My mother and others. An exhibition-performance that combines sound, video and the visitor's own experience. Delbono habitually manipulates voice, words, movement, light, music and images on both stage and screen. This time he has used these familiar tools to shape something new.
from an original idea by Pippo Delbono and Richard Laillier
Better known for his theatre and cinema work,
Pippo Delbono is to appear for the first time at a
contemporary arts centre in Paris with a new form
of production: an exhibition-performance that
combines sound, video and the visitor’s own
experience.
«My mother and others is
everything that happens in
your innermost depths,
all the wounds, the marks
on your skin, the cries,
the caresses, the last
movements of the body and
the presence of all things.
My mother and others is
about the human voice.
My mother and others is
about wolves, encounters
that cut to the quick,
encounters that save you.
My mother and others is
the Minotaur in its labyrinth,
Saint Sebastian and his
arrows.
My mother and others is
about life - life that
sometimes withdraws,
leaving only the smallest
of traces.
DEVICE
A refectory and two rooms – the voice of Pippo
Delbono – an actress – video projectors – television
sets – an armchair – a table and chairs – tarpaulins
– hundreds of scattered photos – music.
Pippo Delbono habitually manipulates voice, words,
movement, light, music and images on both stage
and screen. This time he has used these familiar
tools to shape something new.
A new, permeable format. A world we no longer
observe but enter.
A drifting through the entrails of Pippo Delbono.
A labyrinth in which the Minotaur seems to have
scattered parts of itself. A Minotaur that seems to
be holding out the thread that will lead us to it.
A Minotaur in the guise of Saint Sebastian, whose
every arrow seems to be a signpost on the path of
its life, and every stigmata the fruit of its dramas,
encounters, violence, and tenderness, everything
that has ever left a mark on its skin.
Pippo Delbono has built this exhibition around a
dramatic idea that is both completely obscure and
crystal clear, compelling visitors to follow its very
precise times and rhythms.
Accompanied by a silent guide, and guided by the
voice of Pippo Delbono, visitors make their way
through a refectory, a dark room, a hallway, and a
white maze. Like the pieces of a jigsaw puzzle,
like the seamarks of life.
Each new space plunges visitors into a memory or a
reminiscence: the psychiatric hospital, confinement,
his mother’s last words, the armchair of his
sleepless nights, the first encounter with Bobò,
the many faces of Bobò, freedom, joy.
Pippo Delbono hijacks the usual formats of the
contemporary artist (installation, video, etc.) and
immerses them in heightened sensation. This is not
about concepts; this is about losing our bearings,
becoming lost so as to intensify our acuity, and the
attention we pay to the outside world.
Whether Pippo Delbono is a familiar name or an
unknown quantity, visitors should allow themselves
to be swept along by the force of his proposition.
Biography
Actor, producer and director, Pippo Delbono was
born in Varazze in 1959. Having first studied
traditional theatre, he spent several years
researching the relationship between theatre and
dance, particularly in the Oriental theatre tradition
where the work of actor and dancer are one. In the
late 1980s he set up his own company, with which
he has since created all his productions.
In 1996 he first met Bobò, who had been born
deaf and with microcephaly, and had been
institutionalised in a psychiatric hospital for 45
years. As a result, Delbono’s work took a new
direction, beginning an artistic collaboration with
Bobò that led him to open his theatre company to
people from a world far removed from theatre and
dance. Thus came about the first whispers of a
theatrical language that went on to shape a
rigorous technique aimed at finding a style of
dance which, though requiring less virtuosity,
embodies a far more profound connection with
life. Since 1999, Delbono has regularly published
writings and interviews relating to his work in the
theatre and, since 2003, conducted research into
film-making as a director. He has also created
several productions for opera and frequently
works with musicians. In recent years he has acted
in many films. All these different paths are now
showing an increasing tendency to converge.
CAST AND CREW
Author and original idea : Pippo Delbono
Scenographer and original idea : Richard Laillier
Assistant : Pepe Robledo
Video editing : Vladimir Vatsev
Technical director : Philippe Dupont
Sound engineer : Mika Benet
Actress : Elsa Briongos-Renaud
Coordination : Antoine Bataille
Tuesday September 9th, 8pm screening of Sangue
in the presence of Pippo Delbono (to be confirmed),
at Cinéma Le Nouvel Odéon,
6 rue de l’Ecole de Médecine,
75006 Paris
http://www.nouvelodeon.com
Saturday october 4th 7pm – 3am
My mother and others will be open at la maison
rouge as part of the Nuit Blanche festival.
Press contact claudine colin communication – 28 rue de Sévigné – 75004 Paris
Laure Jardry – laure@claudinecolin.com – t : +33 (0)1 42 72 60 01 – f : +33 (0)1 42 72 50 23
Preview september 4th 6pm – 9pm
la Maison Rouge
Fondation Antoine De Galbert 10 bd de la Bastille - 75012 Paris France
Hours
Wednesday to Sunday from 11am to 7pm
Late nights Thursday until 9pm
admission
full price: €9
concessions: €6 (13-18, students,full-time artists, over 65s)
free for under 13s, job-seekers, companions to disabled visitors, members of ICOM