Maria Thereza Alves
Jimmie Durham
Harun Farocki
Patrick Keiller
Anja Kirschner
David Panos
Candice Lin
Olivia Plender
Xabier Salaberria
Jorge Satorre
Klaus Weber
Catalina Lozano
As a garden desires discipline. This exhibition examines selected mechanisms of introducing practices of social control which may be perceived as forms of internal colonization and which were necessary to the development of the capitalist economy within the European project.
curated by Catalina Lozano
A machine desires instruction as a garden desires* discipline examines the mechanisms underlying modern capitalist Europe.
Catalina Lozano invites us to reexamine and reevaluate historical
facts and their present consequences (Keiller, Kirschner & Panos,
Plender). Documentary narratives (Farocki), anthropological dis-
course (Alves & Durham, Satorre), and metaphorical propositions
(Lin, Weber) are combined in order to deconstruct Eurocentric
certitudes.
How does self-submission to fundamental dualism continue to persist?
How do conventions and commands become interiorized? This is a true
call to dismantle and perhaps do away with the binary vision of the
world...
* The title of this work is borrowed from a 1996 work by Jimmie Durham.
A WORD FROM THE CURATOR
This exhibition examines selected mechanisms of introducing practices
of social control which may be perceived as forms of internal
colonization and which were necessary to the development of the
capitalist economy within the European project. These mechanisms
were accompanied by the internalization of an increasingly mechani-
cal vision of the body, of society, and of political order. However,
there was also popular resistance to the submission, which often
entailed homogenization proper to the instauration of the first
nation states.
The appropriation and accumulation of land, cultural and religious
homogenization, hierarchical organization of territorial government,
control over the reproduction and organization of the workforce... are
forms of colonization exercised at different levels, introduced in
the name of an ideological principle rooted in the opposing pairs
of nature/humankind, body/soul–reason, following the secularization
of the ideological essence of humanity.
This capitalist, modern mega-machine is contravened, hindered,
and sometimes even crippled by assemblages of human and non-human
elements, by collective subjectivities (Guattari), or by networks
composed of hybrid elements (Latour). It can therefore be
deconstructed if its mystical character is exposed and challenged,
and if we debunk this binary, yet powerful, notion of the world.
The works featured in this exhibition, some of which allow us to
grasp how topical these questions are, are not literal illustrations
of a historical thesis. Rather, they address these questions accor-
ding to the principle of contiguity, thus escaping any definitive
or logical formulation that would attempt to indoctrinate the
visitor.
Image: Candice Lin, Birth of a Nation, 2008 (detail). ©François Ghebaly Gallery, Los Angeles
Press Agency
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