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12/10/2014

Richard Tuttle

Whitechapel, London

curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt-Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu-Gordon, Assistant Curator, Tate Modern.

Whitechapel Gallery and Tate Modern announce a major collaboration celebrating artist Richard Tuttle.
The UK’s largest ever survey of the renowned American sculptor and poet Richard Tuttle will take place in London this Oc tober.

It will comprise a major exhibition at the Whitechapel Gallery surveying five decades of his career, a large - scale sculptural commission in Tate Modern’s Turbine Hall and a new publication.

Entitled I Don’t Know. The Weave of Textile Language this unique project has been specially devised by the artist and focuses on the particular importance of textiles in his work.

Richard Tuttle (b 1941) came to prominence in the 1960s, combining sculpture, painting, poetry and drawing. He has become revered for his delicate and playful approach, often using such humble, everyday materials as cloth, paper, rope and plywood. For this project, Tuttle has taken as his starting point one of the unsung heroes of everyday life: textiles.

Textiles are commonly asso ciated with craft and fashion, yet woven canvas lies behind many of the world’s most acclaimed works of art and textiles are of increasing interest to artists today. I Don’t Know . The Weave of Textile Language investigates the importance of this materia l throughout history, across Tuttle’s remarkable body of work and into the lat est developments in his practice.

The Whitechapel Gallery presents a major exhibition surveying Richard Tuttle’s career from the 1960s to today. He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal (1967), as well as making provocative sculptures such as Third Rope Piece (1974), the intimate scale of which directly responds to traditional ideas of monumental art.

Showcasing works selected in cl ose dialogue with the artist the exhibition centres on his use of fibre, thread and textile and offers a fascinating introduction to Tuttle’s influential body of work. The exhibition will include Looking for the Map 8, (2013-14), a new work sho wn in the UK for the first time on display alongside works made in situ by the artist such as the re - making of the key sculpture Ten Kinds of Memory and Memory Itself (1972) as well as international loans from museums and private collections.

Rather than displaying the works chronologically, the artist will instead position works i n a fo rmal relationship to each other and in direct response to the architectural framework of Whitechapel Gallery’s historic exhibition spaces. A concern with colour, line and movement runs through Tuttle’s intuitive presentation which will occupy both gr ound and first floor galleries, featuring works ranging in scale from the intricate series of Section, Extension wall pieces to the 3 - metre long floor - based sculpture Systems VI (2011).

Commission
14 October 2014-6 April 2015
Free

Alongside this exhibition, Tate Modern will present a newly commissioned sculpture in its iconic Turbine Hall from 14 October 2014 to 6 April 2015. Principally constructed of fabric, it will be the largest work ever created by the artis t, measuring over twelve metres in height. It will bring together a group of specially - made fabric s, each of which combines natural and man - made fibres to create different textures in bright colours. These will be suspended from the ceiling as a sculptural form, contrasting with the solid industrial architecture of the Turbine Hall, to create a huge volume of joyous colour and fluidity.

Publication
A new book will be published as part of this project, drawing on Tuttle’s knowledge as a longstanding collect or of textiles from around the world. It will include contributions by the artist and new essays by Magnus af Petersens , Chief Curator, Whitechapel Gallery and Achim Borchardt-Hume, Head of Exhibitions, Tate Modern. The publication will bring together photographs of Tuttle’s personal collection of textiles, images of works from the Whitechapel Gallery exhibition, and documentation of the sculpture at Tate Modern.

Richard Tuttle was born in New Jersey in 1941, and now lives and works bet ween Maine, New Mexico and New York. His work is held in major private and public collections around the world and recent retrospectives have been held at the San Francisco Museum of Modern Art; the Whitney Museum of American Art, New York; the Museum of C ontemporary Art, Chicago and the Los Angeles Museum of Contemporary Art.

Talk: Richard Tuttle: In conversation
Thursday 16 October, 6.30pm - 9pm

Press contact:
Rachel Mapplebeck or Anna Jones, call +44(0)20 75227880 / 7871 or email RachelMapplebeck@whitechapelgallery.org / AnnaJones@whitechapelgallery.org

Media View: 13 October 2014, 9am–1pm Whitechapel Gallery
77–82 Whitechapel High Street, London E1 7QX
Nearest London Underground Station: Aldgate East, Liverpool Street,Tower Gateway DLR.
Opening times: Tuesday – Sunday, 11am–6pm, Thursdays, 11am–9pm.
Admission free.

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