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13/1/2015

PROzavod

Center for Photography Lumiere Brothers, Moscow

Curated by Natalia Ponomareva, Ekaterina Zueva

Alexander Abaza, Yuri Abramochkin, Max Alpert, Vladimir Antoshenkov, Vladimir Bogdanov, Nikolay Drachinsky, Nikolay Drachinsky, Grigoriy Dubinsky, Pavel Glebov, Fred Grinberg, Sasha Gusov, Boris Ignatovich, Yakov Khalip, Mark Markov-Grinberg, Svyatoslav Ponomarev, Mikhail Prekhner, Mikhail Rozanov, Yakov Rumkin, Yakov Rumkin, Arkadiy Shaikhet, Alexander Sorin, Vladimir Vorobiev, Emmanuel Yevzerikhin, Alexey Gostev, Alexander Graschenkov, Vasiliy Egorov, Vladimir Filonov, Nikolay Khorunzhiy, Valery Khristoforov, Yuri Krivonosov, Sasha Karelina, Leonid Lazarev, Vladimir Lagrange, Alexander Nagraliyan, Alexander Petrosyan, Sergey Petrukhin, Mikhail Savin, Lev Sherstennikov, Vladimir Sokolaev, Denis Tarasov, Yuri Trankvilitsky, Alexander Ustinov, Stoyan Vassev, Vladimir Zharov

What is PROzavod? It stands for a major exhibition of The Lumiere Brothers Center for Photography that came out of the idea to show the best soviet industrial photography and has turned into a genuine research on the evolution of the image of factory and worker in Russia between avant-garde 1920s and present day.

PROzavod is an industrial story told by the medium of photography, collage and cinema. It is a kind of media archeology in the visual field. There is an avid interest toward industrial aesthetics all over the world which appears in various disciplinary researches (sociology, design, urban studies) and in art practices at the exhibition halls. Bernd and Hilla Becher’s photographs of the industrial architecture in Europe have long become classical; David Lynch’s recent exhibition The Factory Photographs and Edward Burtynsky’s Burtynsky: OIL, both at the famous The Photographers` Gallery (London), are consonant with the interest to the topic, which we share as well.

In Russian art and media history the image and concept of factory has gone through a profound transformation from a propaganda poster of the 1920s through the pages of a popular magazine USSR in Construction to the gallery type art projects and multimedia installations of the 2000s. And this affected the exhibition structure and design.

The exposition will feature various in genre and style photographic works:
those of the soviet classics (B.Ignatovich, M.Alpert, Y.Khalip, M.Markov-Grinberg, etc),
independent documentary photographers of the 1970s-80s (V.Sokolaev, V.Grashchenkov, V.Zharov),
young contemporary artists (M.Rozanov, D.Tarasov, A.Sorin, etc), and avant-garde cinema (S.Eisenshtein, Dz.Vertov) and contemporary documentary (S. loznitsa).

In other words, we offer the viewers to watch the emergence and transformation of industrial aesthetics, its transition from utilitarian into culture-forming or from shock-working to decadence. On top of that, PROzavod is an opportunity to tell about the history of Russian photography, to show how economic and social changes brought about visual culture shifts, to trace the way the photographer’s view, approach and interest to the industrial topic evolved.

The exhibition will feature vintage photographs from the collection of The Lumiere Brothers Center for Photography, modern prints, audio and video works and publications.

Within the framework of the major project from 15 January to 1 February the White hall of The Center will hold a special project of the artist and musician Sergey Ponomarev (aka Purba) Ruins of the Future. This is a installation with six projections and unique sound, creating the effect of a mystic presence inside a ruinous ZIL factory shop.

Image: Abaza A., Azovstal rails. Zhdanov metallurgical plant, 1972

Press office:
Olga Korovkina T +7 495-2289878 pr2@lumiere.ru

Private view: January 14, 2015 at 7pm

The Lumiere Brothers Center for Photography
Bolotnaya naberezhnaya 3 b. 1 - 119072 Moscow
Hours: Tue-Fri 12-9pm, Sat-Sun 11am-9pm

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