Luciano Bartolini
Bruno Benuzzi
Alighiero Boetti
Pierpaolo Calzolari
Enzo Cucchi
Nicola De Maria
Antonio Michelangelo Faggiano
Jannis Kounellis
Felice Levini
Luigi Mainolfi
Giuseppe Maraniello
Mario Merz
Luigi Ontani
Mimmo Paladino
Michelangelo Pistoletto
Emilio Prini
Giuseppe Salvatori
Salvo
Aldo Spoldi
From Arte Povera to the Rediscovery of Nuovi Nuovi. The gallery opens its new location in New York presenting an overview of the extensive and prolific Italian art panorama of the 1970s and the 1980s.
Lucian
o
Ba
r
t
o
l
ini
,
B
r
un
o
Benu
zz
i
,
A
l
i
g
hie
ro
B
o
etti
,
P
ie
rp
a
o
l
o C
a
lz
o
l
a
r
i
,
En
z
o C
ucchi
, N
ic
o
l
a
D
e M
a
r
ia
,
An
t
o
ni
o M
iche
l
an
g
e
l
o
F
a
gg
ian
o,
J
anni
s
K
o
une
ll
i
s
,
F
e
l
ic
e
Le
v
ini
,
Lui
gi M
ain
o
l
f
i
,
Giu
s
e
ppe M
a
r
anie
ll
o,
M
a
r
i
o M
e
r
z
,
Lui
gi
O
ntani
, M
i
mmo
P
a
l
a
d
in
o,
M
iche
l
an
g
e
l
o
P
i
s
t
o
l
ett
o,
E
m
i
l
i
o
P
r
ini
,
Giu
s
e
ppe S
a
l
v
at
or
i
, S
a
l
vo,
A
l
do Spo
l
di
Ierimon
t
i G
all
ery o
p
ens i
t
s new
l
o
ca
t
ion in New
Y
o
r
k
p
r
esenting
a
n overview
of
t
he extensive
a
nd
p
r
o
l
ific
I
t
al
i
a
n
a
r
t
pa
no
r
a
ma
of
t
he 1970s
a
nd
t
he 1980
s
.Whi
l
e
p
o
l
i
t
i
c
s
a
nd
e
c
onomi
c
s un
d
erwent a
p
r
ofound
tr
a
nsfo
r
m
a
t
ion
a
nd
c
u
l
t
u
r
e
tr
a
nsi
t
ioned
from
p
r
o
g
r
es
s
ive mo
d
ernism
t
o
t
he
p
o
st
mo
d
ernist
we
a
k
t
h
o
ugh
t
, I
t
al
i
a
n
a
r
t
a
t
t
he
t
ime e
lab
o
r
a
t
ed
o
l
d
a
nd
new
t
hemes using
t
he
mo
s
t
d
i
s
pa
r
a
t
e m
a
t
eri
al
s
.
A
rt
i
st
s
s
hifted
from using
in
d
us
tr
i
a
l
m
a
t
eri
al
s
s
u
c
h
a
s i
r
on,
c
o
al
, wood
b
un
dl
es, neon, mi
rr
o
rs
,
t
er
r
ac
o
tt
a
—
c
ommon in
A
rt
e
P
overa
(M
a
r
io Merz, J
a
nnis
K
oune
ll
i
s
,
A
l
i
g
hiero
B
oe
tt
i,
P
ier
pa
o
l
o C
al
zo
la
r
i, Mi
c
he
la
n
g
e
l
o
P
i
st
o
l
e
tt
o, Emi
l
io
P
r
ini)
—
t
o
d
i
s
m
a
n
t
l
ing
ins
t
alla
t
ions
a
nd
f
a
vo
r
ing
pa
int
a
nd
c
o
l
or
—
p
o
p
u
la
r
a
mong
T
r
a
ns
a
v
a
n
g
u
a
r
d
i
a
,
An
ac
r
onis
t
i
a
nd
Nuovi Nuovi.
A
new
c
r
e
a
t
ivi
t
y f
l
ou
r
i
s
hed
in
t
ho
s
e
tr
a
nsi
t
ion
a
l
ye
a
rs
:
t
he h
a
rs
h i
d
eo
l
o
g
y of
t
he e
c
onomic
mi
r
acl
e
ye
a
r
s
a
nd
t
he 1968
p
r
o
t
est
ga
ve w
a
y
t
o
r
e
c
onne
c
t
ing
wi
t
h
t
he
pa
st
.
T
he new
g
ener
a
t
ion of
a
rt
i
st
s
a
fter
A
rt
e
P
overa
a
nd
Con
c
e
p
t
u
al
i
s
m
r
e
d
i
s
c
overed
t
he v
al
ue of
pa
in
t
in
g
, his
t
o
r
y
a
nd
t
wo
-
d
imension
al
i
t
y
, whi
l
e m
a
in
t
a
ining
a
n evo
l
u
t
ion
a
r
y vi
s
ion of
a
rt
.
T
he wo
r
ld
, ex
pl
o
r
ed
t
h
r
ou
g
h
t
he ins
t
alla
t
ions
a
nd
ac
t
ions of
t
he 1960s
a
nd
1970
s
,
d
em
a
t
eri
al
izes in
t
o
t
he
ca
nv
a
s wi
t
h
t
he
b
i
rt
h of
T
r
a
ns
a
v
a
n
g
u
a
r
d
ia
(Mimmo
P
alad
ino,
S
a
n
d
r
o Chi
a
, Enzo Cu
cc
hi,
Francesco
C
l
emente,
Nicola
De
M
a
r
i
a
)
la
un
c
hed
b
y
A
c
hi
ll
e
B
oni
t
o
O
l
iva
in
t
he mi
d
-
1970
s
. In
t
he
s
a
me ye
a
r
s a
new
g
r
oup
of
a
rt
i
st
s
from
d
ifferent
a
r
e
a
s of
t
he
p
eninsu
l
a
emer
g
es,
s
u
pp
o
rt
ed
b
y
R
en
a
t
o
B
a
r
i
ll
i, F
r
a
n
c
es
c
a A
l
inovi
a
nd
R
o
b
er
t
o D
a
o
l
io
: the Nuovi Nuovi
.
T
o
da
y
, Ierimon
t
i G
all
ery
r
e
d
i
s
c
overs
a
nd
r
evives
t
h
is
g
r
oup,
a
fter
t
he
s
u
cc
ess of
t
heir fir
s
t exhi
b
i
t
ion
a
t
t
he Ho
ll
y
S
o
l
omon
Gallery
in New
Y
o
r
k in 1980.
T
his
ver
s
a
t
i
l
e
g
r
oup
of
a
rt
i
st
s
d
r
a
ws
a
n im
ag
in
a
r
y
, in
t
a
n
g
i
bl
e
a
nd
s
ym
b
o
l
ic
p
o
rtr
a
it of
t
he I
t
al
i
a
n
c
u
l
t
u
r
a
l
c
on
t
ext of
t
ho
s
e ye
a
rs
.
W
i
t
h
a
n e
cl
e
c
t
ic
a
nd
r
e
tr
o
s
p
e
c
t
ive
a
tt
i
t
u
d
e,
t
he Nuovi Nuovi
em
b
r
ac
ed
t
he i
d
ea of
“
d
ifferent
r
e
p
e
t
i
t
ion” (
Gilles
De
l
euze,
Renato
B
a
r
i
ll
i), or
t
he
r
e
p
e
t
i
t
ion of
t
he
pa
st
,
r
e
t
our
à
,
a
nd
t
he v
al
ue of
q
uo
t
a
t
ions.
T
he i
d
eo
l
o
g
i
ca
l
a
nd
c
on
c
e
p
t
u
a
l
l
i
g
h
t
ning
l
e
ad
s
a
rt
i
st
s
l
i
k
e Lui
g
i
O
n
t
a
ni,
Br
uno
B
enuzzi, Fe
l
i
c
e Levini,
a
nd
S
al
vo
t
o
s
e
l
f
-
fi
g
u
r
a
t
ive,
c
o
l
o
r
ful
a
nd
i
r
onic
fo
r
m
s
.
An em
p
i
r
i
ca
l
c
h
r
om
a
t
i
c
i
s
m
r
e
plac
es
t
he
p
o
l
i
t
i
ca
l
blac
k
a
nd
whi
t
e, wi
t
h Lu
c
i
a
no
B
a
rt
o
l
ini
’
s
p
oe
t
i
c
, initi
a
t
o
r
y
a
nd
c
on
t
em
pla
t
ive vi
s
ions, Giuse
pp
e M
a
r
a
nie
ll
o
’
s
a
nd
Lui
g
i M
a
ino
l
fi
’
s
m
a
t
eri
a
l
d
exteri
t
y
,
A
ld
o
S
p
o
ld
i
’
s
p
o
st
-
p
op
i
r
on
y
,
a
nd
An
t
onio Mi
c
he
la
n
g
e
l
o F
agg
i
a
no
’
s
r
e
tr
iev
a
l
of
eru
d
i
t
e
a
nd my
t
ho
l
o
g
i
ca
l
im
ag
es.
W
i
t
h “
B
ac
k
t
o
t
he 80
’
s
. F
r
om
A
rt
e
P
overa
t
o
t
he
R
e
d
i
s
c
overy of Nuovi Nuovi
,”
Ierimon
t
i G
all
ery
a
ims
t
o ex
pl
o
r
e a
movement
r
i
c
h
in
ex
p
r
es
s
ive
p
o
t
enti
a
l
a
nd
not yet
inf
la
t
ed
from
t
he m
a
rk
e
t
,
a
nd
t
o
r
e
c
ons
tr
u
c
t i
t
s his
t
o
r
i
ca
l
c
on
t
ext
a
nd
g
r
a
mm
a
r
Opening reception: Friday, February 6th, from 6:00pm to 8:00pm
Ierimonti Gallery
24 West 57th street suite 503 - 10019 New York, NY
Hours:
Monday by appointment only
Tuesday - Saturday: 10:00am - 6:00pm
Sunday closed