The Transmediale in Berlin is Germany's biggest media art festival. Once a year the festival presents new and significant projects of digital culture and offers reflections on the role of digital technologies in contemporary society, chosen from thousands of international entries. The theme of transmediale.04 (31.1.-4.2.04), Fly Utopia, explores the utopian potential of contemporary art practice in the field of digital culture.
Fly Utopia, international video selection 04
Presented by Andreas Broeckmann, artistic Director at Deluxe Gallery
The Transmediale in Berlin is Germany's biggest media art festival.
Once a year the festival presents new and significant projects of
digital culture and offers reflections on the role of digital
technologies in contemporary society, chosen from thousands of
international entries.
The theme of transmediale.04 (31.1.-4.2.04), Fly Utopia, explores the
utopian potential of contemporary art practice in the field of digital
culture.
Following the festival, a video selection of transmediale.04 is being
shown at Deluxe Gallery, Hoxton Square, N1 6NU
The TM.04 international video selection and festival is being
introduced by transmediale's artistic director, Andreas Broeckmann
Monday 15th March 6.30pm, Places are limited, (seated 40, standing 100)
Admission: £3 on the door.
_______
List of Films being shown:
Bernard Gigounon [ be ]
Starship, 6:00
Ships as spaceships: you never saw them so beautiful before. Starship
shows an enormous symmetrical axis, stranded on a North Sea
beach. For the last fifty years, new technologies and impressive means
of transport have awakened our imagination on the silver screen, in
science-fiction films like Star Trek and Star Wars. Gigounon shows that
alien objects landed on earth ages ago and that we do not even have to
look that hard to find them.
--
mylicon/EN [ it ]
20 ml, 40 ml, 1:00
Water, liquids, fluidity are the common elements of the two clips,
created using images taken from recordings of past live sets."20 ml" and
"40 ml" emphasize the peculiarity of Mylicon/EN production:
images that seem to be very elaborated have been created by simple
actions - such as placing everyday objects (glasses, bottles, coloured
plastics and water) in between a camera and a TV set. The editing has
been reduced to a minimum, while a new soundtrack has been created.
Clips titles, as the name of the duo, remind Western biomedicine,
dosages and names of common medicines against depression and anxiety.
--
Silberstein, Guli [ il ]
Schizophrenic State, 6:00
Two images on my TV screen: An Israeli soldier being lynched in
Rammalla. A Palestinian child and his father being fired at in Gaza. How
can horror be constructed in words? It's a schizophrenic situation - two
sides trapped in a cycle of violence. And I`m in a schizophrenic state
of my own, watching this in New York - not here nor there. Are these
images real?
--
Gilles Delalex, Thomas Wessel-Cessieux [ fr ]
Statiorama, 12:00
Statiorama is a web/video installation compiling 4000 photos of gas
stations taken in 11 countries. It is conceived as dynamic and
interactive slide-show recounting an 8000 km and 3 months photographic
survey of the European highway network. It takes the form of a web site
and a 12 min video catalog. The web site provides texts relating the
photographic survey and different video loops. A mixpage allows to play
the different video loops simultaneously, thus turning the slide-show
into a ever-changing digital landscape.
--
HC Gilje [ no ], Blind [no/de/cz ]
Shiva, 8:00
Cyclical evolution, rephrasing, paraphrasing and constant
re-modification of temporal-spatial structures. The video is based on
improvised material from several performances with BLIND.
--
Bucher, Francois [ co/us ]
White Balance [ to think is to forget difference ], 32:00
White Balance (to think is to forget difference) is an effort to uncover
the geographies of power, the frontiers of privilege. It revisits this
problem from different angles, creating short circuits of meaning which
are hosted by improbable audiovisual matches. Media and internet footage
is intermixed with images shot in downtown Manhattan before and after
the September 11th attacks. The video presents a question that needs to
be visited over and over, a question that is always and necessarily
larger then ourselves. Yvonne Rainer asked this question in her film
Privilege: "?is 'permanent recovering racists' the most we can ever be?"
In this sense, offering a meta narrative that would pretend to describe
the issues at stake is a failure to understand the layers of
unspeakability that are hidden in the question of whiteness. The piece
opts for a poetic language, an address that seeks to arouse thought by
concentrating on the openings of the audiovisual experience, in the
short-lived moment of the in-between.
COMING UP:
St Martins College of Art, Illustration course exhibition
Private View 12th March Exhibition: 13th March - 17th March
Quick Flik Films
March 8th, 8pm
Social Enterprise London
23rd-24th March - 2 day Conference
The shape of clouds
Private View 26th February, Exhibition continues until 10th March
Photographic exhibition of the work of Lorena Krause,
Gloat
Saturday 27th March 8pm
Transmediale from Berlin
15th March, Andrea Broeckmann, will be talking about the Berlin
Transmediale Festival, and features "Transmediale.04 international video
selection".
iCapture
A photographic exhibition by Kirsty Mackay consisting of 365 images
taken on the digital camera of a mobile phone.
30th March till 16th April 2004
Sponsored by VODAFONE
SUPPORTED BY GOLDSMITHS COLLEGE AND THE GOETHE INSTITUT
Deluxe Gallery,
Hoxton Square, London, N1 6NU. Tel: 020 7729 8503