the privilege to work with these 3 young artists when they
studied at de Ateliers in Amsterdam. I think they’re serious,
intense and even funny and they should be seen as well
as heard as soon as possible. – Marlene Dumas
SHAH JAHAN
1976, Sylhet, Bangladesh
Lives and works in Birmingham
Although it looks as though Shah Jahan has embraced popular culture, his
paintings of pizza couriers and family gatherings have a sinister intensity
that is diametrically opposed to the consumer bliss of Pop Art. The photos
on which they are based seem to have been broken open to expose hidden
meanings.Jahan's snapshots of an Anglo-Asian community are marked by
infelicities and translation errors that have a magical quality. They are
often assembled to form sequences that are a painterly reply to the
film-loop.
NATASJA KENSMIL
1973, Amsterdam
Lives and works in Amsterdam
Alarming subjects loom up from the thick layers of paint in Natasja
Kensmil's paintings. It is as though the figures are situated behind the
surface of the painting. They are nightmares, as dark and menacing as the
black paintings of Goya, but at the same time these horrible orgies of
destruction are an exorcism of a real fear of extreme right-wing violence
and increasing nationalism.
SARA VAN DER HEIDE
1977, Pusan, South-Korea
Lives and works in Amsterdam
Sara van der Heide's paintings display a strong psychological intensity.
Sometimes it is as though the protagonists have ended up in their own
delusions, at other times they are like aliens in their own familiar
environment. In the glowing colors of the paintings, figure and ground
constantly compete for attention. In her ink drawings, mysterious images of
distant, calm places surface in the many shadows.
Text written by Dominic Van Den Boogerd
CRG GALLERY 535 West 22nd Street, New York, NY 10011