Kinga Araya
Constanza Camelo
Flutura and Besnik Haxhillari
Myriam Laplante
Vessna Perunovich
Sonia Pelletier
Performance Art Event. Fado is pleased to present Diaspora, a performance art event that examines the experiences of dispersed and exiled populations. The event will feature five performances followed by a public discussion.
(Performance Art Event)
Featuring: Kinga Araya, Constanza Camelo, Flutura
and Besnik Haxhillari, Myriam Laplante and Vessna
Perunovich
Curated by Sonia Pelletier
Toronto... Fado is pleased to present DIASPORA, a
performance art event that examines the
experiences of dispersed and exiled populations.
The event will feature five performances followed
by a public discussion. DIASPORA presents artists
from various cultures, now living in Canada,
whose performances consider their 'foreignness'.
Developed by Montreal curator Sonia Pelletier and
touring with support from CALQ, DIASPORA features
performances modified from an initial event
presented in 2003 at Galerie Clark in Montreal. A
fifth project featuring local artist Vessna
Perunovich will be included for this Toronto
version of DIASPORA.
Sonia Pelletier writes in consideration of the project:
Performance art [ is ] surely the most immediately
expressive way to depict survival, resistance and
the accommodation of differences. This
commingling, driven by the artists' concerns with
identity issues, leads us to consider how the
precarious state of the artist in a foreign land
reverberates on one's own culture, as well as the
status of the artist in general. ...
A major portion of the project is devoted to
reflection, with a focus on the identity issues
of cultural transformation, hybrid cultures,
belonging and cultural transference. ... We are
also attempting to refashion and re-view the word
'Diaspora.' Performative acts convey cultural
evidence, but to what extent can one assert one's
belongingness in a world so polarized between
Western and non-Western culture? And in the art
world, haven't the concepts of globalization and
internationalization gotten confused as well?
About the artists
An artist originating from Poland, Kinga Araya
has lived and worked in the Quebec area (Ottawa,
Toronto and Montreal) since 1990. She has
participated in several installation exhibitions,
video festivals and performance events in Canada
and abroad. Her most recent work addresses the
themes of travel and communication. She attempts
to examine her nomadic and evolving identity,
usually in the context of geopolitical/cultural
issues. Questions such as, "Who am I?" and "Why
am I where I am?" make up her artistic language.
"The phenomenon of walking ad talking in between
diverse cultures, countries and languages became
a condition sine qua non of my artistic practice.
I often question my belonging to one group or the
other I encounter during my journeys. How much of
my 'self' is still 'Polish' and how much has
already become 'Canadian'? I believe that the
driving force behind my art works lies in an
impossible desire to be in total control of who I
am and who I would like to become."
Constanza Camelo, an artist from Columbia, has
lived and worked in Quebec (Quebec City and
Montreal) since 1994. She has enacted many
performances alone and in collaboration with
James Partaik here and abroad. Her early
performances examined the hybrid cultural
identity of her native culture. She has been
especially concerned with the subject of
Colombian independence as a Spanish colony and
its dependence as a neocolony. Later, she turned
her attention to the notions of private and
public space, with a particular concentration on
street performance. Her performative work has
evolved into creations of utopian territories,
using a language composed of expression of change
and ephemerality. Her work is therefore transient
and consists of performance happenings: utopian
territories furtively occupied, in a landscape of
gestures and moments that replaces the landscape
of permanent objects. Her body is in transit.
Flutura and Besnik Haxhillari are two artists
from Albania have been established in Quebec
(Montreal) since 1999. Under the name "Deux
Gullivers" (Two Gullivers), they have created
numerous performances and installations, mostly
abroad. They adopted their name in 1998. It
represents both a concept and a hybrid being born
of an artistic relationship, and it evokes a
spirit of collaboration. The dual adventure has
continued ever since -- an investigation of the
complexity and fragility of identity in the
process of self-discovery. Through a variety of
methods of self-representation and stagings of
their personal concerns, they strive to respond
to the challenging question "Who am I?" They
alternate between the 'performative',
'installation' and 'media' modes. The "Gulliver"
concept is reflected in the recurrent themes of
travel, emigration and relocation. The journey
may be undertaken in different forms, real or
imaginary.
Born in Bangladesh, Myriam Laplante has lived and
worked in Italy (Rome and Assisi) since 1985. Her
installations ad photography have bee shown in
numerous galleries in Europe and the United
States. She has also put on many performances
starting in 1992. Situated somewhere between
humorous fiction and self-reference, Laplante's
work makes use of portraits, masks, costumes and
body enactments. Through loss of control and
melancholy, Myriam Laplante expresses her concept
of the temporality of identity.
Originally from the former Yugoslavia, Vessna
Perunovich has lived and worked in Toronto,
Canada since 1988. Her work has been shown
nationally and internationally, most recently at
the XII Biennial of Cerveira in Portugal, Second
Tirana Biennial in Albania and 8th Havana
Biennial in Cuba. Her sculptural installation,
video and performative work explores her personal
experience of immigration and displacement in
addressing the issues of borders, exile and
longing. Tension, which is a constant in her work
both formally and conceptually, is essential to
maintain the balance between subjection and
empowerment, vulnerability and resilience.
Perunovich's work reflects on the pressures and
ironies found in the opposing but interconnected
forces, where conscious meets unconscious,
personal meets social and illusion meets reality.
Her most recent performance project Transitory
Places which traveled to England, Portugal, Italy
and Cuba explores the notion of home and one's
sense of belonging, as well as the utopian dream
of a perfect place and disillusion that lays in
the pursuit of that ideal.
January 30, 2004, 8 pm
Presented in cooperation with Blank Slate with
support from the Conseil des art et des lettres
du Québec
PWYC (suggested donation $5)
Contact (media and public): Paul Couillard (416) 822-3219
DISASPORA will also be in Hamilton on Thursday,
January 29, 2003 at the Staircase Café & Theatre
under the auspices of the Art Gallery of
Hamilton. For details contact Katja Canini,
(Acting) Media Programmer, at (905) 527-6610 ext.
257
Fado is pleased to acknowledge the Canada
Council, the Ontario Arts Council, the City of
Toronto through the Toronto Arts Council, and the
Department of Canadian Heritage for their support
of our ongoing activities. This project also
received touring funding from the Conseil des des
arts et des lettres du Quebec.
"Art is the demonstrated wish and will to resolve
conflict through action, be it spiritual,
religious, political, personal, social or
cultural." Alastair MacLennan
@ Karen Schreiber Gallery (25 Morrow Ave., #302)